Michael Gordon Oldfield (born May 15, 1953 in Reading, England) is a multi-instrumentalist musician and composer, working a style that blends progressive rock, folk, ethnic or world music, classical music, electronic music and more recently dance. His music is often elaborate and complex in nature.
Oldfield's parents are Maureen and Raymond Oldfield. His sister Sally and brother Terry are successful musicians in their own right and have appeared on several of his albums. Mike and his siblings were raised Roman Catholic, the faith of their Irish* mother. He and the Norwegian singer Anita Hegerland have two children together.
In 1970 he joined ex-Soft Machine vocalist Kevin Ayers' backing group The Whole World playing bass. The band also included keyboardist and composer David Bedford, who quickly befriended Oldfield and encouraged him in his composition of an early version of Tubular Bells. Bedford would later arrange and conduct an orchestral version of that album. With Ayers, Oldfield recorded two albums, Whatevershebringswesing and Shooting At The Moon. Both albums featured early versions of what would become his trademark sound.
Having recorded a demo version of Tubular Bells, Oldfield attempted to convince someone in the music industry to take the project on, but was told the project was unmarketable. However, in 1972 he met a young Richard Branson who was setting up his own record label, Virgin Records, and after playing the demo to engineers Tom Newman and Simon Heyworth, he began recording the 1973 version of the album. "Mike Oldfield biography"
Like Tubular Bells, Hergest Ridge took the form of a two-movement instrumental piece, this time evoking scenes from Oldfield's Herefordshire country retreat. This was followed in 1975 with the pioneering world music piece Ommadawn, and 1978's Incantations which introduced more diverse choral performances from Sally Oldfield, Maddy Prior and the Queen's College Girls Choir.
Around the time of Incantations, Oldfield underwent a controversial self-assertiveness therapy course known as Exegesis. No doubt as a result of this, the formerly reclusive musician staged a major European tour to promote the album, chronicled in his live album Exposed, much of which was recorded at the National Exhibition Centre near Birmingham, the first ever concert at that venue.
In 1975, Oldfield received a Grammy award for Best Instrumental Composition in "Tubular Bells - Theme From The Exorcist".
The early 1980s saw Oldfield make a transition to "mainstream" popular music, beginning with the inclusion of shorter instrumental tracks and contemporary cover versions on Platinum and QE2 (the latter named after the cruise ship). Soon afterwards he turned his attention to songwriting, with a string of collaborations featuring various lead vocalists alongside his trademark searing guitar solos. The best known of these is "Moonlight Shadow", his 1983 hit with Maggie Reilly, which took John Lennon's death as one of its themes. This song has been covered by various other artists, including Aselin Debison (Canadian folk singer) and DJ Mystic (electronic/techno). In 2002 it was a huge hit in central Europe for the German dance act Groove Coverage.
The most successful Oldfield composition on the US pop charts during this period was actually a cover version — Hall & Oates's remake of "Family Man" for the duo's 1982 album H20.
Oldfield later turned to film and video, writing the score for Roland Joffé's acclaimed film The Killing Fields and producing substantial video footage for his album Islands. This was, however, a time of much friction with his record label. Virgin Records reportedly insisting that any future instrumental album should be billed as Tubular Bells 2. Oldfield's rebellious response was Amarok, an hour-long work featuring rapidly changing themes (supposedly devised to make cutting a single from the album impossible), unpredictable bursts of noise, and a very cleverly-hidden Morse code insult directed at Richard Branson. Although regarded by many fans as his greatest work, it was not a commercial success. His parting shot from the Virgin label was Heaven's Open, which continued the veiled attacks on Branson but was notable for being the first time Oldfield had contributed all the lead vocals himself. Some say this was due to his desire to quit Virgin as soon as possible (he had previously stated that his voice did not belong on his recordings).
During 1999 Oldfield released two albums. The first, Guitars, which used guitars as the source for all the sounds on the album, including percussion. The second, The Millennium Bell, consisted of pastiches of a number of styles of music that represented various historical stages over the past millennium. The work was performed live in Berlin for the city's millennium celebrations in 1999-2000.
Most recently, he added to his repertoire the Music VR project, combining his music with a virtual reality-based computer game. His first work on this project is Tr3s Lunas launched in 2002, a virtual game where the player can interact with a world full of new music. This project appeared as a double CD, one with the music, and the other with the game.
In 2003 he released Tubular Bells 2003, a re-recording of the original Tubular Bells, on CD, SACD (Super Audio CD) and DVD-Audio. This was done to fix many imperfections in the original that existed due to the recording technologies of the early 1970s and limitations in time that he could spend in the recording studio. This celebrated the 30th anniversary of Tubular Bells, and Oldfield's 50th birthday. The DVD-Audio version has the same content as the CD version in surround, and some demos of the original Tubular Bells. The SACD version has a unique mix of the main Tubular Bells soundtrack, plus the same CD content as the CD and DVD. In the 2003 version, the original voice of the 'Master of Ceremonies' was replaced by the voice of John Cleese.
A double album, Light & Shade is released on Mercury Records, with whom Mike recently signed a three album deal. The two discs contain music of contrasting moods, one relaxed ("Light") and the other more edgy and moody ("Shade"). The album was released on 26 September 2005.
In an interview on BBC Radio 2's Steve Wright show, broadcast February 23, 2006, Oldfield elaborated on his next project saying he was working on a long instrumental — probably in three parts and without any drum loops. He also mentioned the possibility of a tour.
Although probably unrelated to this new project, he will be headlining the German Night of the Proms tour, consisting of 18 concerts in December 2006.
Title: Mike Oldfield Label: Crown Records, Culver City, California Tracks: Track 1. Tubular Bells, Track 2. Sailors Horn Pipe
(Track lengths appear as 25.01 and 22.46 respectively)
1953 births | Living people | British musicians | English songwriters | English guitarists | English musicians | Multi-instrumentalists | New Age musicians | Redingensians | Roman Catholic musicians | Buskers | Discographies
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