Mariotto di Bigio di Bindo Albertinelli (October 13, 1474 - November 5, 1515) was a Florentine painter of the High Renaissance, closely involved with Fra Bartolommeo and influenced by Raphael.

He was born in Florence. Already as a 12-year old, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Baccio della Porta—Fra Bartolommeo—with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari's opinion was that Mariotto was not so well grounded in drawing as Bartolommeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de' Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio's. When, in the wake of Savonarola's morality campaign, Baccio joined the Dominican order as Fra Bartolommeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolommeo's, he resolved to carry on alone. Among his many students was Jacopo da Pontormo.

Mariotto was a most restless person and carnal in the affairs of love and apt to the art of living, and, taking a dislike to the studies and brain-wracking necessary to painting, being also often stung by the tongues of other painters, as is their way, he resolved to give himself to a less laborious and more jovial profession, and so opened the most lovely hostelry outside the Porta San Gallo, and at the sign of the Dragon at the Ponte Vecchio a tavern and inn. This life he led for many months, saying that he had taken up an art that was without muscles, foreshortening or perspective and, better still, without faultfinding, and that the art that he had given up imitated flesh and blood, but this one created flesh and blood; in this if you had good wine you heard yourself praised, but in that every day you were blamed. But at last the low life became an annoyance to him, and, filled with remorse, he returned to painting. ::—Giorgio Vasari, Le Vite de' più eccelenti architetti, pittori... vol. iv.

Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolommeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi (illustrated right).

See also

• List of painters
• List of Italian painters
• List of famous Italians

References

1474 births | 1515 deaths | Italian painters | Renaissance painters

Mariotto Albertinelli | Mariotto Albertinelli | Mariotto Albertinelli | Mariotto Albertinelli | Альбертинелли, Мариотто