article

John Woo () (born 1 May, 1946, in Guangzhou, China) is a Chinese film director and producer known especially for his Heroic bloodshed movies, which often include "balletic violence".

Biography

At age five Woo's parents were faced with persecution and his Lutheran family fled to Hong Kong. During this time, the Woo family led a hard life in the slums since his father had tuberculosis and could not work. In 1953, the family was made homeless when their house was burned to the ground in a brush fire. It was only thanks to donations from charities that his family was able to move into another house. Unfortunately, by this time, a wave of crime and violence was beginning to infest Hong Kong's housing projects. One of Woo's most vivid childhood memories was of seeing a man being killed on his front steps.

In order to escape his dismal surroundings, Woo would retreat to the local movie theater. It was through musicals like The Wizard of Oz —a film that still stands as his all-time favorite—that the young Woo came to realize that the world was not just filled with violence and suffering; it could be beautiful and happy as well.

Woo married Annie Woo Ngau Chun-lung in 1976 and has had three children. He plans to continue living in the United States.

Hong Kong career history

In 1969, when he was 23, Woo got a job as a script supervisor at Cathay Studios. In 1971, he became an assistant director at Shaw Studios, where the famous Chang Cheh took him under his wing. In 1974 he directed his first feature film The Young Dragons (鐵漢柔情, Tie han rou qing). Choreographed by Jackie Chan, it was a Kung fu action film that featured dynamic camera-work and elaborate action scenes. The film was picked up by Golden Harvest Studio where he went on to direct more martial arts films. He later had success as a comedy director with Money Crazy (發錢寒, Fa qian han) (1977), starring Hong Kong comedian Ricky Hui.

By the mid-1980s, Woo suffered a burnout. His films were failures at the box office and he retreated to Taiwan in exile. John Woo— once called the new comedy king of Hong Kong— seemed to be on his way out. It was then that director/producer Tsui Hark provided the funding for Woo to film a longtime pet project called A Better Tomorrow (1986).

The story of two brothers— one a cop, the other a criminal— the film became a sensational blockbuster. A Better Tomorrow singularly redefined Hong Kong action cinema with its emotional drama, slow-motion gun-battles and gritty atmosphere. The film's trenchcoat/sunglasses fashion sense, and combat style of using a gun in each hand in close quarters— often referred to as 'Gun fu'— would later inspire Hollywood filmmakers such as Quentin Tarantino and the Wachowski brothers.

Together with leading man Chow Yun-Fat, John Woo would make several more Heroic Bloodshed films in the late 1980s and early 1990s. His violent gangster thrillers typically focused on men who were steadfast in their honor and friendship, even though such values forced them to become outcasts in a rapidly-changing world that was more motivated by money and progress. In this respect, Woo's characters were modern-day knights who wielded guns instead of swords. He was heavily influenced by the films of French director Jean-Pierre Melville.

The most famous of these movies would be The Killer (Die xue shuang xiong) (1989), which brought Woo international recognition. Often named as one of the best Hong Kong movies ever made, it was widely praised by critics and fans for its action sequences, acting and cinematography, and often referred to as the perfect action film. With The Killer becoming the most successful Hong Kong film in the U.S. since Bruce Lee's Enter the Dragon (1973), John Woo became a cult favorite. One year later he made another masterpiece, Bullet in the Head, that he still considers as his most personal work. The movie was a major commercial failure in his career though.

It was only a matter of time before Hollywood took notice. By this time, John Woo had many American admirers, including the likes of Martin Scorsese, and Sam Raimi - who compared Woo's mastery of action to Hitchcock's mastery of suspense. Enormously impressed with his work, American executives green-lighted a contract for Woo to work in America. With the 1997 handover of Hong Kong fast approaching, Woo decided that it was indeed time to leave.

John Woo's last Hong Kong film was Hard Boiled (1992), which he made as an antithesis to his movies that glorifies gangsters. Upping the ante with an all-out action film, it featured a Hollywood-scale spectacle in its second half with policemen and criminals waging war inside a hospital - while helpless patients are caught in the crossfire. The sequence lasted nearly 30 minutes. There is a long take in this scene which follows Tequila and Tony go from one floor to another. It lasts 2 minutes and 42 seconds. On the Criterion DVD and laserdisc, this chapter is called 2 minutes, 42 seconds. The film climaxes with supercop Chow Yun-Fat singing a lullaby to a baby while gunning down incoming gangsters, and then jumping out of a window to safety below, baby in arm.

United States career history

In 1993, John Woo found himself in a new land with a new culture. He was commissioned by Universal Studios to direct the Jean Claude Van Damme film Hard Target. While Woo was used to creative freedom in Hong Kong, he was forced to deal with a compressed production schedule. Like many foreign directors who come to Hollywood, Woo found himself hamstrung at every turn by the studios, having to deal with things such as how many people could be killed in each scene, how many bullets Van Damme could pump into somebody, how Van Damme could behave and so on. When initial cuts failed to yield an "R" rated film, the studio took the film from Woo's hands and pared it down themselves in order to produce a cut that was "suitable for American audiences". A "rough cut" of the film, supposedly his original unrated version, is still circulated among fans.

It would be three long years before Woo made another American directorial attempt. Starring John Travolta and Christian Slater, Broken Arrow was a frantic chase-picture with a bigger budget. Unfortunately, Woo once again found himself hampered by studio interference and editors who did not share his sense of aesthetics and filming style. What resulted was a film that, despite modest financial success, lacked Woo's trademark style.

Still smarting from his bitter experiences, Woo cautiously rejected the script for Face/Off several times until it was rewritten to suit him (by shifting the futuristic setting to a modern one). With Paramount Pictures offering him significantly more freedom this time around, Woo set out to craft a complex story of two enemies— a law enforcement agent played by John Travolta and a terrorist played by Nicolas Cage—who embark on a fantastical surgical procedure that allows them to switch faces. Trapped in each other's identities, they play a cat-and-mouse game that allowed Woo to do what he did best: emotional characterization and elaborate action. Face/Off opened in 1997 to critical acclaim and performed well at the box office, grossing over $100 million in the United States alone. As a result, John Woo became the first Asian director to hit mainstream, paving the way for other Asian filmmakers to follow in his footsteps. Many fans and critics consider this his best American film.

John Woo has made three additional Hollywood films: Impossible II, Windtalkers and Paycheck. While Mission: Impossible II was a huge hit in 2000, Windtalkers and Paycheck have been box office duds that were lambasted by critics. It is unclear whether Woo will be able to bounce back from these disappointments.

At the moment John Woo has many projects in mind, including three remakes of French famous thrillers starring Alain Delon and a videogame called Stranglehold for next gen consoles and PC. However he had to give up two projects of videogames' adaptations, Spy Hunter, which was already in production, and Metroid. In 2006 he will go back to China with Chow Yun-Fat to shoot his next major project, the highly anticipated The Battle of Red Cliff, based on a historical epic battle from Romance of the Three Kingdoms.

Trivia

  • One of Woo's trademarks is doves. He was quoted in the June 2000 edition of Premiere magazine:
"I love doves. I am a Christian. Doves represent the purity of love, beauty. They're spiritual. Also the dove is a messenger between people and God... When I shot The Killer, these two men, the killer and the cop, they work in different ways, but their souls are pure, because they do the right thing. In the church scene, I wanted to bring them together. I wanted to use a metaphor of the heart. I came up with doves —they're white. When the men die, I cut to the dove flying —it's the soul, rescued and safe and also pure of heart. So the dove became one of my habits: I used it in Hard Boiled, Face/Off, and in Mission: Impossible II".

  • In the anime series, R.O.D the TV which features three girls named after real life Hong Kong action stars, 'John Woo' is the name of a mysterious carrier pigeon.

  • Quentin Tarantino has been quoted in reply to a studio executive who said "I suppose Woo can direct action scenes" as saying "Sure, and Michelangelo can paint ceilings!"

  • When Jean-Claude Van Damme was trying to get Woo for Hard Target he described him as "the Martin Scorsese of Asia".

  • In another anime series, FLCL, two characters can be seen watching the climactic end sequence of an action movie. Although the screen in not visible, it can be surmised that it is indeed a John Woo film, as one of the film's characters exclaims, "What are all these pigeons doing in here?" and a multitude of flapping wings heard. The screen was then broken, and a flock of white doves flew out of the TV set.

  • At some point the main characters see and talk to each other using reflections in mirrors.

  • Japanese professional wrestler SUWA, of the promotions Dragon's Gate and Pro Wrestling NOAH, utilizes a seated dropkick that frequently sends its victim flying back-first into the corner. As a fan of Hong Kong action cinema, he calls this move the "John Woo", as a homage to the impact of shotgun blasts on the human body in Woo's films.

  • In the video game Max Payne there are many homages and references to John Woo. For example, the black suit and tie Max is seen wearing at the beginning, as well as the dual guns and jumping and shooting in slow motion. One of the game's difficulty levels is named "Hard Boiled," and John Woo's name is mentioned at one point.

  • John Woo likes the look of the Beretta 92F/FS pistol and had featured it in many of his movies. He stated in an interview that it "is a great character" and added that "it's so strong and elegant." He also mentioned that other pistols looked dumb to him.

  • John Woo enjoyed watching Western movies during his youth, especially the final scene in Butch Cassidy and the Sundance Kid where the two comrades run out gun blazing (where he got the inspiration of holding two guns). Woo is also a fan of Hollywood musicals and at one point, was a contender for the director's chair for Phantom of the Opera.

  • In the PC game F.E.A.R., the developer admitted that they been inspired by John Woo action movies that they wanted the action to be exactly epic to Woo movies.

  • The Christian rock band Newsboys has a song called "John Woo" which makes reference to the religious symbolism he often employs in his films.

Directorial trademarks

  • use of doves
  • use of gun fu, especially dual wielding pistols
  • use of rainbows
  • heavy use of slow motion
  • scenes in a hospital
  • use of freeze frame
  • use of motorcycles
  • use of reflection
  • use of unusual hand-to-hand weapons
  • characters engaged in a Mexican standoff
  • characters engaged in back-to-back banter

Filmography

See also

External links

1946 births | Living people | Chinese film directors | Hong Kong film directors | Lutherans

John Woo | John Woo | John Woo | John Woo | ジョン・ウー | John Woo | John Woo | 吴宇森

 

This article is licensed under the GNU Free Documentation License. It uses material from the "John Woo".

Home Page • arts • business • computers • games • health • hospitals • home • kids & teens • news • physicians • recreation• reference • regional • science • shopping • society • sports • world