John Henry is an American mythical (usually African-American) folk hero, who has been the subject of numerous songs, stories, plays, and novels.
In modern depictions John Henry is usually portrayed as hammering down rail spikes, but older songs instead refer to him driving blasting holes into rock, part of the process of excavating railroad tunnels and cuttings.
The railroad historian Roy C. Long found that there were multiple Big Bend Tunnels along the C&O rail line. Also, the C&O employed multiple black men who went by the name "John Henry" at the time that those tunnels were being built. Though he could not find any documentary evidence, he believes on the basis of anecdotal evidence that the contest between man and machine did indeed happen at the Talcott, West Virginia site due to the presence of all three (a man named John Henry, a tunnel named Big Bend, and a steam-powered drill) at the same time at that place.
The part-time folklorist John Garst has argued that the contest instead happened at the Coosa Tunnel or the Oak Mountain Tunnel of the Columbus and Western railroad (now part of Norfolk Southern) in Alabama in 1887. He conjectures that John Henry may have been a man named Henry born a slave to P. A. L. Dabney, the father of the chief engineer of that railroad, in 1844.
While he may or may not have been a real character, Henry became an important symbol of the working man. His story can be seen as an archetypically tragic illustration of the futility of fighting the technological progress so evident in the ongoing 19th century upset of traditional physical labor roles. Some labor advocates interpret the legend as saying that even if you are the most heroic worker of time-honored practices, management remains more interested in efficiency and production than in your health and well-being; though John Henry worked himself to death, they replaced him with a machine anyway. Thus the legend of John Henry has been a staple of leftist politics, labor organizing and American counter-culture for well over one hundred years.
Songs featuring the story of John Henry have been sung by many blues, folk, and rock musicians, including Leadbelly (singing both "John Henry" and a variant entitled "Take This Hammer"), Sonny Terry & Brownie McGhee, Mississippi John Hurt (in his "Spike Driver Blues" variant of the song), Woody Guthrie, Big Bill Broonzy, Johnny Cash (singing "The Legend of John Henry's Hammer"), Ramblin' Jack Elliott, Fred McDowell, John Fahey (who plays both an instrumental of the original song, and an instrumental of his own, "John Henry Variation"), Harry Belafonte, Roberta Flack, Dave Van Ronk, and the Drive-By Truckers (singing "The Day John Henry Died"). Dave Dudley wrote his own variation called "John Henry". The Shane Daniel album Yours Truly contains a song called "The Spirit Of John Henry". Daniel says this song has to do with the name John Henry not being used in modern songs. Most recently, Bruce Springsteen performs "John Henry" with a folk band on his 2006 album The Seeger Sessions. It was translated into Norwegian as "Jon Henry" in 1973 by Odd Børretzen. Van Morrison recorded a rock version of the folk song on his Philospher's Stone album. In addition Henry Thomas also recorded a version of the song. Alt-Country legends Ohia released the song "John Henry Split My Heart" on their 2003 album, "The Magnolia Electric Co." Fellow Alt-Country group Drive-By Truckers released the song "The Day John Henry Died," on their 2004 album, "The Dirty South."
In 2000, Walt Disney Feature Animation completed a short subject film based on John Henry, produced at the satellite studio in Orlando, Florida, directed by Mark Henn and produced by Steven Keller. Keller and Henn worked collaboratively with the Grammy Award winning group "The Sounds of Blackness" to create all new songs for the film. The film also featured the voice talent of actress Alfre Woodard. "John Henry" created a strong positive response around the animation community, won several film festivals both domestically and abroad, and was one of seven finalists for the 2001 academy awards in its category.
However, Disney was uneasy about releasing a short about a black folk hero created by an almost completely white production team, and aside from film festivals, industry screenings and limited theater screenings required for academy award consideration, a slightly cut down version of John Henry was released only as part of a video compilation entitled Disney American Legends in 2001. This became the nation's top-selling children's video for several weeks upon its release. Disney Educational Productions has also made the film available as a stand-alone product for video use in schools. And the film is often shown on The Disney Channel, especially during Black History Month.
The legend of John Henry was the inspiration for the third version of the DC Comics superhero Steel -- also known as John Henry Irons.
Colson Whitehead's 2001 novel John Henry Days uses the John Henry myth as story background.
In 1994, They Might Be Giants released an album, John Henry.
The story of John Henry was re-worked in a comic song by the songwriting duo The Smothers Brothers. In their version, John Henry takes on the steam hammer and is narrowly defeated, but ends saying 'I'm gonna get me a steam drill too!'
Gillian Welch's song Elvis Presley Blues, from the album Time (The Revelator) (2001) compares Elvis Presley's death to John Henry's.
Bart Simpson is forced to sing "John Henry Was a Steel Driving Man" in the Simpsons episode Homer's Odyssey.
The Onion, a satirical newspaper, ran a fictional story in its February 27, 2006 issue about a modern-day John Henry. That article, titled "Modern-Day John Henry Dies Trying to Out-Spreadsheet Excel 11.0," describes an accountant who tried to prepare a spreadsheet faster than the Microsoft program Excel. Much like the traditional John Henry, this protagonist won the contest but died afterward.
In Julian Schnabel's 1996 film Basquiat, Benny (played by Benicio Del Toro) tells the story of John Henry to Jean-Michel Basquiat (Jeffrey Wright). At the end of the tale Basquiat replies "But he beat it".
American folklore | Disney films | Short films | Bluegrass songs
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