In the Olympian pantheon of classical Greek Mythology, Hêra (IPA pronunciation: ; Greek or ) was the wife and sister of Zeus. She also presided as goddess of marriage. Her Roman equivalent was Juno.
Hera is portrayed as being majestic and solemn, often enthroned and crowned with the polos, the high cylindrical crown worn by several of the Great Goddesses. In her hand she may bear the pomegranate, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy (Ruck and Staples 1994). "Nevertheless, there are memories of an earlier, aniconic representation, as a pillar in Argos and as a plank in Samos" (Burkert 1985 p.131).
In Roman mythology, the consort of Jupiter (Zeus) was Juno.
Hera's importance in the early archaic period is attested by the large building projects undertaken in her honor. The temples of Hera in the two main centers of her cult, at Samos and in the Argolid, were the very earliest monumental Greek temples constructed, in the 8th century BC.
Sometimes this devolved role is as clear as a simple substitution can make it. According to the Homeric Hymn III to Delian Apollo, Hera detained Eileithyia, to prevent Leto from going into labor with Artemis and Apollo, because the father was Zeus. The other goddesses present at the birthing on Delos sent Iris to bring her. As she stepped upon the island, the divine birth began. In the myth of the birth of Heracles, it is Hera herself who sits at the door instead, delaying the birth of Heracles until her protegé, Iphicles, has been born first.
At Olympia, Hera's seated cult figure was older than the warrior figure of Zeus that accompanied it. Homer expressed her relationship with Zeus delicately in the Iliad, in which she declares to Zeus, "I am Cronus' eldest daughter, and am honourable not on this ground only, but also because I am your wife, and you are king of the gods."* Though Zeus is often called Zeus Heraios ("Zeus, consort of Hera"), Homer's treatment of Hera is less than respectful, and in late anecdotal versions of the myths (see below) she appeared to spend most of her time plotting revenge on the nymphs seduced by her Consort, for Hera upheld all the old right rules of Hellene society and sorority.
Greek altars of Classical times were always under the open sky. Hera may have been the first to whom an enclosed roofed temple sanctuary was dedicated, at Samos about 800 BC. (It was replaced later by the Heraion, one of the largest Greek temples anywhere.) Earlier sanctuaries, whose dedication is less secure, were of the Mycenaean type called "house sanctuaries". Samos excavations have revealed votive offerings, many of them late 8th and 7th century, which reveal that Hera at Samos was not merely a local Greek goddess of the Aegean: the museum there contains figures of gods and suppliants and other votive offerings from Armenia, Babylon, Iran, Assyria, Egypt, testimony to the reputation which this sanctuary of Hera enjoyed and to the large influx of pilgrims— and a general reminder to us that Greek myths did not evolve in a cultural vacuum (Burkert 1998).
In Euboea the festival of the Great Daedala, sacred to Hera, was celebrated on a sixty-year cycle.
In Hellenistic imagery, Hera's wagon was pulled by peacocks, birds not known to Greeks before the conquests of Alexander: Alexander's tutor, Aristotle, refers to it as "the Persian bird." The peacock motif was revived in the Renaissance iconography that unified Hera and Juno, and which European painters have kept familiar to us (Seznec 1953). A bird that had been associated with Hera on an archaic level, where most of the Aegean goddesses were associated with "their" bird, was the cuckoo, which appears in mythic fragments concerning the first wooing of a virginal Hera by Zeus.
Her archaic association was primarily with cattle, as a Cow Goddess, who was especially venerated in "cattle-rich" Euboea. Her familiar Homeric epithet boôpis, is always translated "cow-eyed", for, like the Greeks of Classical times, we reject its other natural translation "cow-faced" or at least "of cow aspect". A cow-headed Hera, like a Minotaur would make a dark demon of fear. But on Cyprus, very early archaeological sites contain bull skulls that have been adapted for use as masks (see Bull (mythology)).
The pomegranate, an ancient emblem of the Great Goddess (see Pomegranate), remained an emblem of Hera: many of the votive pomegranates and poppy capsules recovered at Samos are made of ivory, which survives burial better than the wooden ones that must have been more common. Like all goddesses, Hera may be displayed wearing a diadem and be veiled.
Hephaestus gained revenge against Hera for rejecting him by making her a magical throne which, when she sat on it, didn't allow her to leave it. The other gods begged Hephaestus to return to Olympus to let her go but he repeatedly refused. Dionysus got him drunk and took him back to Olympus on the back of a mule. Hephaestus released Hera after being given Aphrodite as his wife.
While Heracles was still an infant, Hera sent two serpents to kill him as he lay in his cot; the mythographers interpreted the event. Heracles throttled a single snake in each hand and was found by his nurse playing with their limp bodies as if they were child's toys. The anecdote is built upon a representation of the hero gripping a serpent in each hand, precisely as the familiar Minoan snake-handling goddesses had once done.
One account of the origin of the Milky Way is that Zeus had tricked Hera into nursing the infant Heracles: discovering who he was, she had pulled him from her breast, and a spurt of her milk formed the smear across the sky that can be seen to this day.
When he fought the Lernaean Hydra, she sent a crab to bite at his feet in the hopes of distracting him. To annoy Heracles after he took the cattle of Geryon, Hera sent a gadfly to bite the cattle, irritate them and scatter them. Hera then sent a flood which raised the water level of a river so much Heracles could not ford the river with the cattle. He piled stones into the river to make the water shallower. When he finally reached the court of Eurystheus, the cattle were sacrificed to Hera.
Eurystheus also wanted to sacrifice Cretan Bull to Hera, who hated Heracles. She refused the sacrifice because it reflected glory on Heracles. The bull was released and wandered to Marathon, becoming known as the Marathonian Bull.
A follower of Artemis, Callisto took a vow to remain a virgin. But Zeus fell in love with her and disguised himself as Apollo in order to lure her into his embrace. Hera then turned Callisto into a bear out of revenge. Later, Callisto's son with Zeus, Arcas, nearly killed her in a hunt and Zeus placed them up in the clouds in the beautiful heavens. An alternate version: One of Artemis' companions, Callisto lost her virginity to Zeus, who had come disguised as Artemis. Enraged, Artemis changed her into a bear. Callisto's son, Arcas, nearly killed his mother while hunting, but Zeus or Artemis stopped him and placed them both in the sky as Ursa Major and Ursa Minor.
Another alternate version: Artemis killed Callisto in bear form, deliberately.
Hera was not pleased with the placement of Callisto and Arcas in the sky, so she asked her nurse, Tethys, to help. Tethys, a marine goddess, cursed the constellations to forever circle the sky and never drop below the horizon, hence explaining why they are circumpolar.
See also Dionysus' birth for other variations.
Once Io was given to Hera, she placed her in the charge of Argus to keep her separated from Zeus. Zeus then commanded Hermes to kill Argus, which he did by lulling all one-hundred eyes to sleep. Hera sent a gadfly to sting Io as she wandered the earth. Eventually Io was driven to the ends of the earth, the Romans believed to be Egypt, where the Egyptians saw her and worshipped her as a goddess.
This honor bestowed upon the children was later used by Solon as a proof while trying to convince Croesus that it is impossible to judge a person's happiness until they have died a fruitful death after a joyous life. (according to Herodotus' History book 1.)
Greek goddesses | Fictional queens
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