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Metal Machine Music is a two-disc LP (now audio CD) by Lou Reed. It was released by RCA Records in 1975. The album was re-released by BMG in 1998 and again by BMG reissue label Buddha Records in 2000.

Metal Machine Music is generally considered to be either a joke, a begrudging fulfillment of a contractual obligation, or an early example of noise music. Reed has since contradicted popular sentiment, stating that "I was serious about it. I was also really, really stoned." According to Reed (despite the original liner notes), the album entirely consists of guitar feedback played at different speeds. He recorded the work on a four-track tape recorder in his New York apartment, mixing the four tracks for stereo.

In its original form, each track occupied one side of an LP record and lasted around 16 minutes, though the fourth side was specifically cut to repeat the last few seconds endlessly. The rare 8-Track Tape version has no silence in between programs, so that it plays continuously without gaps on most players.

In an interview with rock journalist Lester Bangs, Reed claimed that he had intentionally placed sonic allusions to classical works like Beethoven's Eroica and Pastoral in the distortion. It is not clear whether or not he was being serious.

The album was ranked number two in the 1991 book Slipped Discs: The Worst Rock 'n' Roll Records of All Time by Jimmy Guterman and Owen O'Donnell. * The book gives sympathy to legendary record cutting engineer Bob Ludwig for having to listen to the album in its entirety. In 2005, Q magazine included the album in a list of "Ten Terrible Records by Great Artists".

Comedian Gilbert Gottfried sometimes used the record as audio backdrop when he hosted USA Network's USA Up All Night in the 1990s.

Track listing


  1. "Metal Machine Music, Part 1" – 16:10
  2. "Metal Machine Music, Part 2" – 15:53
  3. "Metal Machine Music, Part 3" – 16:13
  4. "Metal Machine Music, Part 4" – 15:55

Specifications


Sony 1/2 track
Uher 1/4 track
Pioneer 1/4 track
5 piggyback Marshall Tube
Amps in series
Arbitor distortor (Jimi's)
Marantz Preamps
Marantz Amps
Altec Voice of America
Monitor Speakers
Sennheiser Headphones
Drone cognizance and harmonic
possibilities vis a vis
Lamont Young's Dream Music
Rock orientation, melodically
disguised, i.e. drag
Avoidance of any type of atonality.
Electro-Voice high filter microphones
Fender Tremolo Unit
Sunn Tremolo Unit
Ring Modulator/Octave Relay Jump
Fender Dual Showman Bass Amp with
Reverb Unit (Pre-Columbia) white
No synthesizers
No Arp
No Instruments?
— 10 db + 57db
— 20 hz — + 30,000 hz
— 12 kz — +28,000 kz
Distortion 0.02 bass and
treble ceilings
Combinations and Permutations
built upon constant harmonic
Density Increase and Melodic
Distractions.
STRICT STEREO SEPARATION
No panning
No Phasing
No

References


External links


Lou Reed albums | 1975 albums | Double albums

 

This article is licensed under the GNU Free Documentation License. It uses material from the "Metal Machine Music".

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