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Merzbow
 

Merzbow (Japanese; メルツバウ) is the name used by Japanese musician Masami Akita (秋田昌美 Akita Masami) (born 1956) for most of his experimental noise records, and is considered by many to be the earliest project among others in what has become known as the 'Japanese noise scene'. He has released many CDs, LPs and cassettes since the early 1980s.

Biography

Masami Akita was born in Tokyo in 1956. He listened to psychedelic music, progressive rock and later free jazz in his youth, and all have influenced his music; his album Aqua Necromancer, for instance, samples progressive rock drum lines, while Doors Open At 8am samples free jazz. Later he went to Tamagawa University to study art. It was there that he learned of Kurt Schwitters' Merz, or art made from rubbish, including Schwitters' Merzbau, or "Merz building". This is the source of the name Merzbow.

Music

Early days

His earliest music was made with tape loops and creatively recorded percussion and metal, and has been compared to Throbbing Gristle and Nurse With Wound (an acknowledged influence). Early methods included what he referred to as "Material Action", in which he would closely amplify small sounds so as to distort them through the microphone; later, he made several albums of "SCUM" ("Scissors Cutting Up Music"/"Scissors For Cutting Merzbow"), for which he would cut up previous Merzbow albums until they resembled something new. His tendency to work in themed phases recalls his training as a visual artist.

He released his music on cassettes through his own record label, Lowest Music & Arts, which was founded in 1979. In the early 1980s, after meeting the Italian avant-gardist noise artist Maurizio Bianchi/M. B. in Milano, he founded a second label, ZSF Produkt.

Later recordings

He later began to use more electronic instruments and electric guitars, but his music still consisted of what most people would think of as "noise". In the past few years, Merzbow has begun to use digital technology more in his music. At a live performance these days, it is normal for him to produce all his music with two laptop computers. Though this has dismayed some of his fans, the resulting music makes more apparent his roots as an improvising jazz drummer.

In 2000, the Extreme record label released Merzbox, a 50 CD set of Merzbow records, 20 of them not previously released. The set also included badges, postcards, posters and various other Merzbow collectibles.

In 2002, he released "Merzbeat"; which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some older Merzbow recordings, including some discs from the Merzbox, are also rhythmically focused. Still, the album was more so than anything Merzbow released in the past 10 or 15 years, and was more widely available than the earlier recordings. 2004's "Merzbird" and 2005's "Merzbuddha" followed in a similar vein. Though his albums have frequently moved in themed stages (such as a group of synth-based albums, one of 'collage' music, one based on samples of rock and jazz records), Merzbow's most recent phase has an added political dimension, being explicitly related to PETA and animal themes. He has even produced several works centered around recordings of his pet chickens.

Collaborations

Merzbow began as the duo of Masami Akita and Kiyoshi Mizutani (who has become an accomplished composer in his own right). Early collaborators include Japanese artists such as Reiko A., S-Core, Agencement, and most productively K. Kishino, aka KK Null of the bands YBO2, ANP and Zeni Geva. For studio recordings, Merzbow continued to be Akita alone, but for most of the late 1980s through the 1990s, Merzbow live was a trio including Reiko A. on electronics and Bara on voice and dance. Currently, Merzbow live is simply Akita alone again.

Some other artists who have collaborated with Merzbow include Zbigniew Karkowski (for a duo called MAZK), Consumer Electronics, Total, Genesis P-Orridge, Alec Empire, avante music legend Mike Patton, Le Syndicat, Masonna, Smegma, Jazzkammer, Slugbait, P16.D4, Achim Wollschied/SBOTHI, The New Blockaders, The Haters, Eliot Sharp, Heiko Daxl, Kim Cascone, Richard Ramirez, Gore Beyond Necropsy, Kapotte Muziek, and recently Sunn O))) and Boris -- among many others. Merzbow has also appeared on the Ulver remix/compilation album 1993-2003- First Decade in the Machines, submitting the song "Vow Me, Irbizu."

Writings

Akita is also a prolific author. He has written books and articles mostly on topics typically labeled "subculture" or "deviant" -- noise music itself, for instance, or Japanese bondage (some notes on which appear in his Music for Bondage Performance albums). His book Noise War is considered a detailed and respectable summary of the noise-music movement through the Eighties, although it is not available in English.

Partial discography

1980

1981

1982

1983

1984

1985

1986

1987

1988

1989

1990

1991

1992

1993

1994

1995

1996

1997

1998

1999

2000

2001

2002

2003

2004

2005

2006

With Zbigniew Karkowski as MAZK

  • Sound Pressure Level (OR) (1998)
  • Untitled (Tigerbeat6) (2001)
  • Untitled (Noise Asia) (2001)
  • In real time (Ytterbium) (2005)

As Masami Akita

One of the most complete Merzbow discographies is available at the Opposite Records website..

Videos

Partial list of books

  • Terminal Body Play
  • Noise War
  • Anal Baroque
  • Cruelty-Free Life
  • Scum Culture
  • Body Exotica
  • Vintage Erotica
  • Love Position
  • Fetish Fashion

Sound sample

  • Merzbow Dharma.ogg - an excerpt of "I'm coming to the garden..... no sound, no memory" from Merzbow's album Dharma (2001) (ogg format, 12 seconds, 94KB)

External links

1956 births | Noise music | Japanese musical groups | Living people

Merzbow | Merzbow | Merzbow | Merzbow | Merzbow | Merzbow | Merzbow

 

This article is licensed under the GNU Free Documentation License. It uses material from the "Merzbow".

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