The Life of Lazarillo de Tormes and of His Fortunes and Adversities is a Spanish novel, published anonymously, 1554, in Alcalá de Henares in Spain, and, in 1557, in Antwerp, Flanders, then under Spanish rule.
Besides its importance in the Spanish literature of the Golden Centuries, Lazarillo de Tormes is credited with founding a literary genre, the picaresque novel, so called from Spanish pícaro meaning "rogue" or "rascal". In these novels, the adventures of the pícaro expose injustice while amusing the reader. This extensive genre includes Tom Jones by Henry Fielding and Huckleberry Finn by Mark Twain, and shows its influence in twentieth century novels, dramas, and films featuring the "anti-hero".
Lazarillo de Tormes was banned by the Spanish Crown and included in the Index of Forbidden Books of the Spanish Inquisition; this was at least in part due to the book's anti-clerical flavour. In 1573, the Crown allowed circulation of a version which omitted Chapters 4 and 5 and assorted paragraphs from other parts of the book. (A complete version did not appear in Spain until the Nineteenth Century.) It was the Antwerp version that circulated throughout Europe, in French translation (1560), in English translation (1576), in Dutch translation (1579) after Flanders went under Dutch rule (1578), in German translation (1617), in Italian translation (1622).
Lazarillo introduced the picaresque device of delineating various professions and levels of society. A young boy or young man or woman describing masters or "betters" ingenuously presented realistic details. But Lazarillo spoke of "the blind man," "the squire," "the pardoner," presenting these characters as types. Significantly, the only names of characters in this book are those of Lazarillo, his mother (Antona Pérez), his father (Tome Gonzáles), and his stepfather (El Zayde), members of his family.
Table of contents "of His Fortunes and Adversities":
Primary objections to Lazarillo were to its vivid and realistic descriptions of the world of the pauper and the petty thief. This was in contrast to the superhuman events of chivalric novels such as the classic from the previous century, Amadís de Gaula.
Such objections to characters not being "high-born" continued to be made in the literature of other countries for centuries. It resulted in censorship of novels by Pierre Beaumarchais, one of which was used for the operatic libretto of The Marriage of Figaro by Wolfgang Amadeus Mozart. And the 1767 premiére of the German drama, Minna von Barnhelm, by Gotthold Lessing as well as the 1830 premiére of the French drama, Ernani, by Victor Hugo caused riots simply because these dramas featured middle-class characters, not nobles or religious figures.
The name Lazarillo is the diminutive of the Spanish name Lázaro, after the Lazarus in the New Testament who was resurrected from the dead by Jesus. The de Tormes comes from the river Tormes. In the narrative, Lazarillo explains that his father ran a mill on the river where he was literally born on the river. The Tormes runs through Lazarillo's home town, Salamanca, a Castilian university city. There is an old mill on the river Tormes and there is a statue of Lazarillo and the blind man next to the Roman bridge (or puente romano) of the city. Because of Lazarillo's first adventures, the Spanish word lazarillo has taken the meaning of "guide", as to a blind person, and in Spain a seeing-eye dog is called a perro lazarillo.
In contrast to the fancifully poetic language devoted to fantastic and supernatural events about unbelievable creatures and chivalric knights, the realistic prose of Lazarillo described suppliants purchasing salvation from the Church to avoid hell, servants forced to die with masters on the battlefield (as Lazarillo's father did), thousands of refugees wandering from town to town, poor beggars flogged out by whips because of the lack of food. The anonymous author included many popular sayings and ironically interpreted popular stories.
The Prologue with Lazaro's extensive protest against injustice is addressed to a high-level cleric, and four of his seven masters in the novel served the church. Lazarillo attacked the appearance of the church and its hypocrisy, though not its essential beliefs, a balance not often present in picaresque novels that followed.
The work is a masterpiece for its internal artistic unity. For example, as Lázaro's masters rise up the social scale (from beggar to priest to nobleman) so their ability to feed him diminishes; Lázaro leaves his first master, is thrown out by the second and is abandoned by the third.
The work is riotously funny, often relying upon slapstick humour (such as the young Lázaro leading his blind master to jump against a stone column, in revenge for his master banging his young servant's head against a stone statue); some of its funniest episodes are apparently based upon traditional material. But there is a deeper, more unsettling humour and irony here. Nothing is what it seems in this book: the blind beggar's public prayers are a sham and the nobleman's nobility is pure facade; and at the end of the book, Lázaro professes to have reached the pinnacle of success, but is little more than a cuckold living off the immoral earnings of his wife.
Besides creating a new genre, Lazarillo de Tormes was critically innovative in world literature in several aspects:
The identity of the anonymous author of Lazarillo has been a puzzle for nearly four hundred years.
In 1620, another sequel by Juan de Luna appeared in Paris. In the prologue, the narrator (not Lazaro himself but someone who claims to have a copy of Lazaro´s writings) tells the reader that he was moved to publish the second part of Lazaro´s adventures after hearing about a book which, he alleges, had falsely told of Lazaro being transformed into a tuna fish (this is obviously a disparaging reference to Lazarillo de Amberes).
Lazarillo de Tormes | Lazarillo de Tormes | La Vie de Lazarillo de Tormes | Satirical novelsSpanish literature
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