Hiram "Hank" Williams (September 17, 1923 – January 1, 1953) was an American singer, guitarist, and songwriter, who has become an icon of country music and one of the most influential musicians of the 20th century. A leading exponent of the Honky Tonk style, he had numerous hit records, and his charismatic performances and succinct compositions fueled his fame. His songbook is one of the backbones of country music, and has been covered in a range of pop and rock styles. His legend has only grown since his premature death at the age of 29. His son Hank Williams Jr., his daughter Jett Williams, and his grandchildren Hank Williams III and Holly Williams are also professional musicians.
In 1931, Lillie Williams settled her family in Georgiana, Alabama, where she worked as the manager of a boarding house. She managed to find several side jobs to support her children, despite the bleak economic climate of the Great Depression. She worked in a cannery and served as a night-shift nurse in the local hospital. Hiram and Irene also helped out by selling peanuts, shining shoes, delivering newspapers, and doing other simple jobs. With the help of U.S. Representative J. Lister Hill, the family began collecting Lon's military disability pension. Despite Lon's medical condition, the Williams family managed fairly well financially throughout the depression.
After a year of living with his relatives in Fountain, Hiram moved back to Georgiana, where he met Rufus Payne, a black blues musician living in the nearby town of Greenville. Payne often travelled through Georgiana and other towns in the area to perform in the streets and other public places. Payne, who was known more commonly as "Tee-Tot," became Hiram's mentor and greatly influenced his musical style.
In the fall of 1934, the Williams family moved to Greenville, Alabama, a larger town about fifteen miles to the north of Georgiana. Lillie opened a boarding house next to the Butler County courthouse, and Hiram was able to spend more time with Payne. Sometimes Hiram would stay at Payne's house overnight. In 1937, Hiram got into a rough fight with his physical-education coach. Furious with the coach, his mother demanded that the school board fire him. When the school board refused to take action, she decided to move the family to Montgomery.
After school and on weekends, Hank sang and played his Silverstone guitar on the sidewalk in front of the WSFA radio studios. He quickly caught the attention of WSFA producers, who occasionally invited him to come inside and perform on air. So many listeners contacted the radio station asking for more of the "Singing Kid" that the producers hired him to host his own fifteen-minute show, twice a week for a weekly salary of fiteen dollars.
In August, 1938, Lon Williams was temporarily released from the hospital, and he showed up unannounced at the family's home in Montgomery. Lillie was unwilling to let him reclaim his position at the head of the household, so he stayed only long enough to celebrate Hank's birthday in September before he returned to the medical center in Lousiana. It was the first time Hank had seen his father in over eight years, and even after the reunion, he felt as though he had grown up without a father.
Lillie Williams stepped up to be the Drifting Cowboys' manager. She began booking show dates, negotiating prices, and driving them to some of their shows. Now free to travel without Hank's school schedule taking precedence, the band was able to tour as far away as western Georgia, and the Florida Panhandle. Meanwhile, Hank returned to Montgomery every weekday to host his radio show.
The nation's entrance into World War II in 1941 marked the beginning of hard times for Hank Williams. All his band members were drafted to serve in the military, and many of their replacements refused to continuing playing in the band because of Hank's worsening alcoholism. His idol, Grand Ole Opry star Roy Acuff warned him of the dangers of alcohol, saying "You've got a million-dollar voice son, but a ten-cent brain." Despite Acuff's advice, Williams continued to show up for his radio show intoxicated, so in August, 1942, WSFA fired him due to "habitual drunkenness."
In 1950, Williams began recording as Luke the Drifter, an appellation given to Williams for use in identifying his more moralistic and religious-themed recordings, many of which are recitations rather than his usual crooning. Fearful that disc jockeys and jukebox operators would become hesitant to accept these non-traditional Williams recordings, thereby hurting the marketability of Williams's name, the name "Luke the Drifter" was employed to cloak the identity of the artist--though the source of the recordings was quite evident. Around this time, Williams released more hit songs, such as "My Son Calls Another Man Daddy", "They'll Never Take Her Love from Me", "Why Should We Try Anymore?", "Nobody's Lonesome for Me", "Long Gone Lonesome Blues", "Why Don't You Love Me?", "Moanin' the Blues" and "I Just Don't Like This Kind of Livin'". In 1951, "Dear John" became a hit but the B-side, "Cold, Cold Heart", has endured as one of his most famous songs, aided by the #1 pop version by Tony Bennett in 1951 being the first of many recordings of Williams' songs in a non-country genre. (Cold, Cold Heart has subsequently been covered by Guy Mitchell, Teresa Brewer, Dinah Washington, Lucinda Williams, Cowboy Junkies, Frankie Laine, Jo Stafford, and Norah Jones, among others). That same year, Williams released other hits, including the enduring classic "Crazy Heart".
Despite Hank's numerous country hits, the legend of Hank Williams seems to rest in the duality of his writings. On one hand, Hank would sing about having a rowdy time ("Honky Tonkin'") or drifting aimlessly ("Lost Highway"), but would then sing religious songs of remorse, most particularly, the title track to the album "I Saw The Light."
Williams' life would become unmanageable however, due to his success. His marriage, always turbulent, was rapidly disintegrating, and he developed a serious problem with alcohol, morphine and other painkillers. Much of this abuse came from attempts to ease his severe back pain, which was caused by a birth defect, spina bifida occulta. In 1952, Hank and Audrey separated and he moved in with his mother, even as he released numerous hit songs, such as "Half as Much", "Jambalaya (On the Bayou)", "Settin' the Woods on Fire", "You Win Again" and "I'll Never Get Out of This World Alive". Williams' drug problems continued to spiral out of control as he moved to Nashville and officially divorced his wife. A relationship with Bobby Jett during this period resulted in a daughter, Jett, who would be born just after his death.
In October of 1952, Williams was fired from the Grand Ole Opry. Told not to return until he was sober, he instead rejoined the Louisiana Hayride. On October 18, 1952, he married Billie Jean Jones Eshliman. A ceremony was held at the New Orleans Municipal Auditorium and 14,000 people bought tickets to attend. Soon after, the Drifting Cowboys decided to part ways with Williams.
When the seventeen year-old chauffeur pulled over at an all-night service station in Oak Hill, West Virginia, he discovered that Williams was unresponsive and becoming rigid. Upon closer examination, it was discovered that Hank Williams was dead. Controversy has since surrounded Williams' death with some claiming Wiiliams was dead before leaving Knoxville.
Williams' final single was ominously titled "I'll Never Get Out of This World Alive". Five days after his death, his illegitimate daughter by Bobbie Jett (Jett Williams) was born. His widow, Billie Jean, married country singer Johnny Horton in September of that year (1953).
Hank Williams' remains are interred at the Oakwood Annex in Montgomery, Alabama. His funeral was said to have been far larger than any ever held for any governor of Alabama and is still, as of 2005, the largest such event ever held in Montgomery. As of 2005, more than fifty years after Williams' death, members of his Drifting Cowboys continue to tour and bring his music to generations of fans.
In February 2005 the Tennessee Court of Appeals has upheld a lower court ruling stating that Hank Williams' heirs -- son Hank Williams Jr. and daughter Jett Williams -- have the sole rights to sell his old recordings made for a Nashville, TN radio station in the early '50s. The court rejected claims made by Polygram Records and Legacy Entertainment in releasing recordings Williams made for the "Mother's Best Flour Show", a program that originally aired on WSM-AM. The recordings, which Legacy Entertainment acquired in 1997, include live versions of Williams' hits and his cover version of other songs. Polygram contended that Williams' contract with MGM Records, which Polygram now owns, gave them rights to release the radio recordings.
| Year | Title | Chart positions | B-side |
| U.S. Country | |||
| 1947 | "Never Again (Will I Knock on Your Door)" | "Calling You" | |
| 1947 | "Wealth Won't Save Your Soul" | — | "When God Comes and Gathers His Jewels" |
| 1947 | "My Love for You (Has Turned to Hate)" | — | "I Don't Care (If Tomorrow Never Comes)" |
| 1947 | "Pan American" | — | "Honky Tonkin'" |
| 1947 | "Move It On Over" | #4 | "I Heard You Crying in Your Sleep" |
| 1947 | "On the Banks of the Old Pontchartrain" | — | "Fly Trouble" |
| 1948 | "My Sweet Love Ain't Around" | — | "Rootie Tootie" |
| 1948 | "Honky Tonkin'" | #14 | "I'll Be a Bachelor 'Til I Die" |
| 1948 | "I'm a Long Gone Daddy" | #6 | "The Blues Come Around" |
| 1948 | "I Saw the Light" | — | "Six More Miles (To the Graveyard)" |
| 1948 | "A Mansion on the Hill" | — | "I Can't Get You Off of My Mind" |
| 1949 | "Lovesick Blues" | #1 | "Never Again (Will I Knock on Your Door)" |
| 1949 | "Never Again (Will I Knock on Your Door)" | #6 | b-side of "Lovesick Blues” |
| 1949 | "Wedding Bells" | #5 | "I've Just Told Mama Goodbye" |
| 1949 | "Mind Your Own Business" | #5 | "There'll Be No Teardrops Tonight" |
| 1949 | "You're Gonna Change (Or I'm Gonna Leave)" | #4 | "Lost Highway" |
| 1949 | "I'm So Lonesome I Could Cry" | #1 | "My Bucket's Got a Hole In It" |
| 1949 | "My Bucket's Got a Hole In It" | #2 | b-side to "I'm So Lonesome I Could Cry” |
| 1950 | "I Just Don't Like This Kind of Living" | #5 | "May You Never Be Alone" |
| 1950 | "Long Gone Lonesome Blues" | #1 | "My Son Calls Another Man Daddy" |
| 1950 | "My Son Calls Another Man Daddy" | #9 | b-side to "Long Gone Lonesome Blues” |
| 1950 | "Why Don't You Love Me?" | #1 | "A House Without Love" |
| 1950 | "Why Should We Try Anymore?" | #9 | "They'll Never Take Her Love from Me" |
| 1950 | "They'll Never Take Her Love from Me" | #4 | b-side to "Why Should We Try Anymore?” |
| 1950 | "Moanin' the Blues" | #1 | "Nobody's Lonesome for Me" |
| 1950 | "Nobody's Lonesome for Me" | #9 | b-side to "Moanin' the Blues” |
| 1951 | "Cold, Cold Heart" | #1 | "Dear John" |
| 1951 | "Dear John" | #6 | b-side to "Cold, Cold Heart” |
| 1951 | "I Can't Help It (If I'm Still in Love with You)" | #2 | "Howlin' at the Moon" |
| 1951 | "Howlin' at the Moon" | #3 | b-side to "I Can't Help It” |
| 1951 | "Hey Good Lookin'" | #1 | "My Heart Would Know" |
| 1951 | "(I Heard That) Lonesome Whistle" | #9 | "Crazy Heart" |
| 1951 | "Crazy Heart" | #2 | b-side to "Lonesome Whistle” |
| 1951 | "Baby, We're Really in Love" | #4 | "I'd Still Want You" |
| 1952 | "Honky Tonk Blues" | #2 | "I'm Sorry for You, My Friend" |
| 1952 | "Half as Much" | #2 | "Let's Turn Back the Years" |
| 1952 | "Jambalaya (On the Bayou)" | #1 | "Window Shopping" |
| 1952 | "Settin' the Woods on Fire" | #3 | "You Win Again" |
| 1952 | "You Win Again" | #7 | b-side of "Settin' the Woods on Fire” |
| 1952 | "I'll Never Get Out of This World Alive" | #1 | "I Could Never Be Ashamed of You" |
| 1953 | "Kaw-Liga" | #1 | "Your Cheatin' Heart" |
| 1953 | "Your Cheatin' Heart" | #1 | b-side to "Kaw-Liga” |
| 1953 | "I Won't Be Home No More" | #4 | "Take These Chains from My Heart" |
| 1953 | "Take These Chains from My Heart" | #1 | b-side to "I Won't Be Home No More” |
| 1953 | "Weary Blues from Waitin'" | #7 | no b-side |
| 1955 | "Please Don't Let Me Love You" | #9 | no b-side |
| 1966 | "I'm So Lonesome I Could Cry" | #43 | re-release |
| 1976 | "Why Don't You Love Me" | #61 | re-release |
| 1989 | "There's a Tear in My Beer" | #7 | dubbed recording with Hank Williams, Jr. |
Other songs include : "The Death of Hank Williams", "Hank, It Will Never Be the Same Without You", "Hank Williams Meets Jimmie Rodgers", "Tribute to Hank Williams", "Hank and Lefty Raised My Country Soul", "Hank Williams Will Live Forever", "Hank Williams Sings the Blues No More", "In Memory of Hank Williams", "Thanks Hank", "Hank's Home Town", "Good Old Boys Like Me" (Hank Williams and Tennessee Williams), , "Why Ain't I Half as Good as Old Hank (Since I'm Feeling All Dead Anyway)?", "The Last Letter" (Mississippi disc jockey Jimmy Swan's reading of a letter to Williams by M-G-M boss Frank Walker), "Midnight in Montgomery," and Charley Pride's album There's a Little Bit of Hank in Me. (Brackett 2000, p.219n22), "The Night Hank Williams Came To Town".
The play Hank Williams: Lost Highway is a tribute to Hank Williams. It is recount of his life.
1923 births | 1953 deaths | Alabama musicians | American country singers | American guitarists | American male singers | American singer-songwriters | Baptists | Entertainers who died in their 20s | People from Alabama | Rock and Roll Hall of Fame inductees | Buskers
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