Hans Poelzig (30 April, 1869 Berlin–June 14, 1936 Berlin) was a German architect, painter and set designer active in the Weimar years. The daughter of a countess, Hans Poelzig took his mothers maiden name.
Poelzig was also known for his distinctive 1919 interior redesign of the Berlin Grosses Schauspielhaus for Weimar impressario Max Reinhardt, and for his vast architectural set designs for the 1925 UFA film production of The Golem. (Poelzig mentored Edgar Ulmer on that film; when Ulmer directed the 1934 film noir Universal Studios production of "The Black Cat", he returned the favor by naming the architect-Satanic-high-priest villain character "Hjarmal Poelzig", played by Boris Karloff.)
With his Weimar architect contemporaries like Bruno Taut and Ernst May, Poelzig's work developed through Expressionism and the New Objectivity in the mid-1920s before arriving at a more conventional, economical style. In 1927 he was one of the exhibitors in the first International Style project, the Weissenhof Estate in Stuttgart. In the 1920s he ran the "Studio Poelzig" in partnershp with his wife Marlene (Nee Moeschke) (1894-1985). Poelzig also designed the 1929 Broadcasting House in the Berlin suburb of Charlottenburg, a landmark of architecture, and Cold War and engineering history.
Poelzig's single best-known building is the enormous and legendary I.G. Farben Building, completed in 1931 as the administration building for IG Farben in Frankfurt am Main, now known as the Poelzig Building at Goethe University. In March 1945 the building was occupied by American Allied forces under Eisenhower, became his headquarters, and remained in American hands until 1995. Some of his designs that were never built included one for the Palace of the Soviets and one for the League of Nations headquarters at Geneva.
Poelzig died in Berlin in June 1936, shortly before his planned departure for Ankara.
German architects | Expressionist architects | Modernist architects | Hans Poelzig | Hans Poelzig | Hans Poelzig
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