Mel Columcille Gerard Gibson (born January 3, 1956) is an Academy Award–winning American born Australian reared actor, director and producer best known for acting in the Mad Max movie series, the Lethal Weapon series, acting in and directing the Academy Award–winning Braveheart and directing the 2004 blockbuster The Passion of the Christ. He spent much of his early life and career in Australia. In February of 1985, he was the first person ever to garner the title of "Sexiest Man Alive" from People magazine.
Although Gibson always maintained his United States citizenship, he lived in Australia from the age of twelve. Following a victory on the TV game show Jeopardy!, Gibson's father moved his family to Australia in 1968 in protest of the Vietnam War for which his elder sons were potentially at risk for being drafted, and also because he believed that changes in American society were immoral. Early Gibson films feature a distinct, noticeable Australian accent.
Extremely devoted to his faith, Mel Gibson has donated money to finance the construction of an "Independent" Traditional Catholic chapel in Malibu, California, in which only the Latin Tridentine Mass is celebrated. Gibson claims to go to Catholic Mass everyday.
Gibson married Robyn Moore, whom he initially met through a dating service, on June 7, 1980, with whom he has the following children:
His wife remains an Anglican despite 26 years of marriage to Gibson. Gibson never disapproved of her religion, saying that "true love knows no boundaries". Gibson has not attempted to convert her, and maintains that she is "a saint" and a much better person than he, but also holds to his Catholic belief that there "is no salvation outside the Church" and, as such, believes the possibility that his wife could go to Hell.*
After graduating from the National Institute of Dramatic Art in Sydney in 1977, Gibson's acting career began in Australia with appearances in the television series including The Sullivans, Cop Shop and Punishment.
He made his Australian movie debut as the leather-clad post-apocalyptic survivor in George Miller's Mad Max, which later became a cult hit and launched two of its own sequels. His international profile increased through Peter Weir's First World War film Gallipoli. Gibson's boyish good looks made him a natural for leading man roles. In 1984, he made his US movie debut, starring as Fletcher Christian in The Bounty. Actor Anthony Hopkins played Captain Bligh opposite Gibson.
In December 2005, it was announced that Gibson will produce a television movie about Dutch Holocaust survivor Flory Van Beek, although it had been rumoured previously that he would make a movie about the Maccabees.
Gibson's next film, Apocalypto, will be a mythic action-adventure set in the days of the Mayan civilization.
Gibson moved to more mainstream filmmaking with the popular Lethal Weapon series, where he starred as a maverick and violent cop Martin Riggs in a buddy relationship with his older and more conservative partner played by Danny Glover. Gibson surprisingly moved to the classical genre, playing the melancholy Danish prince in Franco Zeffirelli's movie of Shakespeare's Hamlet (1990). Gibson has been equally successful as a comedic actor, in movies such as Maverick (1994) and What Women Want (2000).
In 1996, Gibson received two Academy Awards (Best Director and Best Picture) for Braveheart (1995), based on the life of Sir William Wallace, a thirteenth century Scottish knight who fought the English in the late 13th century and early 14th century. Gibson played Wallace.
Gibson co-wrote, produced and directed The Passion of the Christ (2004), a movie in Aramaic, Hebrew, and Latin, recounting a description of the last twelve hours of the life of Jesus. The movie has received applause, including from Christian figures and a few politically conservative Jewish leaders and scholars (e.g., Michael Medved, David Horowitz, and Steven Waldman).
The movie has been criticised by some Christian and Jewish leaders and scholars, a majority of whom claimed that it may promote anti-Semitism, as it relies on imagery similar to that of folkish passion-plays, a mainstream rural Christian tradition that some activists believe to be capable of inciting anti-Semitic incidents. The movie has been criticised by a group of Protestant scholars for its adherence in a number of scenes and details to the visions of a 17th century mystic and nun, the Venerable Mary of Agreda and a 19th century German visionary, Blessed Anne Catherine Emmerich, both Roman Catholics.
Gibson was asked if his movie would be offensive to Jews today; his response was:
He also stated on his decision to cut a scene in which Caiaphas says "his blood be on us and on our children" soon after Pontius Pilate washes his hands of Jesus:
In spite of the criticism (or perhaps helped by it), the movie grossed US$611,899,420 worldwide ($370,782,930 in the US alone) and became the eighth highest-grossing film in history and the highest-grossing rated R film of all time. The ticket sales were boosted by the film attracting viewers who generally do not attend theaters, including entire congregations from churches attending together. * The film was nominated for Best Music (Score), Best Cinematography, and Best Makeup at the 77th Academy Awards and won the People's Choice Award for Best Drama.
Gibson's next historical epic, Apocalypto, will be released into theaters in December of 2006. The film is set 600 years ago in Meso-America, before the Spanish conquest, during the decline of the Maya. Dialogue is spoken in the Yucatec Maya language, in the same way Gibson used Aramaic and Latin for his The Passion of the Christ. It will feature a cast of unknown actors from Mexico City, the Yucatán, and some Native Americans from the United States.
While Gibson financed the film himself, Disney will release it in certain markets.
All that has been revealed about the plot is that the film is set against the turbulent end times of the once great Mayan civilization. When a Mayan man's idyllic existence is brutally disrupted by a violent invading force, he is taken on a perilous journey. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.
The title is a Greek term which means " an unveiling" or "new beginning", but the movie is not religiously themed or connected to the biblical Apocalypse.
In January 1997, to make amends with the gay community and to show that he wasn't homophobic, Gibson hosted along with Gay and Lesbian Alliance Against Defamation (GLAAD) ten lesbian and gay filmmakers for an on-location seminar on the set of the movie Conspiracy Theory. During the seminar Gibson provided up-and-coming lesbian and gay filmmakers with an up-close and personal look into the inner workings of a major Hollywood feature film. *
Other groups were later angry at the depiction of a homosexual character in Braveheart. Although historians agree that the character, the Prince (later King) Edward II of England, was indeed homosexual, and also agree with what was portrayed in the movie of the King being a mere puppet of Thomas of Lancaster (though Edward's father never threw his lover out of a window, as portrayed in the movie), historians dispute the portrayal of Edward as effeminate. It should also be noted that Gibson did not write the screenplay for that film. **
Gibson was accused of homophobia once more in his movies with his portrayal of Herod Antipas in The Passion of the Christ. Antipas is portrayed as an effeminate homosexual wearing makeup and having 'boy-toys'. Although this was a common caricature of Herod in medieval Passion plays, it does not appear in the Gospels and is contrary to the historical record regarding Antipas. *
Mel Gibson has never identified himself as being a conservative Republican, but he has been perceived as such to the point that The Washington Times called him one. He joined many of his colleagues in the entertainment industry in opposition to the Iraq War and praised the liberal director Michael Moore and his documentary film Fahrenheit 9/11, leading some to see him as a "real" (traditional) conservative in opposition to the neoconservative policies of the Bush administration and others to believing he leans toward a libertarian viewpoint. Gibson's Icon Productions was originally set to back Moore's film but mysteriously backed out. Moore claimed in 2004, "Productions got a call from top Republicans to tell Mel Gibson don’t expect to get more invitations to the White House." In 2006 Gibson told Hotdog Magazine, a UK film magazine, that the "fearmongering" depicted in his film Apocalypto "reminds me a little of President Bush and his guys." [http://www.pr-inside.com/gibson-inspired-by-fear-mongering-bush-r4937.htm Many fans have perceived The Patriot (2000), We Were Soldiers (2001) and The Passion of the Christ (2004) as conservative movies.
In a July 1995 interview with Playboy magazine, Gibson said President Bill Clinton was a "low-level opportunist" because someone was "telling him what to do." He said he thought Clinton and other politicians who had won Rhodes Scholarships were part of a "stealth" trend of Rhodes scholars becoming politicians who were striving for a "new world order." He said this was a form of Marxism and that "Karl had the right idea."Grobel, Lawrence, "Interview: Mel Gibson." Playboy. July 1995. Vol. 42, No. 7, Pg. 51. Retrieved May 17, 2006.Wright, Tony. "Dream candidate" Ninemsn's The Bulletin. October 15, 2003. Retrieved May 17, 2006. During the interview, Gibson also said the assassinations (or attempts) of Abraham Lincoln, John F. Kennedy, and Ronald Reagan may have been related to actions they took regarding the Federal Reserve; he said his father told him about this theory.Noxon, Christopher, "Is the Pope Catholic...Enough?." The New York Times. March 9, 2003. Retrieved May 17, 2006.
Gibson has a reputation for being a prankster on the set of his movies, and many of his leading ladies have often accused him of acting juvenile on the set. While filming Conspiracy Theory, he played several pranks on co-star Julia Roberts, and disgusted co-star Jodie Foster by licking the dirt off a wagon wheel on the set of Maverick. On the set of Braveheart, he spread the false rumor that co-star Sophie Marceau was the granddaughter of famous French mime Marcel Marceau. He also directed several scenes in an Elmer Fudd voice, including the funeral scene of Murron Wallace, causing everyone to break down laughing. Before the filming of What Women Want, co-star Helen Hunt pleaded with Gibson to be spared of his pranks. Reportedly, there was no incident.
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