Melvin Howard Tormé (September 13, 1925 – June 5, 1999) was an American jazz and standards singer with a light, high-tenor voice. He is considered by many to be one of the greatest male singers in the history of jazz. Tormé also wrote a number of classic jazz songs and wrote almost all the arrangements for the songs he sang.
1944 saw Tormé form his own vocal group, the Mel-Tones, which included Les Baxter and Ginny O'Connor. The Mel-Tones had several hits, both on their own as well as paired with Artie Shaw's band. Cole Porter's song, "What is This Thing Called Love?" was their biggest hit. The Mel-Tones were among the first of the jazz-influenced vocal groups, setting the direction later followed by The Hi-Los and Manhattan Transfer.
In 1947, Tormé went solo, recording a number of romantic hits, including the 1949 number one "Careless Hands". His high tenor, smooth vocal style earned him the sobriquet "The Velvet Fog", which he disliked. He also came to pioneer cool jazz.
During the 1950s, as rock & roll music increased in popularity, which he termed 'three chord manure' Tormé was forced to abandon the commercial path and turned more and more to jazz. "Mountain Greenery" became a minor hit for Tormé in 1956. Critics say his art reached its first creative peak on a series of albums arranged by Marty Paich, one of the leading figures in West coast jazz of that period.
1962 saw Tormé score a surprise hit with "Comin' Home, Baby," arranged by Claus Ogerman, an R&B-influenced number. Quincy Jones and Kai Winding both had hits with instrumental covers of the same tune. Tormé's performance led Ethel Waters, a great jazz and gospel singer, to say that Torme "is the only white man who sings with the soul of a black man."
In 1963–1964 he was an occasional guest on The Judy Garland Show (appearing twice as a featured guest) and frequently worked as both a writer and musical arranger for it. He later wrote a book chronicling his experiences while on the show, "The Other Side of the Rainbow."
In addition to producing a steady stream of albums, Torme performed globally up to two hundred live dates annually, and appeared regularly on television, including nine guest appearances (as himself) on the Night Court sitcom where he was the idol of the main character played by Harry Anderson. In the mid-90s he gained new popularity among Generation Xers for his appearances in a series of Mountain Dew commercials and on an episode of the sitcom Seinfeld, in which he dedicates a song to Michael Richards' character, Kramer.
In August 8, 1996, a debilitating stroke abruptly ended his 65-year singing career. In February 1999, Tormé was awarded the Grammy Lifetime Achievement Award.
He died in Los Angeles, California at the age of 73 on June 5, 1999. In eulogy, John Andrews wrote *
Tormé's style shared much with that of his idol, Ella Fitzgerald. Both were firmly rooted in the foundation of the swing era, but both seemed able to incorporate bebop innovations to keep their performances sounding fresh and contemporary. Like Sinatra, they sang with perfect diction and brought out the emotional content of the lyrics through subtle alterations of phrasing and harmony. Ballads were characterized by paraphrasing of the original melody which always seemed tasteful, appropriate and respectful to the vision of the songwriter. Unlike Sinatra, both Fitzgerald and Tormé were likely to cut loose during a swinging up-tempo number with several scat choruses, using their voices without words to improvise a solo like a brass or reed instrument.
1925 births | 1999 deaths | American jazz singers | American male singers | American television actors | Chicago musicians | Entertainers who died in their 70s | Grammy Award winners | Jewish-American singers | Sliders actors
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