Kurt Vonnegut Jr. (born November 11, 1922) is an American novelist, satirist, and most recently, graphic artist.
After the war, Vonnegut attended the University of Chicago as a graduate student in anthropology and also worked as a police reporter at the City News Bureau of Chicago. According to Vonnegut in Bagombo Snuff Box, the university rejected his first thesis on the necessity of accounting for the similarities between Cubist painting and Native American uprisings of the late 19th century, saying it was "unprofessional". (They later accepted his novel Cat's Cradle and awarded him the degree.) He left Chicago to work in Schenectady, New York, in public relations for General Electric. He attributes his unadorned writing style to his reporting work.
On the verge of abandoning writing, Vonnegut was offered a teaching job at the University of Iowa Writers' Workshop. While he was there "Cat's Cradle" became a best-seller, and he began "Slaughterhouse-Five," now widely regarded as one of the most significant works of American fiction in the 20th century.
Early in his adult life, he moved to Barnstable, Massachusetts, in the Cape Cod area. * He married his childhood sweetheart, Jane Marie Cox, after returning from the war, but the couple separated in 1970. He did not divorce Cox until 1979, but from 1970 to 2000, Vonnegut lived in an East Side Manhattan brownstone, with the woman who would later become his second wife, the renowned photographer Jill Krementz. (Krementz and Vonnegut were married after the divorce from Cox was finalized.)
With the publication of his novel Timequake, Vonnegut announced his retirement from writing fiction. He currently writes for the magazine In These Times, focusing on subjects ranging from contemptuous criticism of the George W. Bush administration to simple observational pieces on topics like a trip to the post office. In 2005, many of his essays were collected in a new bestselling book entitled A Man Without A Country. Vonnegut referred to the book's success as "a nice glass of champagne at the end of a life," although the emotionally-charged essays evinced no diminished energy on the author's part.
He has been a lecturer at the University of Iowa Writers' Workshop and at Harvard University, as well as a Distinguished Professor at the City College of New York.
These structural experiments were continued in Breakfast of Champions (1973), which included many rough illustrations, lengthy non-sequiturs and an appearance by the author himself, as a deus ex machina.
Vonnegut's mother committed suicide while he was in his early twenties. He himself attempted suicide in 1985 and later wrote about this in several essays.
Many hostile reviewers found Breakfast of Champions formless, but it became one of his best sellers. It includes, beyond the author himself, several of Vonnegut's recurring characters. One of them, Kilgore Trout, plays a major role and interacts with the author's character. (Kazak, a dog from Galápagos and The Sirens of Titan, was apparently a major character in an earlier draft; she attacks Vonnegut's character as retribution for being cut out.) In addition to recurring characters, there are also recurring themes and ideas. One of them is ice-nine, which is a new form of ice with a different crystal structure from normal ice. When a crystal of ice-nine is brought into contact with liquid water, it becomes a seed that 'teaches' the molecules of liquid water to arrange themselves into the ice-nine form of ice. However, this process is not easily reversible, as the melting point of ice-nine is 114.4 degrees Fahrenheit (45.8 degrees Celsius).
Although many of his later novels involved science fiction themes, they were widely read and reviewed outside the field, not least due to their anti-authoritarianism, which matched the prevailing mood of the United States in the 1960s. For example, his seminal short story Harrison Bergeron graphically demonstrates how even the debatably noble sentiment of egalitarianism, when combined with too much authority, becomes horrific repression. A case could be made for Vonnegut's form of political satire through extrapolation and exaggeration requiring a science fiction theme, simply as a milieu for proposing alternative systems, while remaining essentially political satire nonetheless. It is therefore easy for those ignorant of science fiction's long-established (and, for commentators such as Kingsley Amis, dominant) vein of satire to claim that Vonnegut does not write science fiction. However, his work is clearly in the science-fictional tradition descended from Jonathan Swift's Gulliver's Travels.
In much of his work Vonnegut's own voice is apparent, often filtered through the character of science fiction author Kilgore Trout (based on real-life science fiction writer Theodore Sturgeon), characterized by wild leaps of imagination and a deep cynicism, tempered by humanism. In the foreword to Breakfast of Champions, Vonnegut wrote that as a child, he saw men with locomotor ataxia, and it struck him that these men walked like broken machines; it followed that healthy people were working machines, suggesting that humans are helpless prisoners of determinism. Vonnegut also explored this theme in Slaughterhouse-Five, in which protagonist Billy Pilgrim "has come unstuck in time" and has so little control over his own life that he cannot even predict which part of it he will be living through from minute to minute.
Vonnegut maintained a long friendship with the writer Joseph Heller. The two met in April, 1968 on the night Martin Luther King Jr was shot, while both were attending a literary festival at the University of Notre Dame. Heller and Vonnegut recalled the meeting and spoke of their long association in a 1992 interview in Playboy. *
His daughter Edith Vonnegut, an artist, has also had her work published in a book entitled Domestic Goddesses. Edith was once married to Geraldo Rivera. She was named after Kurt Vonnegut's mother, Edith Lieber. His youngest daughter is Nanette, named after Nanette Schnull, Vonnegut's paternal grandmother.
He is the younger brother of atmospheric scientist Bernard Vonnegut, now deceased.
Of Vonnegut's four adopted children, three are his nephews: James, Steven and Kurt Adams; the fourth is Lily, a girl he adopted as an infant in 1982. James, Steven and Kurt were adopted after a traumatic week in 1958, in which their father was killed when his commuter train went off an open drawbridge in New Jersey, and their mother -- Kurt's sister Alice -- died of cancer. (In Slapstick or Lonesome No More, Kurt recounts that Alice's husband died two days before Alice herself. Her family tried to hide the knowledge from her, but she found out when an ambulatory patient gave her a copy of the New York Daily News, a day before she herself died.) The fourth and youngest of the boys, Peter Nice, went to live with a first cousin of their father in Birmingham, Alabama as an infant. Lily is a singer and actress.
Walter Starbuck, the main character of his novel Jailbird, was a minor bureaucrat in the Nixon administration who found himself swept up in the Watergate scandal. Otherwise, while he frequently addressed moral and political issues, Vonnegut rarely dealt with specific political figures until after his retirement from fiction. His collection God Bless You, Dr. Kevorkian referenced controversial assisted suicide proponent Jack Kevorkian.
With his columns for In These Times, he began a blistering attack on the administration of President George W. Bush and the Iraq war. "By saying that our leaders are power-drunk chimpanzees, am I in danger of wrecking the morale of our soldiers fighting and dying in the Middle East?" he wrote. "Their morale, like so many bodies, is already shot to pieces. They are being treated, as I never was, like toys a rich kid got for Christmas." *
In A Man Without a Country, he wrote that "George W. Bush has gathered around him upper-crust C-students who know no history or geography." He did not regard the 2004 election with much optimism; speaking of Bush and John Kerry, he said that "no matter which one wins, we will have a Skull and Bones President at a time when entire vertebrate species, because of how we have poisoned the topsoil, the waters and the atmosphere, are becoming, hey presto, nothing but skulls and bones." *
In the Fall of 2005 Vonnegut was interviewed by David Neson for The AustralianDuring the course of the interview Vonnegut was asked his opinion of modern terrorists, to which he replied "I regard them as very brave people." When pressed further Vonnegut also said that "They *" target="_blank" >your culture is nothing, your race is nothing, you're nothing ... It is sweet and noble - sweet and honourable I guess it is - to die for what you believe in." (This last statement is a reference to the line "Dulce et decorum est pro patria mori" ("it is sweet and appropriate to die for your country") from Horace's Odes, or possibly to Wilfred Owen's ironic use of the line in his Dulce Et Decorum Est.) David Neson took offense to Vonnegut's comments and characterized him as an old man who "doesn't want to live any more ... and because he can't find anything worthwhile to keep him alive, he finds defending terrorists somehow amusing." Vonnegut's son, Dr. Mark Vonnegut responded to the article by writing an editorial to the Boston Globe in which he explained the reasons behind his father's "provocative posturing" and stated that "If these commentators can so badly misunderstand and underestimate an utterly unguarded English-speaking 83-year-old man with an extensive public record of exactly what he thinks, maybe we should worry about how well they understand an enemy they can't figure out what to call."[http://www.boston.com/news/globe/editorial_opinion/oped/articles/2005/12/27/twisting_vonneguts_views_on_terrorism/
More recently, Vonnegut participated in the project The Greatest Album Covers That Never Were, where he created an album cover for Phish called Hook, Line and Sinker, which has been included in a traveling exhibition for the Rock and Roll Hall of Fame.
Vonnegut's couplet from Cat's Cradle, "Nice, Nice, Very Nice.." was put to music by the Southern California group Ambrosia and recorded on their self-title debut album (1975). Vonnegut heard the song in NYC while visiting his daughter and immediately wrote a letter to the band, saying, "And I myself am crazy about our song, of course, but what do I know and why wouldn't I be? This much I have always known, anyway: Music is the only art that's really worth a damn. I envy you guys." (from: liner notes of Ambrosia Anthology, 1997)
Vonnegut played himself in a cameo in 1986's Back To School and is invoked as a pop culture reference in many teen flicks such as Can't Hardly Wait, in which the character Preston (Ethan Embry) is bound for Massachusetts to attend a writing seminar by the acclaimed author. He also appears very briefly in Keith Gordon's film of his novel Mother Night and as a TV commercial director in the film version of Breakfast of Champions.
There was a widely-circulated urban legend on the Internet that Kurt Vonnegut gave a commencement address at the Massachusetts Institute of Technology in 1997 in which he issued simple advice, most notably advising students to wear sunscreen. In fact, the commencement speaker at MIT in 1997 was Kofi Annan and the supposed Vonnegut speech was an article published in the Chicago Tribune on June 1, 1997 by columnist Mary Schmich. The premise of the Schmich column was used as the basis for a novelty pop song by Baz Luhrmann in 1999.
1922 births | Adoptive parents | American essayists | American humanists | American short story writers | American socialists | American World War II veterans | Cornell University alumni | German-Americans | Indianapolitans | Kurt Vonnegut | Living people | Members of The American Academy of Arts and Letters | People from Barnstable, Massachusetts | Postmodernists | Prisoners of war | Recipients of the Purple Heart medal | Unitarian Universalists | United States Army soldiers | University of Chicago alumni | World federalists
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