Matthew Bourne is a choreographer.
His first major brush with controversy was Swan Lake in 1995, where the story was entirely re-written and the role of the swans taken by men. The music by Tchaikovsky remained intact. This has been revived every year since then, but he no longer directs it. It is not a gay ballet, but there is a homoerotic undercurrent. Teenagers who would otherwise have resented being taken to an annual visit to a ballet became enthusiastic, writing about it in school magazines. Some critics have reviewed the show harshly, saying the traditional plot has become absurd and that many scenes seem to lack motivation. Others have praised it heavily, including comments such as: "See it or live to regret it." (The London Independent) and "Matthew Bourne's 'Swan Lake' is a fabulous entertainment, a riveting work of psychological and sexual intrigue, a choreographic triumph and a brilliant restaging of a ballet classic." (Minneapolis Star-Tribune) Similar criticism (and praise) greeted Nutcracker! in 2002.
The Car Man (a version of Carmen) was produced in 2000 and toured in 2001 and 2002. He produced Play Without Words in 2002 and 2003. In 2004 he was awarded an OBE and in February 2005 won an Olivier Award for his choreography in the stage production of Mary Poppins. He revamped his 1994 production of Highland Fling for a UK and Asian tour in 2005. His latest work is a ballet adaption of Edward Scissorhands which is currently completing its first world tour.
His book Matthew Bourne and His Adventures in Motion Pictures appeared in 2004.
Choreographers | 1960 births | Living people | Officers of the Order of the British Empire
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