Duck Soup is a 1933 Marx Brothers' anarchic comedy film written by Bert Kalmar, Harry Ruby, Arthur Sheekman, and Nat Perrin and directed by Leo McCarey. It starred what were then billed as the "Four Marx Brothers" (Groucho, Harpo, Chico, and Zeppo) and also featured Margaret Dumont, Raquel Torres, and Louis Calhern.
In the film Groucho plays Rufus T. Firefly, the governor of the small country of Freedonia, who finds himself on the verge of war with the neighboring country of Sylvania.
Duck soup is a slang phrase meaning "a piece of cake", or something easy to do. The expression was in keeping with the "animal" theme of the brothers' previous three titles, Animal Crackers, Monkey Business, and Horse Feathers. McCarey came up with the title for the film. When Groucho was asked for an explanation, he said:
Popular belief holds that Duck Soup was a box office failure, but this is not true. Even though it did not do as well as Horse Feathers, it was the sixth-highest grossing film of 1933, according to Glenn Mitchell in The Marx Brothers Encyclopedia and Simon Louvish in his biography of the Marx Brothers, Monkey Business. The musical introduction to Groucho's character is similar to the ones in Animal Crackers and Horse Feathers, and audiences at the time may have seen it as a rehash, though modern audiences do not need to make this association. Although Groucho's opening number did not become connected with him closely as did the Animal Crackers numbers, its biting satire resonates:
A possible reason for the film's bad reception might be because of the time frame in which it was released: right in the middle of the Depression of 1929-1939. Audiences were taken aback by such preposterous political disregard, buffoonery and cynicism at a time of political crisis. (This film quote, spoken by Groucho was especially detested: "And remember, while you're out there risking life and limb through shot and shell, we'll be in here thinking what a sucker you are!")
Years later, Arthur Marx, Groucho's son, described Irving Thalberg's assessment of the film's failure during a National Public Radio interview:
The supposedly necessary love story, included in later Marx films, is often seen as an intrusion, and the early films are seen as being "pure" comedy. Duck Soup is now seen as a classic political farce. The film was #85 on American Film Institute's 100 Years, 100 Movies and #5 on its 100 Years, 100 Laughs, and has been selected for preservation in the United States National Film Registry. It is consistently on the Internet Movie Database's list of top 250 films. In 2000, readers of Total Film magazine voted Duck Soup the 29th greatest comedy film of all time.
The irrepresible comedians in this quintessential anarchy, satirical film simply but irreverently assault the pomposity of small-time governmental leaders (Firefly as President), the absurdity of government itself (the Cabinet meeting scene), governmental diplomacy (the Trentino-Firefly scenes), a non-working legal system (the trial scenes), and war fought for trivial reasons (the mobilization and war scenes).
The non-stop frenetic film is filled with a number of delightfully funny moments, gags, fast-moving acts, double entendres, comedy routines, puns, pure silliness, zany ad-libs, quips and insult-spewed lines of dialogue. Much of the comedy makes the obvious statement that war is indeed nonsensical and meaninglessly destructive. The film also ridicules the justifications for warfare: The two nations go to war solely because Firefly and Trentino had insulted each other.
In the "mirror scene," Harpo, dressed as Groucho, pretends to be Groucho's reflection in a missing mirror, matching and mocking his every move. Eventually, Chico, also disguised as Groucho, collides with both of them. This scene has been duplicated in many different films and genres. Harpo himself did a reprise of this scene, dressed in his usual costume, with Lucille Ball also donning the fright wig and trench coat, in an episode of I Love Lucy. In that version, Harpo breaks it up by dropping his hat; Lucy also drops her hat, but Harpo's is on a rubber band and springs back to him, and Lucy and Harpo embrace as the studio audience applauds.
In another famous scene the Marx Brothers poke fun at the Hays Code by showing a woman's bedroom and then showing a woman's shoes on the floor, a man's shoes and horseshoes. Harpo is sleeping in the bed with the horse; the woman is in the twin bed next to them.
The climactic production number ridicules war by comparing nationalism to a minstrel show. The irreverent satire still bites. One line is a variant on the old Spiritual "All God's Chillun Got Wings"*:
The street vendor confrontations are also well-remembered scenes: Chico and Harpo harass a lemonade seller (Edgar Kennedy) just to get a "kick" out of it, egged on by his flustered attitude.
The typical Marxian anarchy found a receptive audience when the film was revived in the 1960s. The very end of the film finds Trentino caught in a makeshift stocks and the Brothers are pelting him with fruit. Margaret Dumont begins singing the Freedonia national anthem in her operatic voice. When she hits the high note, the Brothers turn away from Trentino and begin hurling fruit in her direction instead (although none of it actually hits her).
1933 films | Cult films | Marx Brothers films | Musical films | United States National Film Registry | Films directed by Leo McCarey
Die Marx-Brothers im Krieg | Sopa de ganso | La Soupe au canard | מרק ברווז | Duck Soup | La guerra lampo dei Fratelli Marx | Duck Soup | Kacza zupa | Fyra fula fiskar
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