Fyodor Mikhailovich Dostoevsky (Russian: Фёдор Миха́йлович Достое́вский, Fëdor Mihajlovič Dostoevskij, sometimes transliterated Dostoyevsky ) ( – ) is considered one of the greatest of Russian writers, whose works have had a profound and lasting effect on twentieth-century fiction. His works often feature characters living in poor conditions with disparate and extreme states of mind, and exhibit both an uncanny grasp of human psychology as well as penetrating analyses of the political, social and spiritual states of Russia of his time. Many of his best-known works are prophetic precursors to modern-day thoughts. He is sometimes considered to be a founder of existentialism, most frequently for Notes from Underground, which has been described by Walter Kaufmann as "the best overture for existentialism ever written".
Dostoevsky was sent to the St. Petersburg Academy of Military Engineering and since he was not very good at mathematics, a subject he despised, he did not do very well. Instead, he focused on literature. His literary idol was Honoré de Balzac and in 1843 even translated one of Balzac's greatest works, Eugenie Grandet, into Russian. Dostoevsky started to write his own fiction around this time and in 1846, his first work, the epistolary short novel, Poor Folk, was met with great acclaim especially by the liberal critic Vissarion Belinsky with his famous exclamation, "A new Gogol has arisen!"
Dostoevsky was arrested and imprisoned on April 23 1849 for engaging in revolutionary activity against Tsar Nikolai I. On November 16 that year he was sentenced to death for anti-government activities linked to a liberal intellectual group, the Petrashevsky Circle. After a mock execution in which he was blindfolded and ordered to stand outside in freezing weather waiting to be shot by a firing squad, Dostoevsky's sentence was commuted to a number of years of exile performing hard labor at a katorga prison camp in Omsk, Siberia. The incidence of epileptic seizures, to which he was predisposed, increased during this period. He was released from prison in 1854, and was required to serve in the Siberian Regiment. Dostoevsky spent the following five years as a corporal (and later lieutenant) in the Regiment's Seventh Line Battalion stationed at the fortress of Semipalatinsk in Kazakhstan.
This was a turning point in the author's life. Dostoevsky abandoned his earlier political views and began to pay tribute to traditional Russian values. He became a Christian and a sharp critic of the Nihilist and Socialist movements of his day. He dedicated his book The Possessed and his The Diary of a Writer to espousing conservative ideas and criticizing socialist ideas *. He later formed a peculiar friendship with the conservative statesman Konstantin Pobedonostsev. He began an affair with, and later married, Maria Dmitrievna Isaeva, the widow of an acquaintance in Siberia.
In 1860, he returned to St. Petersburg, where he ran a series of unsuccessful literary journals with his older brother Mikhail. Dostoevsky was devastated by his wife's death in 1864, followed shortly thereafter by his brother's death. He was financially crippled by business debts and the need to provide for his brother's widow and children. Dostoevsky sank into a deep depression, frequenting gambling parlors and accumulating massive losses at the tables.
Dostoevsky suffered from an acute gambling compulsion as well as from its consequences. By one account Crime and Punishment, possibly his best known novel, was completed in a mad hurry because Dostoevsky was in urgent need of an advance from his publisher. He had been left practically penniless after a gambling spree. Dostoevsky wrote The Gambler simultaneously in order to satisfy an agreement with his publisher Stellovsky who, if he did not receive a new work, would have claimed the copyrights to all of Dostoevsky's writing.
Motivated by the dual wish to escape his creditors at home and to visit the casinos abroad, Dostoevsky traveled to Western Europe. There, he attempted to rekindle a love affair with Apollinaria (Polina) Suslova, a young university student with whom he had had an affair several years prior, but she refused his marriage proposal. Dostoevsky was heartbroken, but soon met Anna Grigorevna, a twenty-year-old stenographer whom he married in 1867. This period resulted in the writing of his greatest books. From 1873 to 1881 he vindicated his earlier journalistic failures by publishing a monthly journal full of short stories, sketches, and articles on current events — the Writer's Diary. The journal was an enormous success. Dostoevsky is also known to have influenced and been influenced by famous Russian Philosopher Vladimir Sergeyevich Solovyov. Some state Solovyov was the prototype of the character Alyosha Karamazov.
In 1877 Dostoevsky gave the keynote eulogy at the funeral of his friend, the poet Nekrasov, to much controversy. In 1880, shortly before he died, he gave his famous Pushkin speech at the unveiling of the Pushkin monument in Moscow.
In his later years, Fyodor Dostoevsky lived for a long time at the resort of Staraya Russa which was closer to St Petersburg and less expensive than German resorts. He died on January 28 (O.S.), 1881 of a lung hemorrhage associated with emphysema and an epileptic seizure and was interred in Tikhvin Cemetery at the Alexander Nevsky Monastery, St. Petersburg, Russia. Forty thousand mourning Russians attended his funeral. His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.
Dostoevsky's influence cannot be overemphasized; from Herman Hesse to Marcel Proust, William Faulkner, Albert Camus, Ayn Rand, Franz Kafka, Friedrich Nietzsche, Henry Miller, Yukio Mishima, Gabriel García Márquez, Jack Kerouac and Joseph Heller. Virtually no great twentieth century writer escaped his long shadow (rare dissenting voices include Vladimir Nabokov, Henry James, Joseph Conrad and, more ambiguously, D.H. Lawrence). American novelist Ernest Hemingway also cited Dostoevsky in his autobiographic books, as a major influence on his work. Essentially a writer of myth (and in this respect sometimes compared to Herman Melville), Dostoevsky displayed a nuanced understanding of human psychology evident in his major works. He created an opus of immense vitality and almost hypnotic power characterized by the following traits: feverishly dramatized scenes (conclaves) where his characters are, frequently in scandalous and explosive atmosphere, passionately engaged in Socratic dialogues à la Russe; the quest for God, the problem of Evil and suffering of the innocents haunt the majority of his novels; characters fall into a few distinct categories: humble and self-effacing Christians (prince Myshkin, Sonya Marmeladova, Alyosha Karamazov), self-destructive nihilists (Svidrigailov, Smerdyakov, Stavrogin, the underground man), cynical debauchers (Fyodor Karamazov), rebellious intellectuals (Raskolnikov, Ivan Karamazov); also, his characters are driven by ideas rather than by ordinary biological or social imperatives.
Dostoevsky's novels are compressed in time (many cover only a few days) and this enables the author to get rid of one of the dominant traits of realist prose, the corrosion of human life in the process of the time flux — his characters primarily embody spiritual values, and these are, by definition, timeless. Other obsessive themes include suicide, wounded pride, collapsed family values, spiritual regeneration through suffering (the most important motif), rejection of the West and affirmation of Russian Orthodoxy and Tsarism. Literary scholars such as Bakhtin have characterized his work as 'polyphonic': unlike other novelists, Dostoevsky does not appear to aim for a 'single vision', and beyond simply describing situations from various angles, Dostoevsky engendered fully dramatic novels of ideas where conflicting views and characters are left to develop unevenly into unbearable crescendo.
By common critical consensus one among the handful of universal world authors, along with Dante, Shakespeare, Johann Wolfgang von Goethe, Miguel de Cervantes, Victor Hugo and a few others, Dostoevsky has decisively influenced twentieth century literature, existentialism and expressionism in particular.
Russian novelists | Russian short story writers | Russian essayists | People with epilepsy | Deaths from emphysema | 1821 births | 1881 deaths
فيودور دوستويفسكي | ফিওদোর দস্তয়েভ্স্কি | Фёдар Дастаеўскі | Fjodor Dostojevski | Фьодор Достоевски | Fiodor Dostoievski | Fjodor Michajlovič Dostojevskij | Fjodor Mikhajlovitj Dostojevskij | Fjodor Michailowitsch Dostojewski | Fjodor Dostojevski | Φιοντόρ Ντοστογιέφσκι | Fiódor Dostoyevski | Fjodor Dostojevskij | Fjodor Dostojevsky | فئودور داستایوسکی | Fedor Dostoïevski | 표도르 도스토옙스키 | Fjodor Dostojevski | Fyodor Dostoyevski | Fyodor Dostoyevsky | Fjodor Dostojevskíj | Fëdor Mikhailovič Dostoevskij | פיודור מיכאילוביץ' דוסטויבסקי | დოსტოევსკი, თედორე | Fjodors Dostojevskis | Fiodoras Dostojevskis | Dosztojevszkij, Fjodor Mihajlovics | Фјодор Достоевски | Fjodor Dostojevski | フョードル・ドストエフスキー | Fjodor Dostojevskij | Fjodor Dostojevskij | Fiodor Dostojewski | Fiódor Dostoiévski | Fiodor Dostoievski | Достоевский, Фёдор Михайлович | Fëdor Mikhailovič Dostoevskij | Fiodor Michajlovič Dostojevskij | Fjodor Mihajlovič Dostojevski | Фјодор Михајлович Достојевски | Fjodor Dostojevski | Fjodor Dostojevskij | Fëdor Dostoevskij | Fyodor Mikhailovich Dostoevsky | Fyodor Mikailoviç Dostoyevski | Достоєвський Федір Михайлович | Fyodor Mixhaylovitch Dostoyevskiy | 费奥多尔·陀思妥耶夫斯基
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