Fans have had several purposes, the most common being to move air for creature comfort or for ventilation and to move air or gas from one location to another for industrial purposes. Fans have broad surfaces that usually revolve. Leaves or flat objects, waved to produce a more comfortable atmosphere, are the simplest kind of fan.
Applications include ornamental decorations, climate control, cooling system, refreshing air, personal wind-generation (e.g., an electric table fan), ventilation (e.g., an exhaust fan), winnowing (e.g., separating chaff of cereal grains), removing dust (e.g., sucking as in a vacuum cleaner), drying (usually in addition to heat) and to provide draft for a fire.
Fan history stretches back thousands of years. Since antiquity, fans have possessed a dual function – a status symbol and a useful ornament. In the course of their development, fans have been made of a variety of materials and have included decorative artwork. The simplest fans are leaves or flat objects, waved to produce a cooler atmosphere. These rigid or folding hand-held implements have been used for cooling, for air circulation, as a ceremonial device, and as a sartorial accessory throughout the world from ancient times. They are still widely used.
The earliest known fans are called 'screen fans' or 'fixed leaf fans'. These were manipulated by hand to cool the body, to produce a breeze, and to ward off insects. Such early fans usually took the form of palm leaves. Some of the earliest known fans have come from Egyptian tombs. Early Assyria and Egypt employed slaves and servants to manipulate the fan. In Egyptian reliefs, fans were of the rigid type. Tutankhamum's tomb possessed gold fans with ostrich feathers, matching depictions on tomb walls. Long-handled, disk-shaped fans were carried by attendants in ancient times and were associated with regal and religious ceremonies. They had handles or sticks attached to a rigid leaf or to feathers. Plumage of birds was used in fans, such as those of the Egyptians and Native American Indians, that had both practical and ceremonial uses.
In the ancient Americas, the Aztec, Maya, and South American cultures used bird feathers in their fans. Among the Aztec fans were used to depict merchants in illustrations of trades. The use of various feather types had a religious connotation. The Paracas people of South America (modern Peru) have left numerous examples of ancient feather fans among their mummies. In India, the Hindi term for a fan is 'pankha' (a derivative of "a feather" or "a bird's wing"). Pictorial evidence records that the Greeks, the Etruscans, and the Romans used fans as cooling and ceremonial devices. In Greece, linen was stretched over leaf-shaped frames. In Rome, gilded and painted wooden fans were used. Roman ladies throughout the empire used circular fans. Chinese sources link the fan with mythical and historical characters.
In China, screen fans were used throughout society. The earliest known Chinese fans are a pair of woven bamboo side-mounted fans from the 2nd century BC. The Chinese character for "fan" (扇) is etymologically derived from a picture of feathers under a roof. The Chinese fixed fan, pien-mien, means 'to agitate the air'.
Fans were part of the social status for the Chinese people. A particular status and gender would accord a specific type of fan to an individual. The folding fan was invented in Japan in the 8th century and taken to China in the 9th century. The Akomeogi (or Japanese folding fan; 衵扇; Hiôgi) originated in the 6th century. These were fans held by aristocrats of the Heian period when formally dressed. They were made by tying thin stripes of hinoki (or Japanese cypress) together with thread. The number of strips of wood differed according to the person's rank. They are used today by Shinto priests in formal costume and in the formal costume of the Japanese court (they can be seen used by the Emperor and Empress during coronation and marriage) and are brightly painted with long tassles. The Chinese dancing fan was developed in the 7th century. The Chinese form of the hand fan was a row of feathers mounted in the end of a handle.
In China, the folding fan came into fashion during the Ming dynasty between the years of 1368 and 1644, and Hangzhou was a center of folding fan production. The Mai Ogi (or Chinese dancing fan) has ten sticks and a thick paper mount showing the family crest. Chinese painters crafted many fan decoration designs. The slats, of ivory, bone, mica, mother of pearl, sandalwood, or tortoise shell, were carved and covered with paper or fabric. Folding fans have "montures" which are the sticks and guards. The leaves are usually painted by craftsman. Social significance was attached to the fan in the Far East. The management of the fan became a highly regarded feminine art. The function and employment of the fan reached its high point of social significance (fans were even used as a weapon - called the iron fan, or tieshan in Chinese, tessen in Japanese). Simple Japanese paper fans are sometimes known as "harisens". Harisens are featured frequently in anime and manga as weapons.
Printed fan leaves and painted fans are done on a paper ground. The paper was originally hand made and displayed the characteristic watermarks. Machine made paper fans, introduced in the 19th century, are smoother with an even texture.
Folding fans (扇子 Japanese "sensu", Chinese: "shanzi";) continue to be important cultural symbols and popular tourist souvenirs in East Asia.
See also: Chinese paper art
In Europe, during the Middle Ages, the fan was absent. The West's earliest fan is a flabellum (or ceremonial fan), which dates to the 6th century. Hand fans were reintroduced to Europe in the 13th century and 14th century. Fans from the Middle East were brought back by Crusaders. In the 15th century, Portuguese traders brought fans to Europe from China and Japan. Fans became generally popular.
In the 1600s, in addition to the already used rigid style fan the folding fan, introduced from China, became popular in Europe. These fans are particulary well displayed in the portraits of the high-born women era. Queen Elizabeth 1st of England can be seen to carry both folding fans decorated with pom poms on their guardsticks as well as the older style rigid fan, usually decorated with feathers and jewels. These rigid style fans often hung from the skirts of ladies, but of the fans of this era it is only the more exotic folding ones which have survived. Those folding fans of the 15th century to found in museums today have either leather leaves with cut out designs forming a lace-like design or a more rigid leaf with inlays of more exotic materials like mica. One of the characteristics of these fans is the rather crude bone or ivory sticks and they way the leather leaves are often slotted onto the sticks rather than glued as with later folding fans. However, despite the relative crude methods of construction folding fans were at this era high status, exotic items on par with elaborate gloves as gifts to royalty.
In the 17th century the rigid fan which was seen in portraits of the previous century had fallen out of favour as folding fans gained dominance in Europe. Fans started to display well painted leaves, often with a religious or classical subject. The reverse side of these early fans also started to display elaborate flower designs. The sticks are often plain ivory or tortoishell, sometimes inlaid with gold or silver pique work. The way the sticks sit close to each other, often with little or no space between them is one of the distinguishing characteristics of fans of this era.
In 1685 the Edict of Nantes was revoked in France. This caused large scale immigration from France to the surrounding Protestant countries (such as England) of many fan craftsman. This dispersion in skill is reflected in the growing quality of many fans from these non-French countries after this date.
In the 18th century, fans reached a high degree of artistry and were being made throughout Europe often by specialised craftsmen, either in leaves or sticks. Folded fans of lace, silk, or parchment were decorated and painted by artists. Fans were imported from China by the East India Companies at this time, also. Around the middle 1700s, inventors started designing mechanical fans. Wind-up fans (similar to wind-up clocks) were popular in the 1700s. In the 19th century in the West, European fashion caused fan decoration and size to vary.
In the courts of England, Spain and elsewhere fans were used in a more or less secret, unspoken code of messages. These fan languages were a way to cope with the restricting social etiquette.
The first recorded mechanical fan was the punkah fan used in the Middle East in the 1500s. It had a canvas covered frame that was suspended from the ceiling. Servants, known as punkah wallahs, pulled a rope connected to the frame to move the fan back and forth.
The Industrial Revolution in the late 1800s introduced belt-driven fans powered by factory waterwheels. Attaching wooden or metal blades to shafts overhead that were used to drive the machinery, the first industrial fans were developed. One of the first workable mechanical fans was built by A.A. Sablukov in 1832. He called his invention, a kind of a centrifugal fan, as Air Pump. When Thomas Edison and Nikola Tesla introduced electrical power in the late 1800s and early 1900s for the public, the personal electrical fan was introduced. Between 1882 and 1886, Dr. Schuyler Skaats Wheeler developed the two-bladed desk fan, a type of personal electric fan. It was commercially marketed by the American firm Crocker & Curtis. In 1882, Philip H. Diehl introduced the electric ceiling fan. Diehl is considered the father of the modern electric fan. In the late 1800s, electric fans were used only in commercial establishments or in well-to-do households. Heat-convection fans fueled by alcohol, oil, or kerosene were common around the turn of the 20th century.
In the 1920s, industrial advances allowed steel to be mass-produced in different shapes, bringing fan prices down and allowing more homeowners to afford them. In the 1930s, the first art deco fan was designed. Before this fan, called the Silver Swan, most household fans were fairly plain. In the 1950s, fans were manufactured in colors that were bright and eye catching. Central air conditioning in the 1960s brought an end to the golden age of the electric fan. In the 1970s, Victorian-style ceiling fans became popular.
In the twentieth century, fans have become utilitarian. During the 2000s, fan aesthetics have become a concern to fan buyers. The fan is part of everyday life in the Far East, Japan, and Spain (among other places). Although electric fans have been largely replaced by air conditioners in households and offices, from environmental and economic perspective, electric fans consume much less energy than air conditioners.
The first known inventor of the electric fan was inventor/electrician Nicholas Matthias Hum. Using a simple magnetic-reverse polar ion motor powered by a static current, blades attached to the rotor of the motor created a breeze.
Mechanically, a fan can be any revolving vane or vanes used for producing currents of air. Fans produce air flows with high volume and low pressure, as opposed to a gas compressor which produces high pressures at a comparatively low volume. Fans are useful for moving large quantities of air, which is suited for applications such as winnowing grain or blowing a fire, cooling and ventilation purposes, and in conjunction with a heat source for heating and drying. A fan blade will often rotate when exposed to an air stream, and devices that take advantage of this, such as anemometers and wind turbines often have designs similar to that of a fan.
Mechanical revolving blade fans are made in a wide range of designs. In a home you can find fans that can be put on the floor or a table, or hung from the ceiling, or are built into a window, wall, roof, chimney, etc. They can be found in electronic instruments such as computers where they cool the circuits inside, and in appliances such as hair dryers and space heaters. They are also used for cooling in air-conditioning systems, and in automotive engines, where they are driven by belts or by direct motor. Fans create a wind chill but do not lower temperatures directly.
Fans usually use electric power. Electric fans generally consist of a set of rotating blades that are placed in a protective housing that permits air to flow through it. The blades are rotated by an electric motor, for big industrial fans, 3-phase asynchronous motors are commonly used. Smaller fans are often powered by shaded pole AC motors, or brushed or brushless DC motors. AC-powered fans usually use mains voltage, while DC-powered fans use low voltage, typically 24V, 12V or 5V. Cooling fans for computer equipment exclusively use brushless DC motors, which produce much less EMI. In machines which already have a motor, the fan is often connected to this rather than being powered independently. This is commonly seen in cars, large cooling systems and winnowing machines.
Electro-mechanical fans, among collectors, are rated according to their condition, size, age, and number of blades. Four-blade designs are the most common. Five-blade or six-blade designs are rare. The materials from which the components are made, such as brass, are important factors in fan desirability.
A fan suspended from the ceiling of a room is a ceiling fan. For in-depth discussion of ceiling fans, please see the article here.
A typical example uses a detached 10 watt, 12x12 inch solar panel and is supplied with appropriate brackets, cables, and connectors. It can be used to ventilate up to 1250 square feet (100 m²) of area and can move air at up to 800 cubic feet per minute (400 L/s). Because of the wide availability of 12 V brushless DC electric motors and the convenience of wiring such a low voltage, such fans usually operate on 12 volts.
The detached solar panel is typically installed in the spot which gets most of the sun light and then connected to the fan mounted as far as 20 to 25 feet (6 to 7 m) away. Other permanently-mounted and small portable fans include an integrated (non-detachable) solar panel.
Modern civil turbofans usually have a single fan stage, that is a row of rotating rotor blades, followed by a row of stationary exit guide vanes (or stators).
Military turbofans (e.g. those fitted to a combat aircraft) usually have two or more fan stages, the first stage, again, normally being a rotor followed by a stator assembly.
The unusual General Electric CF700 turbofan engine was also developed as an aft-fan engine with a 2.0 bypass ratio. This was derived from the T-38_Talon and the Learjet General Electric J85/CJ610turbojet (2,850 lbf or 12,650 N) to power the larger Rockwell Sabre 75/80 version of the Sabreliner aircraft, as well as the Dassault Falcon 20 with about a 50% increase in thrust (4,200 lbf or 18,700 N). The CF700 was the first small turbofan in the world to be certificated by the Federal Aviation Administration. There are now over 400 CF700 aircraft in operation around the world, with an experience base of over 10 million service hours. The CF700 turbofan engine was also used to train Moon-bound astronauts in the Apollo Project as the powerplant for the Lunar Landing Research Vehicle.
The GE36 UDF Demonstrator used a similar arrangement to convert an F404 mixed exhaust turbofan into a propfan.
Wire lacing (e.g. Pegasus) is an alternative approach.
Wide chord first went into service in the RB311-535E4 for the Boeing 757 in 1984 and have been a feature of the RB211/Trent/V2500 engine family ever since. Potential weight increases are usually offset by making the blades hollow. Other engine manufacturers have now introduced wide chord fans.
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