Extended technique is a term used in music to describe unconventional, unorthodox or "improper" techniques of singing, or of playing musical instruments.
Examples include
- added electronics or MIDI control
- unusual bowing technique: double stops and multiple stops, sul ponticello, sul tasto, Col legno
- breath technique or articulation: multiphonics, tonguing or flutter tonguing, continuous breathing or circular breathing, trumpet half-valve playing, humming while blowing, double buzz, blowing a disengaged mouthpiece or reed, unusual mutes
- Sprechstimme (speech-singing)
- ululation
- prepared piano and prepared guitar
- string piano
- keyboard technique involving the flat of hand, arm, or external device to create tone clusters
- unusual harmonics, including multiphonics
- glissandi, tuner glissando
- string microtones (vertical and linear)
- exaggerated tremolo
- exaggerated brass head-shakes
- activating keys or valves without blowing
- tapping or rubbing the soundboard of stringed instruments
- alternate fingerings
- altered tunings (scordatura)
- tapping
- combination of a mouthpiece of one instrument with the main body of another. (Alto saxophone mouthpiece combined with a standard trombone is a particularly successful permutation.)
- turning the mouthpiece of a woodwind instrument upside-down and playing as normal.
Well known performers and composers who use a notable amount of extended techniques include
See also
Reading
- Stuart Dempster's The Modern Trombone: A Definition of Its Idioms, ISBN 0520032527.
- Patricia and Allen Strange's The Contemporary Violin, ISBN 0520224094, and other books in The New Instrumentation series.
- Bertram Turetzky's The Contemporary Contrabass ISBN 0520063813.
- Michael Edward Edgerton's The 21st Century Voice, ISBN 0-8108-5354-X, and other books in The New Instrumentation series. Scarecrow Press, 2005.
External links
Musical performance techniques
Extended technique | Techniques de jeu étendues