The Mughal Empire, (Persian: دولتِ مغل, self-designation Gurkānī(yān), Persian: گوركانى, which was also the self-designation of the Timurids in Central Asia and Khorasan) was an empire that at its greatest territorial extent ruled most of the Indian subcontinent, then known as Hindustan, and parts of what is now Afghanistan and Iran (Balochistan), between 1526 and 1707. The empire was founded by the Turco-Persian/Turco-Mongol Timurid leader Babur in 1526, when he defeated Ibrahim Lodi, the last of the Delhi Sultans at the First Battle of Panipat. "Mughal" is the Persian word for "Mongol". The religion of the Mughals was Islam.
The territory was largely conquered by the Pashtun Sher Shah Suri during the time of Humayun, the second Mughal ruler, but under Akbar it grew considerably, and continued to grow until the end of Aurangzeb's rule. Jahangir, the son of Akbar, ruled the empire (1605–1627). In October 1627, the Mughal Emperor Shah Jahan, son of Jahangir, "succeeded to the throne", where he "inherited a vast and rich empire" in India; and "at mid-century this was perhaps the greatest empire in the world". Shah Jahan commissioned the famous Taj Mahal (between 1630–1653), in Agra as a memorial of his wife.
The Mughals faced stiff resistance from the Marathas, and after Aurangzeb died in 1707, the empire started to decline in actual power, giving way to the rise of the Hindu Maratha Empire. The Mughals however managed to maintain some trappings of power in India for another 150 years. In 1739 they were defeated by an army from Persia led by Nadir Shah. In 1756 an army of Ahmed Shah Abdali took Delhi again. The British Empire finally dissolved the Mughal Empire in 1857, immediately prior to which it existed only at the sufferance of the British East India Company.
Religious orthodoxy would only play a truly important role during the reign of Aurangzeb, a devout Muslim and the strongest military commander, this last of the Great Mughals retracted some of the liberal policies of his forbears.
| The Great Mughal Emperors | ||||||||||||
| Emperor | Reign start | Reign end | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Babur | 1526 | 1530 | ||||||||||
| Humayun | 1530 | 1540 | ||||||||||
| Interregnum * | 1540 | 1555 | ||||||||||
| Humayun | 1555 | 1556 | ||||||||||
| Akbar | 1556 | 1605 | ||||||||||
| Jahangir | 1605 | 1627 | ||||||||||
| Shah Jahan | 1627 | 1658 | ||||||||||
| Aurangzeb | 1658 | 1707 | ||||||||||
In the early 16th century, Muslim armies consisting of Mongol, Turkic, Persian, and Afghan warriors invaded India under the leadership of the Timurid prince Zahir-ud-Din-Mohammad Babur. Babur was the great-grandson of Central Asian conqueror Timur-e Lang (Timur the Lame, from which the Western name Tamerlane is derived), who had invaded India in 1398 before retiring to Samarkand who himself claimed descent from the Mongol ruler, Genghis Khan. Babur was driven from Samarkand by the Uzbeks and initially established his rule in Kabul in 1504. Later, taking advantage of internal discontent in the Delhi sultanate under Ibrahim Lodi, and following an invitation from Daulat Khan Lodi (governor of Punjab) and Alam Khan (uncle of the Sultan), Babur invaded India in 1526.
Babur, a seasoned military commander, entered India in 1526 with his well-trained veteran army of 12,000 to meet the sultan's huge but unwieldy and disunited force of more than 100,000 men. Babur defeated the Lodi sultan decisively at the first Battle of Panipat. Employing gun carts, moveable artillery, and superior cavalry tactics, Babur achieved a resounding victory and the Sultan was killed. A year later (1527) he decisively defeated, at the Battle of Khanwa, a Rajput confederacy led by Rana Sanga of Chittor. A third major battle was fought in 1529 when, at the battle of Gogra, Babur routed the joint forces of Afghans and the sultan of Bengal. Babur died in 1530 at Agra before he could consolidate his military gains. During his short five-year reign, Babur took considerable interest in erecting buildings, though few have survived. He left behind as his chief legacy a set of descendants who would fulfill his dream of establishing an empire in the Indian subcontinent.
Do not demolish or damange places of worship of any faith and dispense full justice to all to ensure peace in the country. Islam can better be preached by the sword of love and affection, rather than the sword of tyranny and persecution. Avoid the differences between the shias and sunnis. Look at the various characteristics of your people just as characteristics of various seasons."
Humayun's untimely death in 1556 left the task of conquest and imperial consolidation to his thirteen-year-old son, Jalal-ud-Din Akbar (r.1556–1605). Following a decisive military victory at the Second Battle of Panipat in 1556, the regent Bayram Khan pursued a vigorous policy of expansion on Akbar's behalf. As soon as Akbar came of age, he began to free himself from the influences of overbearing ministers, court factions, and harem intrigues, and demonstrated his own capacity for judgment and leadership. A workaholic who seldom slept more than three hours a night, he personally oversaw the implementation of his administrative policies, which were to form the backbone of the Mughal Empire for more than 200 years. He continued to conquer, annex, and consolidate a far-flung territory bounded by Kabul in the northwest, Kashmir in the north, Bengal in the east, and beyond the Narmada River in central India.
Akbar built a walled capital called Fatehpur Sikri (Fatehpur means "town of victory") near Agra, starting in 1571. Palaces for each of Akbar's senior queens, a huge artificial lake, and sumptuous water-filled courtyards were built there. However, the city was soon abandoned and the capital was moved to Lahore in 1585. The reason may have been that the water supply in Fatehpur Sikri was insufficient or of poor quality; or, as some historians believe, that Akbar had to attend to the northwest areas of his empire and therefore moved his capital northwest. In 1599, Akbar shifted his capital back to Agra from where he reigned until his death.
Akbar adopted two distinct but effective approaches in administering a large territory and incorporating various ethnic groups into the service of his realm. In 1580 he obtained local revenue statistics for the previous decade in order to understand details of productivity and price fluctuation of different crops. Aided by Todar Mal, a hindu scholar, Akbar issued a revenue schedule that optimised the revenue needs of the state with the ability of the peasantry to pay. Revenue demands, fixed according to local conventions of cultivation and quality of soil, ranged from one-third to one-half of the crop and were paid in cash. Akbar relied heavily on land-holding zamindars to act as revenue-collectors. They used their considerable local knowledge and influence to collect revenue and to transfer it to the treasury, keeping a portion in return for services rendered. Within his administrative system, the warrior aristocracy (mansabdars) held ranks (mansabs) expressed in numbers of troops, and indicating pay, armed contingents, and obligations. The warrior aristocracy was generally paid from revenues of nonhereditary and transferable jagirs (revenue villages).
An astute ruler who genuinely appreciated the challenges of administering so vast an empire, Akbar introduced a policy of reconciliation and assimilation of Hindus (including Jodhabai, later renamed Mariam-uz-Zamani begum, the Hindu mother of his son and heir, Jahangir), who represented the majority of the population. He recruited and rewarded Hindu chiefs with the highest ranks in government; encouraged intermarriages between Mughal and Rajput aristocracy; allowed new temples to be built; personally participated in celebrating Hindu festivals such as Deepavali, or Diwali, the festival of lights; and abolished the jizya (poll tax) imposed on non-Muslims. Akbar came up with his own theory of "rulership as a divine illumination," enshrined in his new religion Din-i-Ilahi (Divine Faith), incorporating the principle of acceptance of all religions and sects. He encouraged widow re-marriage, discouraged child marriage, outlawed the practice of sati, and persuaded Delhi merchants to set up special market days for women, who otherwise were secluded at home.
By the end of Akbar's reign, the Mughal Empire extended throughout north India even south of the Narmada river. Notable exceptions were Gondwana in central India, which paid tribute to the Mughals, Assam in the northeast, and large parts of the Deccan. The area south of the Godavari river remained entirely out of the ambit of the mughals. In 1600, Akbar's Mughal empire had a revenue of £17.5 million. By comparison, in 1800, the entire treasury of Great Britain totalled £16 million.
Akbar's empire supported vibrant intellectual and cultural life. The large imperial library included books in Hindi, Persian, Greek, Kashmiri, English, and Arabic, such as the Shahnameh, Bhagavata Purana and the Bible. Akbar regularly sponsored debates and dialogues among religious and intellectual figures with differing views, and he welcomed Jesuit missionaries from Goa to his court. Akbar directed the creation of the Hamzanama, an artistic masterpiece that included 1400 large paintings. Architecture flourished during the reign of Humayun's son Akbar. One of the first major building projects was the construction of a huge fort at Agra. The massive sandstone ramparts of the Red Fort are another impressive achievement. The most ambitious architectural exercise of Akbar, and one of the most glorious examples of Indo-Islamic architecture, was the creation of an entirely new capital city at Fatehpur Sikri.
After the death of Akbar in 1605, his son, Prince Salim, ascended the throne and assumed the title of Jahangir, "Seizer of the World". He was assisted in his artistic attempts by his able wife, Nur Jahan. The Mausoleum of Akbar at Sikandra, outside Agra, represents a major turning point in Mughal history, as the sandstone compositions of Akbar were adapted by his successors into opulent marble masterpieces. Jahangir is the central figure in the development of the Mughal garden. The most famous of his gardens is the Shalimar Bagh on the banks of Lake Dal in Kashmir.
Mughal rule under Jahangir (1605–27) and Shah Jahan (1628–58) was noted for political stability, brisk economic activity, beautiful paintings, and monumental buildings. Jahangir married a Persian princess whom he renamed Nur Jehan (Light of the World), who emerged as the most powerful individual in the court besides the emperor. As a result, Persian poets, artists, scholars, and officers--including her own family members--lured by the Mughal court's brilliance and luxury, found asylum in India. The number of unproductive officers mushroomed, as did corruption, while the excessive Persian representation upset the delicate balance of impartiality at the court. Jahangir liked Hindu festivals but promoted mass conversion to Islam; he persecuted the followers of Jainism and even executed Guru Arjun Dev, the fifth saint-teacher of the Sikhs in 1606 for refusing to make changes to the Guru Granth Sahib (the Sikh holy book). The execution was not entirely for religious reasons; Guru Arjun Dev Ji supported Prince Khusro, another contestant to the Mughul throne in the civil war that developed after Akbar's death. Nur Jehan's abortive efforts to secure the throne for the prince of her choice led Shah Jahan to rebel against Jahangir in 1622. In that same year, the Persians took over Kandahar in southern Afghanistan, an event that struck a serious blow to Mughal prestige. Jahangir also had the Tuzak-i-Jahangiri composed as a record of his reign.
However, Shah Jahan's reign is remembered more for monumental architectural achievements than anything else. The single most important architectural change was the use of marble instead of sandstone. He demolished the austere sandstone structures of Akbar in the Red Fort and replaced them with marble buildings such as the Diwan-i-Am (hall of public audience) , the Diwan-i-Khas (hall of private audience), and the Moti Masjid (Pearl Mosque). The tomb of Itmiad-ud-Daula, the father of his queen, Mumtaz Mahal, was also constructed on the opposite bank of the Jumna. In 1638 he began to lay out the city of Shahjahanabad beside the Jamuna river further North in Delhi. The Red Fort at Delhi represents the pinnacle of centuries of experience in the construction of palace-forts. Outside the fort, he built the Jami Masjid, the largest mosque in India. However, it is for the Taj Mahal, which he built as a memorial to his beloved wife, Mumtaz Mahal, that he is most often remembered.
Shah Jahan's extravagant architectural indulgence had a heavy price. The peasants had been impoverished by heavy taxes and by the time his son Aurangzeb ascended the throne, the empire was in a state of insolvency. As a result, opportunities for grand architectural projects were severely limited. This is most easily seen at the Bibi-ki-Maqbara, the tomb of Aurangzeb's wife, built in 1678. Though the design was inspired by the Taj Mahal, it is half its size, the proportions compressed and the detail clumsily executed.
The Taj Mahal thus symbolizes both Mughal artistic achievement and excessive financial expenditures at a time when resources were shrinking. The economic positions of peasants and artisans did not improve because the administration failed to produce any lasting change in the existing social structure. There was no incentive for the revenue officials, whose concerns were primarily personal or familial gain, to generate resources independent of what was received from the Hindu zamindars and village leaders, who, due to self-interest and local dominance, did not hand over the entirety of the tax revenues to the imperial treasury. In their ever-greater dependence on land revenue, the Mughals unwittingly nurtured forces that eventually led to the break-up of their empire.
The increasing association of his government with Islam further drove a wedge between the ruler and his Hindu subjects. Contenders for the Mughal throne were many, and the reigns of Aurangzeb's successors were short-lived and filled with strife. The Mughal Empire experienced dramatic reverses as regional nawabs or governors broke away and founded independent kingdoms. In the war of 27 years from 1680 to 1707, the Mughals suffered several heavy defeats at the hands of the Marathas. They had to make peace with the Maratha armies, and Persian and Afghan armies invaded Delhi, carrying away many treasures, including the Peacock Throne in 1739.
Descendents of the Mughals in Hyderabad, India: The Living Mughals is the story of four lost generations of the Mughal dynasty after Bahadur Shah Zafar. Arijeet Gupta's film unearths the direct descendents of the dynasty who now live in Hyderabad and have been lost in the mists of time.
The main protagonist of the film is the Hyderabad-based Begum Laila Umahani, the direct descendant of Bahadur Shah Zafar from his first wife Ashraf Mahal. Apart from Ashraf Mahal, Zafar had three more wives--Akhtar Mahal, Zeenat Mahal and Taj Mahal.
The film dwells on the family history of the four succeeding generations. Zafar's son, Mirza Quaiush, his son Mirza Abdullah followed by his son Mirza Pyare and his daughter, the present Begum Laila Umahani who lives in Hyderabad with her eight grown up children and grandchildren.
Gupta says that extensive research has gone into the making of The Living Mughals. The big breakthrough came when he picked up the first lead. Research confirmed that Mirza Quaiush was the only one among the 22 sons of Bahadur Shah Zafar who managed to escape from the British and flee to Kathmandu.
He lived the life of a fugitive seeking refuge with rulers of Udaipur and Aurangabad. His son Mirza Abdullah also lived a part of his life as a fugitive before settling down in Hyderabad.
In fact, Hyderabad proved to be a double blessing for Mirza Abdullah. He received both moral and material help from the Nizam and his son Mirza Pyare was born soon after he settled here.
Like his father, Mirza Pyare too benefited immensely by his association with Hyderabad's royal family. He married Habeeb Begum from the family of the sixth Nizam. In 1914 a daughter was born to them who was christened Begum Laila Umahani. Today she is the only surviving member of the fourth generation of Mughals.
The most interesting part of the film is devoted to the 88-year-old Begum who lives in a rented house in Asmangadh in Hyderabad along with her sons and grandchildren ---the fifth and sixth generation of Zafar.
Incidentally, Begum Laila Umahani has four sons and four daughters. These descendants of the Mughal dynasty that ruled India for 332 years are now a lower-middle class family. For the last 40 years the Begum has not visited Delhi which was once the headquarter of the mighty Mughal empire.
" Unlike the royal existence of her ancestors, the Begum, her children and grandchildren comprising 19 members live in two adjacent houses of three rooms each where they just about manage to cram in," says Gupta. More info: http://www.the-south-asian.com/May2004/last_mughals_of_india_in_hyderabad.htm
The remarkable flowering of art and architecture under the Mughals is due to several factors. The empire itself provided a secure framework within which artistic genius could flourish, and it commanded wealth and resources unparalleled in Indian history. The Mughal rulers themselves were extraordinary patrons of art, whose intellectual calibre and cultural outlook was expressed in the most refined taste.
Empires and kingdoms of India | History of Pakistan | Islamic rule in India | Mughal empire | 1526 establishments
المغول الكبار | Mogulsko carstvo | Mogulreich | Imperio Mogol | Mogola Imperio | Empire moghol | Kekaisaran Mughal | האימפריה המוגולית | ಮೊಘಲ್ ಸಾಮ್ರಾಜ್ಯ | Mughalriek | Kerajaan Mughal | Mughalrijk | ムガル帝国 | Mogołowie | Império Mogol | Империя Великих Моголов | मुगल साम्राज्य | Mughal Empire | Suurmogulien valtakunta | Mogulriket | Imperyong Mughal | Babürlüler Devleti | مغلیہ سلطنت | 莫卧儿帝国
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"Mughal Empire".
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