Judy Garland (June 10, 1922 – June 22, 1969), born Frances Ethel Gumm, was an American film actress considered by many to be one of the greatest singing stars of Hollywood's Golden Era of musical film. Garland's singing voice had a natural vibrato, which she was able to maintain at extremely low volume. The effects which she was able to project enabled her to convey a wide range of emotion when she interpreted a song.
After a string of minor roles, at the age of 16 she landed the role of "Dorothy" in the MGM film The Wizard of Oz (1939), and has been associated ever since with the song "Over the Rainbow." She received an honorary Academy Award for her performance in the film. After Oz, Garland became one of MGM's most bankable stars, proving particularly popular when teamed with her longtime friend Mickey Rooney in a string of "let's put on a show!" musicals. The duo first appeared together in the 1937 b-movie Thoroughbreds Don't Cry. They became a sensation and they teamed up again in Love Finds Andy Hardy, and then soon after in Babes in Arms. Garland eventually would star with Rooney in nine films.
To keep up with the frantic pace of making one movie after another, Garland, Rooney, and other young performers were constantly given amphetamines, as well as barbiturates to take before bedtime (reference: "Judy Garland: By Myself" in the American Masters series on PBS). For Garland, this constant dose of drugs would lead to addiction and a lifelong struggle, as well as her eventual demise. In her later life, she would resent the hectic work and she felt that her youth was stolen from her by MGM. She was plagued with self-doubt throughout her life and needed constant reassurance that she was talented, despite her ability to fill concert halls with fans eager to hear her, high critical praise, and several awards.
One of Garland's most successful films for MGM is the 1944 classic Meet Me in St. Louis, in which she introduced three standards: "The Trolley Song", "The Boy Next Door", and "Have Yourself a Merry Little Christmas". The Clock (1945) was her first straight dramatic film opposite Robert Walker. Though the film was critically praised and did earn a profit, most movie fans expected her to sing. Therefore, it would be many years before she acted again in a non-singing dramatic role. Nevertheless, The Clock has become increasingly popular among Garland fans and is considered to be a true war/romance classic.
Garland's other famous films of the 1940s include The Harvey Girls (1946) (in which she introduced "On the Atchison, Topeka and the Santa Fe"), The Pirate, and Easter Parade (both 1948).
In September 1945, Garland married MGM director Vincente Minnelli and, in March 1946, Garland gave birth to a daughter, Liza. Soon afterward, the hectic work schedule and the exhausting motion picture business began to take its toll on Garland as she returned to MGM, which led to several days' absence from the studio over the next four years as well as numerous incidents; in April 1947, during filming for The Pirate, Garland suffered a nervous breakdown and had to be led away from the set 1946-1950 Timelines, The Judy Room (Accessed June 30, 2006) . After this, Garland had a number of other breakdowns that would lead to her departure from MGM; it would also reveal the emotional turmoil that Garland suffered. Two months later, Garland made her first suicide attempt.
Garland was signed to appear as Annie Oakley in Annie Get Your Gun (1950), but the film put much strain on her health. After completing two musical numbers, she was fired from the film and replaced by Betty Hutton. Garland then completed Summer Stock alongside Gene Kelly, produced by Joe Pasternak and his secondary musical unit (which wasn't as high-powered as the Arthur Freed Unit Her performance of "Get Happy" in Summer Stock - dressed in the top half of a man's tuxedo, fedora, and black leotard - became another Garland milestone. When June Allyson became pregnant during the filming of Royal Wedding, Garland was her replacement, but was dropped from the film and immediately put on suspension after she canceled a rehearsal call [http://www.thejudyroom.com/timeline3.html. She was eventually replaced by Jane Powell.
In June 1950, Garland cut her throat with a piece of glass. Although the cut was superficial, the newspapers glorified the story, and Garland was visited by many well-known celebrities who tried to bring up her spirits. Although many state that it was a suicide attempt, it was more likely a cry for help.
Garland returned to MGM in September 1950. Eleven days later, her MGM contract was terminated.
In 1954, she made a notable cinema comeback for Warner Bros. with A Star is Born, and was nominated for Best Actress. This film is considered by many critics to be her finest performance. Directed by George Cukor and produced by her husband Sid Luft (through Garland and Luft's Transcona Enterprises), it was a large undertaking in which Garland fully immersed herself. It was also a physically demanding role that had Garland on edge and, for the most part, constantly worried. Upon its release, the film was cut by almost 30 minutes amid fears it was too long. Garland was believed to be the most likely winner for Best Actress. She could not attend the ceremony because she had just given birth to her son Joey Luft; a television crew entered Garland's room with cameras and wires, in the hope that Garland would win the Best Actress award, to televise Garland's award speech. However, the Oscar went to Grace Kelly for The Country Girl (1954). Many fans hold that Garland was "robbed" of her Oscar, and should have won the award. However she did win the Golden Globe Award for Best Actress in a Musical that year. Garland and Luft's original contract with Warner Bros. ensured a series of films to be made; however, due to the editing of the film, Garland and Luft made no more films for the studio.
Although she made no other films in the 1950s, Garland's films after A Star is Born include Judgment at Nuremberg (1961) (for which she was nominated for Best Actress in a Supporting Role), the animated feature, Gay Purr-ee (1962), A Child is Waiting (1963), co-starring Burt Lancaster, and her final film, I Could Go On Singing (1963), which mirrored her own life in the story of a fading singing star.
In November 1959, Garland was diagnosed with acute hepatitis and told that she "would never sing again" *. However, Garland successfully recovered and returned to both films and television; her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many the "greatest single night in show business." The 2-record live recording made of the concert was a best-seller (certified gold), charting for 73 weeks on Billboard (13 weeks at number one), and won five Grammy Awards including Album of the Year and Best Female Vocal of the Year. The album has never been out of print.
After hugely successful television specials and guest appearances in the early 1960s, CBS made a $24 million offer to Garland for a weekly television series of her own, The Judy Garland Show, which was deemed at the time in the press to be "the biggest talent deal in TV history." The television series was critically praised, but, for a variety of reasons, including the fact it was placed in the same time slot as Bonanza, lasted only one season, and went off the air in 1964, after 26 episodes. Despite this, the show won four Emmy nominations and included amazing performances by Garland as well as some of her best vocal work. The demise of the series was personally and financially devastating for Garland, and she never fully recovered from its failure.
A 1964 tour of the Southern Hemisphere was largely disastrous. In her Sydney and Melbourne concerts she could no longer hide the effects of her alcohol and medication abuse; she often forgot her lines, and slurred those lines which she still remembered. The Melbourne performance finished after only twenty minutes. When asked what had been making her ill, she is said to have answered: "Australia." *
In February 1967, Garland was signed to appear as "Helen Lawson" in Valley of the Dolls for 20th Century Fox. The character of "Neely O'Hara" in the book by Jacqueline Susann, and subsequent movie, was rumored to based on Garland, though the role in the film was played by Patty Duke. During the filming, Garland missed rehearsals and was fired the next month. She was replaced by Susan Hayward. She did record one song for the film, "I'll Plant My Own Tree," which has never been officially released, although it is available on several bootlegs. There is also surviving footage of her wardrobe tests.
Barbara Parkins, one of the film's stars, commented in the newly released DVD of Valley of the Dolls that she believed Garland was frightened by the thought of actually being the aging star she was supposed to play, and that she "freaked" when she realized the similarities between the storyline and her own life.
Returning to the stage, Garland made her last appearances at New York's Palace Theatre in July, a sixteen-show tour, performing with her children Lorna and Joey Luft. Garland wore a sequined pants-suit onstage for this tour, which was part of the original wardrobe for her character in Valley of the Dolls.
By early 1969, Garland's health had deteriorated rapidly. She performed in London, at the Talk of the Town nightclub for a five-week run, and made her last concert appearance in Copenhagen during March 1969.
Upon Garland's death, The Wizard of Oz co-star Ray Bolger commented: "She just plain wore out."
Garland is interred in Ferncliff Cemetery, in Hartsdale, New York.
The song was also chosen by the American Film Institute as the #1 movie song of all time, as part of their "100 Years...100 Songs" list. Four more Garland songs were also featured on the list: "Have Yourself A Merry Little Christmas" from Meet Me In St. Louis (#76), "Get Happy" from Summer Stock (#61), "The Trolley Song," also from Meet Me In St. Louis (#26), and "The Man That Got Away" from A Star Is Born (#11).
Always highly charged and acutely sensitive, Garland frequently sought refuge in the form of alcohol and prescription drugs. Historians generally agree that she was first introduced to the pills, or more specifically, to amphetamines, at MGM during the filming of The Wizard of Oz, where the substance was used to provide the extra energy needed to cope with the lengthy and exhausting movie-making process, as well as a way of helping curb the appetite of the teenager. These drugs eventually helped to destroy Garland; since she was twelve years old, Garland had relied on prescription pills to get her through the day, and these pills eventually killed her, accidentally or otherwise.
Constantly self-conscious of her image, Garland felt unattractive compared to other young stars, despite the fact that many people, both then and now, considered her to be one of the most beautiful actresses of all time. This self-loathing is demonstrated by Garland's admission that during the course of her entire career, encompassing many decades and hundreds of appearances, only on two films was she satisfied with her on-screen image: Meet Me in St. Louis and The Clock. Historians have identified these insecurities as being significant, in terms of perpetuating her life-long struggle with substance abuse.
Although her MGM-sponsored stimulant use did prove to be an exceptionally effective way to both reduce her weight and increase her energy, it created some problems of its own. In addition to carrying a large potential for addiction, the harsh amphetamine stimulation (if left untreated) can cause severe insomnia. Thus, it necessitates nightly use of high dosages barbiturates - another highly addictive class of drugs - for sleep. While MGM undoubtedly "created" the problem, Garland perpetuated it; adopting her new drug habits and independently acquiring her own medications. As a result, her weight fluctuated noticeably during her tenure with MGM.
For intermittent periods during her life, Garland attempted detoxification at a private hospital or sanitarium, but these "clean" periods were short-lived. Her drug use progressively became all-consuming, right up through the moment of her passing, similar to that of Elvis Presley or Marilyn Monroe. Eventually, her tolerances grew so astronomically large, the effects of the drugs became paradoxical, eventually working in reverse; amphetamines, which at one point worked so well as a diet aid, began to increase her appetite, or barbiturates, which, not so long ago, did such a spectacular job of rendering her completely unconscious, began to actually increase her wakefulness, and so on.
On the evening of her funeral, gay men fought back against police during a routine raid at the Stonewall Inn, a gay bar in Greenwich Village, which set off the gay liberation movement. Since then, Gay Pride events during the month of June have commemorated the Stonewall riots. History of Gay and Lesbian Pride Month, National Women's History Project, (accessed June 13th 2006)
Although Garland's death is often noted as a cause of one of the key events of the modern gay rights movement, it is more likely a coincidence (see also Friends of Dorothy). Nevertheless, Garland's death, funeral and its links (coincidental or not) to Stonewall have become a part of LGBT history and lore.Bianco, David, Stonewall Riots, 1995-2006, PlanetOut
In the decades following her death, Garland's fame and star power has persisted; resulting in biopics such as Rainbow (1978) and Me and My Shadows(2001) (based on her daughter Lorna's memoirs). Garland was portrayed in the former by Andrea McArdle and in the latter by both Tammy Blanchard and Judy Davis (who both won Emmys for their roles).
It was during the late 1990's that Annette Bening was trying to get a film made about Garland's later years titled "Rainbow's End *." However, due to the production of Me and My Shadows, Bening's project never came to fruition.
In 1999, the American Film Institute honored her in their broadcast of American Film Institute's 50 Greatest Screen Legends in which they ranked her #8 of all time greatest actresses.
In 2003 she was portrayed by Isabel Keating in the Tony winning Broadway production of The Boy From Oz starring Hugh Jackman as Peter Allen and Stephanie J. Block as Liza Minnelli.
In 2005 singer-actress Linda Eder recorded an album as a tribute to Garland, entitled By Myself: The Songs of Judy Garland. The same year, singer Caroline O'Connor portrayed Garland in the critically acclaimed Australian play End of The Rainbow. The play charted the final months of Judy's life and featured some of her most memorable songs. Judy is the subject of O'Connor's fourth studio album, A Tribute to Garland and she is to reprise the role at the 2006 Edinburgh Festival.
Later that year, 24-year old anonymous writer-performer Billyboy launched his wildly creative and equally controversial podcast tribute to Judy Garland. Entitled The Entertainment Beat with Frances Gumm *, the show has become an underground sensation, prompting articles for The Advocate and various online publications, and interviews with GLBT podcasters and radio stations around the world.
In 2006 singer Rufus Wainwright also paid tribute to Garland by recreating her 1961 Carnegie Hall concert. There was mixed results from both critics and Garland fans. Sarah Jessica Parker, John Waters, and Lorna Luft were among those in attendance. Other famous artists to list Garland as a major influence in their career include Barbra Streisand, Aretha Franklin, Bette Midler, Linda Eder, Mireille Mathieu, Maura O'Connell and Christina Aguilera.
That same year, actress Adrienne Barbeau portrayed Garland in the critically-acclaimed Off-Broadway production The Property Known As Garland. The play focuses on Garland, lounging in her London apartment in her final year, waxing poetic on her life and career.
Judy Garland’s image has remained popular over the years and has been marketed widely and featured on various collectibles including dolls, limited edition plates, porcelain figurines, toys, clothes, handbags, jewellery, Christmas ornaments, stamps, greeting cards, books, advertisements and art.
The first Judy Garland dolls were introduced in 1939 by Ideal Toy Company , it featured Garland as Dorothy , and the second doll was Judy Garland Teenager Shirley Temple dolls in popularity. From that time Garland has been a popular image for major doll manufactures including Madame Alexander, Effanbee *," target="_blank" >Mattel Franklin Mint *" target="_blank" >, World Doll [http://www.jgdb.com/world1.htm , Mary Kay Dolls and Peggy Nesbitt Dolls. These dolls are popular among collectors and the early Ideal dolls can fetch a high price when coming on the market. The materials used for production range from composition and human hair wigs (the Ideal dolls), to vinyl and fine porcelain on the modern dolls.
In 1999 Clinique used Garland's voice singing her famous "Get Happy" to launch the new designer perfume named 'Happy'.
In May 2000 a pair of Ruby Slippers worn by Garland achieved $666,000 when auctioned by Christies *
On New Year's 2004 M&M candies released an advertisement featuring Judy Garland in the final scenes from the Wizard of Oz interacting with the M&M characters *.
In 2005 the blue and white gingham 'Dorothy' dress worn by Garland sold at auction for $252,000 *
Her earliest paternal ancestor was George Marable (1631 - 1683), who traveled to Virginia from Kent, England, in (or before) 1652 and was one of the first colonists settling in what is now call Jamestown, Virginia. The Marable families * of the southern United States all derived from the aforementioned George Marable.
By the time of the Civil War, the Marable family of Jamestown, Virginia, had spread across the South. Marables are found in the rosters of units from at least nine of the Confederate States. In Virginia, Edward W. Marable of the Charles City Southern Guard served aboard the Confederate ship Patrick Henry during the engagement of the Merrimac with the Federal fleet at Hampton Roads. John H. Marable of the 13th Virginia Cavalry served as a courier for Gen. J. E. B. Stuart.
Marables have also been found in units from Tennessee, Georgia, Alabama and Mississippi, and among the dead at Gettysburg. The Marable family were wealthy southern aristocracy and as such were slave owners. Today the majority of those bearing the name Marable are descended from emancipated slaves not George Marable.
It is from Benjamin Marable (1710 - 1773), who traveled to Tennessee, that the Gumm family is descended. The Gumm name can also be found in the registers of soldiers who fought for the Confederacy throughout Rutherford County, Tennessee.
Garland’s father was Francis Avent Gumm, the fourth of six children born in Murfreesboro, Tennessee on March 20, 1886. He died on November 17, 1935, in Los Angeles, California. His parents were William Tecumseh Gumm (1854 - 1906) and Elizabeth Clemmie Baugh (1857 - 1895). The Gumm family was a mixture of English, Irish, Scottish, French Hugenot and German.
Frank Gumm married Ethel Marion Milne*, who was born on November 17, 1893 in Michigamme, Michigan. She died January 5, 1953 in Texas. Ethel was the eldest of eight children born to Eva Fitzpatrick (born on January 4, 1865 in Messina, New York) and John Milne (born October 15, 1865 in Ontario Canada). His parents were Charles Milne (born in 1829 in Arbroath Scotland) and Mary Kelso (born 1837 in Kilmarnock Scotland).
Eva Fitzpatrick-Milne was the daughter of Hugh Fitzpatrick (1838 - 1908), whose family arrived in the United States from Smithtown, County Meath, Ireland in the 1770s and Mary-Elizabeth Harriot (born December 23, 1841 in Dublin, Ireland). Mary, one of thousands of orphans as a result of the Irish Famine, was raised in a Dublin convent;Frank, Gerold, Judy, ISBN 0306808943 . In 1858, at the age of 17, she married Hugh Fitzpatrick an Irish-American who was visiting Dublin and the newlyweds sailed to America that same year. They had 10 children, Mary died on January 24, 1908, in Detroit, Michigan. Although Irish, the Fitzpatrick family fought on the side of the British during the Revolutionary War and as a result, Peter Fitzpatrick (1752 - 1812) son of Patrick Fitzpatrick (1727) was sentenced to be hung as a spy, but this was not carried out and the family moved across the border into Canada;Piro, Rita, Judy Garland: The Golden Years, ISBN 0970626177 (reference: The Golden Years by Rita Piro).
Eva Fitzpatrick-Milne lived with Judy until her death on 17th October 1949 at the age of 84. She is buried with Garland’s father in Forest Lawn Cemetery, Glendale CA. Garland’s mother is also buried nearby in a separate grave.
When commenting on her ancestry, Garland described herself as Irish and Scottish.
A family link between Garland and the 18th United States President Ulysses S Grant has often been incorrectly stated. Garland’s great, great grandfather Hugh Fitzpatrick (1809 - 1878) was married twice; his second wife was Catherine Grant, a first cousin of Grant. However, Garland is descended from a son, also named Hugh (born 1838), from his first wife (Margaret Ross, 1807 - 1845), therefore there is no blood link.
Garland was also considered to play a part in other films after her departure from MGM in 1950:
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