John Foxe (1516–April 8, 1587) is remembered as the author of the famous Foxe's Book of Martyrs.
Foxe took his bachelor's degree on July 17, 1537 and his master's degree in July of 1543. He was lecturer of logic in 1539-40. He wrote several Latin plays on biblical subjects, of which the best, De Christo triumphante or Christus triumphans, an allegorical, Latin verse drama concerning the history of the church, was printed in London in 1551 and by Oporinus in Basel in March, 1556. It was performed at Cambridge and probably Oxford in the 1560s; it was translated into French in 1562 and English in 1579. The latter translation was produced by Richard Day, son of the printer, John Day or Daye, who published Foxe's Actes and Monuments. Foxe's earliest extant literary creation is Titus et Gesippus (w. 1544), a Latin comedy based on Boccaccio.
Foxe resigned from his college in 1545, referring to it as a prison in a letter he wrote that year. At some point during his time at Oxford he had become an evangelical, meaning he subscribed to Protestant beliefs not sanctioned by the Church of England under Henry VIII. (Other evangelicals of future renown at Magdalen then were Henry Bull, Laurence Humphrey, Thomas Cooper, and Robert Crowley.) It was said that Foxe refused to conform to the rules for regular attendance at mass and other services. Foxe was also obliged to take holy orders by Michaelmas of 1545, after a year of obligatory regency (public lecturing), and as he dissented from the requirement of clerical celibacy--which he described in letters to friends as self-castration and circumcision (BL, Lansdowne MS 388, fols. 80v, 117r)--this is probably the primary reason for his resignation.
The customary statement that Foxe was expelled from his fellowship is based on the untrustworthy biography attributed to his son, Samuel Foxe, but there is evidence that Foxe was pressured out of the college in a general purge of its evangelical members. College records state that he resigned of his own accord and ex honesta causa, but there exists in Foxe's papers a draft of a letter to Owen Oglethorpe, president of Magdalen, in which Foxe protests against the charges of irreverence and of belonging to a new religion, which were brought against him by some of the college's masters who are not named by Foxe (BL, Lansdowne MS 388, fols. 53r–58r). Foxe says these masters were persecuting other fellows, including Thomas Cooper, later bishop of Lincoln and Winchester under Elizabeth, and Robert Crowley, a lifelong friend and associate of Foxe's who also left the college at this time. Foxe's letter is printed in Pratt's edition (vol. i. Appendix, pp. 58-61); see also J. F. Mozley's biography of Foxe.
Once determined to leave Oxford, Foxe looked to other evangelicals for help but received only advice and a little money. Hugh Latimer invited Foxe to live with him, but Foxe's best prospect was employment as tutor in the household of Thomas Lucy of Charlecote, near Stratford-on-Avon. Here Foxe married Agnes Randall on February 3, 1547. Shortly after marrying, Foxe left the Lucys. The reasons for his departure are not known. According to short remembrance written by Simeon Foxe in 1611 and appended to the 1641 Actes and Monuments, Foxe stayed with the Randalls in Coventry before returning to his parents' in Coningsby. Foxe's stay there was brief, perhaps because, as Simeon states, Foxe's step-father was Catholic and their relationship was difficult. On the other hand, a 1547 publication of Foxe's contains a dedication to his step-father, thanking him for his help.
Foxe was ordained deacon by Nicholas Ridley on June 24, 1550. His circle of friends, associates, and supporters at this time included John Hooper, William Turner, John Rogers, William Cecil, and John Bale. Bale is thought to have had a strong material influence in Foxe's interest and work on a definitive English martyrology. From 1548-1551, Foxe wrote works of religious controversy, arguing with reformer George Joye on such topics as adultery, excommunication, and canon law.
In the fall of 1554 Foxe removed to Frankfurt, where he lived with Anthony Gilby in the English colony of Protestant refugees. He found the group divided into two camps, one favoring a church polity and liturgy based on the Edwardian Book of Common Prayer and the other favoring the continental Reformed models typified by John Calvin's Genevan church. The latter group was led at that time by John Knox (Gilby was also a principal figure) and supported by Foxe; the former was then led by Richard Cox. Knox's faction used a revised 1552 prayerbook as a compromise gesture that failed to establish general support, and the others used the prayerbook without revision. Knox's side lost in 1555, and Knox himself was expelled. In the fall of 1555 Foxe and about twenty others also left.
Foxe then removed to Basel where he lived and worked with John Bale and Lawrence Humphrey. Peter Martyr, following a request from Grindal, put Foxe to work on a translation of Thomas Cranmer's second book on the Eucharist in the printing house of Johann Herbst (or Oporinus), where Foxe also labored as a proofreader. Foxe was also an assistant to Hieronymus Froben in the production of a Latin edition of St. John Chrysostom's works. In addition to printing his own apocalyptic comedy, Christus Triumphans (1556), Foxe made steady progress with his great martyrology, which was aided by the work of continental Protestant scholars such as Conrad Gesner, Alexander Ales (or Alesius), Heinrich Pantaleon, and Matthias Flacius. At this time Foxe's focus was on the history of persecutions against the Lutherans, but the burning in England of John Rogers turned his attention homeward. As he received reports from England of the religious persecutions there, Foxe issued from the press of Oporinus his pamphlet Ad inclytos ad praepotentes Angliae proceres ... supplicatio (1557), a plea for toleration addressed to the English nobility. Foxe also worked on a Latin translation of Cranmer's arguments against Stephen Gardiner in An Answer . . . unto a Crafty Cavillation, but it proved too controversial for any continental printer.
Perhaps headed by Grindal with an English version being worked on by other exiles (though it was never completed), Foxe's largest project during this time was a new and comprehensive Latin martyrology building on his earlier effort. Titled Rerum in ecclesia gestarum . . . commentarii, this project never incorporated all the material that was slated for inclusion, particularly European martyrs with the exception of Hus and John of Prague who were included, but it did constitute an important precursor to the Actes and Monuments. Printed by Oporinus and Nicholas Brylinger in 1559, it came to about 750 pages and ended with the early part of Mary's reign and the martyrdoms of Foxe's friends and allies John Rogers and John Hooper.
Foxe was ordained priest by Edmund Grindal, now Bishop of London, on January 25, 1560, and he moved to Norwich to live with its bishop, John Parkhurst, where he preached and engaged in research before returning to Norfolk's residence in London in the fall of 1562. On March 23 of the following year the first edition of Actes and Monuments was published.
Issued from the press of John Day, the first English edition of the Actes and Monuments was an unprecedented historical work in English, running to about 1800 folio pages. The full title is Actes and Monuments of these latter and perilous Dayes, touching matters of the Church, wherein are comprehended and described the great Persecution and horrible Troubles that have been wrought and practised by the Romishe Prelates, especiallye in this Realme of England and Scotland, from the yeare of our Lorde a thousande to the time now present. Gathered and collected according to the true Copies and Wrytinges certificatorie as well of the Parties themselves that Suffered, as also out of die Bishop's Registers, which were the Doers thereof, by John Foxe. It was and remains commonly known as Foxe's Book of Martyrs.
Several gross errors which had appeared in the Latin version, and had been since exposed, were corrected in this edition. Its popularity was immense and signal. The Marian persecution was still fresh in men's minds, and the graphic narrative intensified in its numerous readers the fierce hatred of Spain and of the Inquisition which was one of the master passions of the reign. Nor was its influence transient. For generations the popular conception of Roman Catholicism was derived from its bitter pages.
Second edition The Actes and Monuments ' accuracy was immediately attacked by Catholic writers like Thomas Harding and Thomas Stapleton but most notably in the Dialogi sex, contra summi pontificatus, monasticae vitae, sanctorum, sacrarum imaginum oppugnatores, et pseudomartyres (1566). Nominally from the pen of a Catholic exile, Alan Cope, but in reality by Nicholas Harpsfield, former archdeacon of Canterbury under Mary I, Dialogi sex's sixth dialogue, which is also the longest, systematically attacks Foxe's work. Robert Parsons' Three Conversions of England (1570) also struck heavily at Foxe.
Thus it was success and criticism alike that induced Foxe to produce a second corrected edition, Ecclesiastical History, contayning the Actes and Monuments of things passed in every kynges tyme in 1570, a copy of which was ordered by Convocation to be placed in every collegiate church. In it Foxe responded to his critics by silently making corrections and loudly rebutting other arguments, such as thos surrounding the status of the Lollard Sir John Oldcastle.
Accuracy Foxe based his accounts of the martyrs partly on authentic documents and reports of the trials, and on statements received direct from the friends of the sufferers, but he worked under the pressure of publishing schedules and was not laboring under modern notions of neutrality or objectivity as ideals in historiography, which are problematic in their own right. Anthony à Wood says that Foxe "believed and reported all that was told him, and there is every reason to suppose that he was purposely misled, and continually deceived by those whose interest it was to bring discredit on his work," but he admits that the book is a monument of his industry, his laborious research and his sincere piety. Many errors due to carelessness, time constraints, and the collaborative nature of the project have been exposed, and there is no doubt that Foxe, like many of his contemporaries, was ready to believe evil of the Catholic opposition, but he cannot always be exonerated from the charge of wilful falsification of evidence. It should, however, be remembered in his honor that Foxe's advocacy of religious toleration was far in advance of his day. Foxe pleaded for the despised Dutch Anabaptists, and remonstrated with John Knox on the rancor of his First Blast of the Trumpet Against the Monstrous Regiment of Women.
Complete text of the book: Foxe's Book of Martyrs
By 1565 Foxe was caught up in the vestments controversy led at that time by his associate Crowley. Foxe's name was on a list of "godly preachers which have utterly forsaken Antichrist and all his Romish rags" (i.e., early Puritans) that was presented to Lord Robert Dudley some time between 1561 and 1564 (Magdalene College, Cambridge, Pepys Library, "Papers of state", 2.701). He was one of the twenty clergymen who on March 20, 1565 petitioned to be allowed to choose not to wear vestments, but unlike many of the others, Foxe did not have a London benefice to lose when Archbishop Parker enforced conformity. Rather, when Crowley lost his position at St Giles-without-Cripplegate, Foxe stepped in for him. A few years later (c. 1568) Foxe moved out of Norfolk's house to Grub St. in this parish, and his associate John Field (divine) became curate at the church.
Foxe's move was probably motivated by his concerns about Norfolk's actions which led to his imprisonment in the Tower on October 8, 1569 and his condemnation to death on January 26, 1572 following the Ridolfi Plot. Foxe and Alexander Nowell ministered to Norfolk from this time until his execution, which Foxe attended, on June 2, 1572.
At Grindal's behest, though complaining of being burdened by his literary endeavors and liable to be hissed at by the audience, Foxe preached on 2 Cor. 5.20-21 at Paul's Cross on Friday, March 24, 1570 in an exposition of the Protestant doctrine of redemption with an attack on the mass. The sermon was published that year as A Sermon of Christ crucified (STC 11242).
On February 2, 1577 Foxe preached at Paul's Cross and drew a complaint from the French Ambassador to the Queen that he had said that the French Protestants "had great cause to take arms against their king, for that he admitted their public enemy the Pope." When called to answer to the Bishop of London, Foxe said he had been responding to Osorius' assertion that French Protestants rejected lawful sovereignty.
Foxe was one of the earliest students of Anglo-Saxon, and he and Day published an edition of the Saxon gospels under the patronage of Archbishop Parker.
Foxe died on the 8th of April 1587 and was buried at St. Giles's, Cripplegate.
Foxe's papers are preserved in the Harleian and Lansdowne collections in the British Museum. Extracts from these were edited by J.G. Nichols for the Camden Society (1859). See also W. Winters, Biographical Notes on John Foxe (1876); James Gairdner, History of the English Church in the Sixteenth Century.
1516 births | 1587 deaths | Natives of Lincolnshire | Religious persecution | Religion and politics | Anti-Catholicism | Former students of Brasenose College, Oxford | Former students of Magdalen College, Oxford | Fellows of Magdalen College, Oxford | Tudor people
This article is licensed under the GNU Free Documentation License.
It uses material from the
"John Foxe".
Home Page • arts • business • computers • games • health • hospitals • home • kids & teens • news • physicians • recreation• reference • regional • science • shopping • society • sports • world