Sir Gawain (Gawan, Gauvain, Walewein etc.) is King Arthur's nephew and a Knight of the Round Table who appears very early in the Arthurian legend's development. He is almost always portrayed as the son of Arthur's sister Morgause (or Anna) and King Lot of Orkney and Lothian, and his brothers are Agravain, Gaheris, Gareth, and Mordred. In some works he has sisters as well. Gawain is often portrayed as a formidable but brash knight, fiercely loyal to his king and family. He is a friend to young knights, a defender of the poor, and a consummate ladies' man. His strength waxes and wanes with the sun: his might triples by noon, but fades as the sun sets. He is credited with at least three children: Florence, Lovell, and Gingalain, the last of which is also called Libeaus Desconus or Le Bel Inconnu, the Fair Unknown. At least in later Welsh Arthurian literature, Gawain is considered synonymous with the native champion Gwalchmei.
Scholars are not entirely convinced that the later character of Gawain is derived from the Welsh Gwalchmei ap Gwyar (Gwalchmei, son of Gwyar), but later Welsh writers clearly thought this was the case; the name "Gwalchmei" consistently substitutes for "Gawain" in Cymric translations and adaptations of foreign works, such as the Welsh Romances of the Mabinogion. The name itself is the subject of speculation; in Welsh, the term gwalch translates as falcon or hawk, but mei has no known meaning. A popular suggestion is that the latter word refers to the month of May (Welsh: Mai), rendering the name "Hawk of May". The spelling "Gwalchmai" has become popular, and there is a small village in Anglesey called Gwalchmai.
Gawain is a major character in the Arthurian section of Geoffrey of Monmouth's Historia Regum Britanniae, where he is a superior warrior and potential heir to the throne until he is tragically struck down by Mordred's evil forces, and the sheer amount of later works featuring him speaks to his popularity. He is an important character in most of Chrétien de Troyes' romances, functioning as a model of chivalry to whom the protagonist is compared and contrasted. His role in the unfinished Perceval, the Story of the Grail is so substantial that some commenters have wondered if his adventures were originally meant to form a separate book. However, Chrétien's title hero usually proves morally superior to Gawain, who follows the rules of courtliness and chivalry to the letter rather than to the spirit.
In the Prose Tristan and the Post-Vulgate Cycle Gawain is a villain and a murderer. This depiction was not popular in subsequent literature, however, as this type of generic evil doesn't make for a very good hero or foil for a hero, or indeed even an interesting villain. For the most part Gawain remained an honorable if flawed champion.
These glowing portraits of Gawain all but ended with Sir Thomas Malory's Le Morte d'Arthur, which is based mainly (but not exclusively) on French works from the Vulgate and Post-Vulgate Cycles. Here Gawain retains the negative characteristics attributed to him by the French, and the popularity of Malory's work ensured that most post-medieval English-language writing would retain those characteristics. The Child ballads include a preserved legend in the positive light, The Marriage of Sir Gawain telling (albeit in fragmented form) the story of his marriage to the loathly lady, and recently, many writers have returned to the old English and Welsh sources and found a much more heroic Gawain. The character appears in a positive light in novels like Gillian Bradshaw's Hawk of May, Thomas Berger's Arthur Rex, and Stephen R. Lawhead's Pendragon Cycle.
Arthurian legend | Knights of the Round Table | Scottish people
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