Dolly Rebecca Parton (born January 19, 1946) is an American country singer, songwriter, composer, author and actress.
Her family was, as she described them, "dirt poor" and lived in a rustic, dilapidated one-room cabin in the Great Smoky Mountains, near Locust Ridge. Parton's parents were parishioners in the Assembly of God Church, a Pentecostal denomination, and music was a very large part of her church experience. She once told an interviewer that her grandfather was a Pentecostal "holy roller" preacher and today, when appearing in live concerts, she frequently performs spiritual songs. (Parton, however, professes no denomination, claiming only to be Christian while adding that she believes that all Earth's peoples are God's children.)
On May 30, 1966, at the age of 20, she married Carl Dean, who ran an asphalt-paving business (whom she met upon her first day in Nashville two years earlier), in Ringgold, Georgia. She has remained with Dean, who has always shunned publicity and rarely accompanies Parton to any events.
Parton's initial success came as a songwriter, writing hit songs for Hank Williams, Jr. and Skeeter Davis. She signed with Monument Records in late 1965, where she was initially pitched as a bubblegum pop singer, earning only one national chart single, "Happy, Happy Birthday Baby," which did not crack the Billboard Top 100. Additional pop singles also failed to chart.
The label agreed to have Parton sing country music after her composition "Put It Off Until Tomorrow" as recorded by Bill Phillips (and with Parton, uncredited, on harmony) went to No. 6 on the country charts in 1966. Her first country single, "Dumb Blonde" (one of the few songs during this era that she recorded but didn't write), reached No. 24 country 1967, followed later the same year with "Something Fishy," which went to No. 17. The two songs anchored her first full-length album, Hello I'm Dolly, that same year.
In 1967, Parton was asked to join the weekly syndicated country music TV program hosted by Porter Wagoner, replacing Norma Jean. She also signed with RCA Victor, Wagoner's label, during this period, where she would remain for the next two decades. Wagoner and Parton immediately began a hugely successful career as a vocal duet in addition to their solo work and their first single together, a cover of Tom Paxton's "The Last Thing on My Mind," reached the top ten on the U.S. country charts in late 1967, and was the first of over a dozen duet singles to chart for them during the next several years.
Parton is a hugely successful songwriter, having begun by writing country songs with strong elements of folk music in them based upon her upbringing in humble mountain surroundings. Her songs "Coat of Many Colors" and "Jolene" have become classics in the field, as have a number of others. As a composer, she is also regarded as one of country music's most gifted storytellers, with many of her narrative songs based on persons and events from her childhood.
She stayed with the Wagoner show and continued to record duets with him for seven years, then made a break to become a solo artist. In 1974, her song "I Will Always Love You" was released and went to #1 on the country charts. Around the same time, Elvis Presley indicated that he wanted to cover the song. Parton was interested until Presley's manager, Colonel Tom Parker, told her that she would have to sign over half of the publishing rights if Elvis recorded the song (as was the standard procedure for songs Elvis recorded). Parton refused and that decision is credited with helping make her many millions of dollars in royalties from the song over the years.
In 1987, along with Emmylou Harris and Linda Ronstadt, she released the decade-in-the-making Trio album to critical acclaim (a second collaboration, "Trio II", would be released in 1999). In 1993, she teamed up with fellow country music queens Loretta Lynn and Tammy Wynette for a similar project, the Honky Tonk Angels album.
After 20 years with RCA, Parton signed with Columbia Records in 1987, where her recording career continued to prosper, but by the mid 1990s, Parton, along with many other performers of her generation, found that her new music was not welcome on country radio playlists. She recorded a series of critically acclaimed bluegrass albums, beginning with "The Grass is Blue" (1999) and "Little Sparrow" (2001), both of which won Grammy Awards. Her 2002 album "Halos and Horns" included a bluegrass version of the Led Zeppelin classic Stairway to Heaven. In 2005, Parton released Those Were The Days, her interpretation of hits from the folk-rock era of the late 1960s through early 1970s. The CD featured such classics as John Lennon's "Imagine," Cat Stevens' "Where Do The Children Play," Tommy James' "Crimson & Clover," and the folk classic "Where Have All The Flowers Gone", as well as the title track.
In 1980, Jane Fonda decided Parton was a perfect candidate for her upcoming film, 9 to 5. She was looking for a brassy Southern woman for a supporting role and felt the singer was perfect. Parton received acclaim for her performance, receiving Golden Globe nominations for Best Motion Picture Actress - Musical/Comedy and New Star of the Year in a Motion Picture - Female. She also scored one of the biggest hits of her career with the title song, which she wrote; it earned her an Academy Award nomination for Best Original Song. She received a Golden Globe nomination for Best Original Song - Motion Picture. The song won two Grammy Awards, for Best Female Country Vocal Performance and Best Country Song. It reached #1 on the Billboard Hot 100 and was also #78 on American Film Institute's 100 years, 100 songs. She was also named the Top Female Box Office Star title by Motion Picture Herald in both 1981 and 1982.
Parton's other films include The Best Little Whorehouse in Texas (1982), for which she received another Golden Globe nomination, and Steel Magnolias. Parton's last lead role in a theatrical film was in 1992's Straight Talk, opposite James Woods. She played the plainspoken host of a radio program that has people phoning-in with problems. The film, while not a blockbuster, did respectably well upon its release. She later played an overprotective mother in Frank McKlusky, C.I. with Dave Sheridan, Cameron Richardson, and Randy Quaid.
Parton has also done voice work for animation, playing herself in the TV series Alvin & the Chipmunks (episode: Urban Chipmunk) (1987) and her voice role as Katrina Eloise "Murph" Murphy in The Magic School Bus (episode: The Family Holiday Special) (1994). She has appeared on many non-musical television shows, usually in cameo roles as herself.
In 1992, "I Will Always Love You" was performed by Whitney Houston on The Bodyguard soundtrack. Houston's version became the best-selling hit ever written and performed by a female vocalist, with worldwide sales of over 12 million copies. As Parton owned the song, she reaped the benefits of the royalties from Houston's version. The song was also covered by music legend Kenny Rogers on his 1997 album "Always and Forever," which sold over 4 million copies worldwide, as well as by Leann Rimes.
Parton has twice been nominated for the Academy Award for Best Original Song, for "9 to 5" in 1980, and for "Travelin' Thru" from Transamerica, filmed in 2005. She was considered the front-runner in the 2005 Oscar song category, but the song lost to "It's Hard Out Here for a Pimp," from the movie Hustle and Flow. Had Parton's song won, she would have become the first country artist to win an Oscar. (Although other country songs have won the Best Song category in the past, all previous winners had actually been written by non-country artists, most often classical or pop composers.) "Travelin' Thru" did win as Best Original Song award at the 2005 Phoenix Film Critics Society Awards. The song was also nominated, though it did not win, for both Best Original Song by the Foreign Press' for the Golden Globes as well as Best Song by the Broadcast Film Critics Association.
A third Parton performance, "The Day I Fall In Love," a duet with James Ingram from the film "Beethoven's Second," was nominated for an Oscar in 1994 and was performed live by the duo on the awards telecast. Oscar nominations, however, are for the songwriter, not performer, and it did not win.
According to a broadcast of the public radio programme Studio 360 from 10-29-05,* as of October 2005 Parton was in the midst of composing the songs for a planned Broadway musical adaptation of the film 9 to 5.
She also owns Sandollar Productions, a film and television production company, which produced the Fox TV Show Babes and Buffy the Vampire Slayer and the features Father of the Bride I & II, Straight Talk, Sabrina, and Academy Award-winning (for Best Documentary) Stories from the Quilt, among other shows. Sanddollar is co-owned by Sandy Gallin, Parton's former manager.
She has received seven Grammy Awards and a total of 42 Grammy nominations. In the American Music Awards, she has taken home the AMA trophy three times but seen 18 nominations. At the Country Music Association, she has received 10 awards and 42 nominations. At the Academy of Country Music, she has been given seven awards and 39 nominations. She is one of only five solo women (others include Reba McEntire, Barbara Mandrell, Shania Twain, and Loretta Lynn), to win the Country Music Association's highest honor, "Entertainer Of The Year".
She has a star on the Hollywood Walk of Fame for Recording at 6712 Hollywood Boulevard in Hollywood, awarded in 1984; a star on the Nashville Star Walk for Grammy winners; and a bronze sculpture on the courthouse lawn in Sevierville, Tennessee.
She was inducted into the Grand Ole Opry in 1969. In 1986, she was named one of Ms. Magazine's Women of the Year. She was given an honorary doctorate from Carson-Newman College in 1990.
1986 saw Parton's induction into the Nashville Songwriters Hall of Fame. In 1999, Parton received country music's highest honor, induction into the Country Music Hall of Fame. This was followed by induction into the National Academy of Popular Music/Songwriters Hall of Fame in 2001.
She was honored in 2003 with a tribute album called Just Because I'm a Woman: Songs of Dolly Parton. The artists who recorded versions of Parton's songs included Melissa Etheridge ("I Will Always Love You"), Alison Krauss ("9 to 5"), Shania Twain ("Coat of Many Colors"), Me'Shell NdegéOcello ("Two Doors Down"), Norah Jones ("The Grass is Blue"), and Sinéad O'Connor ("Dagger Through the Heart"); Parton herself contributed a rerecording of the title song, originally the title song for her first RCA album in 1968.
Parton was awarded the Living Legend medal by the U.S. Library of Congress on April 14, 2004, for her contributions to the cultural heritage of the United States. This was followed in 2005 with the National Medal of Arts, the highest honor given by the U.S. government for excellence in the arts.
Her efforts to preserve the bald eagle through the American Eagle Foundation's sanctuary at Dollywood earned her the Partnership Award from the U.S. Fish and Wildlife Service in 2003. And her national literacy program, Dolly Parton's Imagination Library, has resulted in her receiving the Association of American Publishers' AAP Honors in 2000, Good Housekeeping's Seal of Approval in 2001 (the first time the seal had been given to a person), the American Association of School Administrators' Galaxy Award in 2002, the Chasing Rainbows Award from the National State Teachers of the Year in 2002, and the Child and Family Advocacy Award from the Parents As Teachers National Center in 2003. The program distributes more than 2.5 million free books to children annually across more than 40 states.
Throughout her career, Parton has been world renowned for her large breasts. Her petite dimensions — she is only 5 feet tall (152 cm) — accentuate her dramatic contours. She has often poked fun at herself with quips such as "I would have burned my bra in the 60s, but it would have taken the fire department three days to put it out," or "The reason I have a small waist and small feet is that nothing grows well in the shade." In 1989 when she guest-hosted Saturday Night Live, she participated in a self-deprecating sketch that parodied Sci-Fi exploitation films: an alien race of excessively large-breasted women teased her about the fact that her breasts were comparatively small, "merely the size of melons." In 1994, she told Vogue magazine that her measurements were 40-20-36. More recently, as a guest on The O'Reilly Factor she told Bill O'Reilly, "I don't know if they [my breasts are supporting me or I'm supporting them."
She has reportedly turned down several offers to pose for Playboy magazine and similar publications; however, she jokes that she told Playboy she would pose naked -- on her 100th birthday. Russ Meyer wanted to make movies about her breasts. Although she has admitted over the years to having a great deal of cosmetic surgery, it wasn't until 2002 that she admitted to having breast implants. However, she says she didn't get them until she lost a great deal of weight in the mid-1980s, because as a result of the weight loss she had lost a great deal of her famous bust. *
| Year | Single | Album | U.S. | U.S. CO | U.S. AC | UK |
|---|---|---|---|---|---|---|
| 1967 | "The Last Thing on My Mind" (with Porter Wagoner) | Just Between You and Me | - | 7 | - | - |
| 1968 | "Holdin' On To Nothing" (with Porter Wagoner) | Just the Two of Us | - | 7 | - | - |
| 1968 | "We'll Get Ahead Someday" (with Porter Wagoner) | Just the Two of Us | - | 5 | - | - |
| 1969 | "Yours Love" (with Porter Wagoner) | Always, Always | - | 9 | - | - |
| 1969 | "Just Someone I Used To Know" (with Porter Wagoner) | Porter Wayne and Dolly Rebecca | - | 7 | - | - |
| 1969 | "Tomorrow Is Forever" (with Porter Wagoner) | Porter Wayne and Dolly Rebecca | - | 9 | - | - |
| 1970 | "Mule Skinner Blues" | The Best of Dolly Parton | - | 3 | - | - |
| 1970 | "Daddy Was An Old Time Preacher Man" (with Porter Wagoner) | Once More | - | 7 | - | - |
| 1970 | "Joshua" | Joshua | 108 | #1 | - | - |
| 1971 | "Better Move It On Home" (with Porter Wagoner) | The Best of Porter Wagoner and Dolly Parton | - | 7 | - | - |
| 1971 | "Coat of Many Colors" | Coat of Many Colors | - | 4 | - | - |
| 1972 | "Touch Your Woman" | Touch Your Woman | - | 6 | - | - |
| 1972 | "Lost Forever In Your Kiss" (with Porter Wagoner) | Together Always | - | 9 | - | - |
| 1973 | "If Teardrops Were Pennies" (with Porter Wagoner) | Love And Music | - | 3 | - | - |
| 1974 | "Jolene" | Jolene | 60 | #1 | 44 | 7 |
| 1974 | "I Will Always Love You" | Jolene | - | #1 | - | - |
| 1974 | "Please Don't Stop Loving Me" (with Porter Wagoner) | Porter 'n' Dolly | - | #1 | - | - |
| 1974 | "Love Is Like A Butterfly" | Love Is Like A Butterfly | 105 | #1 | 38 | - |
| 1975 | "The Bargain Store" | The Bargain Store | - | #1 | 35 | - |
| 1975 | "The Seeker" | Dolly | 105 | 2 | - | - |
| 1975 | "Say Forever You'll Be Mine" (with Porter Wagoner) | Say Forever You'll Be Mine | - | 5 | - | - |
| 1975 | "We Used To" | Dolly | - | 9 | - | - |
| 1975 | "Is Forever Longer Than Always" (with Porter Wagoner) | Porter 'n' Dolly | - | 8 | - | - |
| 1976 | "All I Can Do" | All I Can Do | - | 3 | - | - |
| 1977 | "Light Of A Clear Blue Morning" | New Harvest - First Gathering | 87 | 11 | - | - |
| 1977 | "Here You Come Again" | Here You Come Again | 3 | #1 | 2 | 75 |
| 1978 | "Two Doors Down"/"It's All Wrong (But It's All Right)" | Here You Come Again | 19 | #1 | 12 | - |
| 1978 | "Heartbreaker" | Heartbreaker | 37 | #1 | 12 | - |
| 1979 | "Baby I'm Burning"/"I Really Got the Feeling" | Heartbreaker | 25 | #1 | 11 | |
| 1979 | "You're The Only One" | Great Balls Of Fire | 59 | #1 | 14 | - |
| 1979 | "Sweet Summer Lovin'" | Great Balls Of Fire | 77 | 7 | 41 | - |
| 1980 | "Starting Over Again" | Dolly, Dolly, Dolly | 36 | #1 | 35 | - |
| 1980 | "Making Plans" (with Porter Wagoner) | Porter & Dolly | - | 2 | - | - |
| 1980 | "Old Flames Can't Hold A Candle To You" | Dolly, Dolly, Dolly | - | #1 | - | - |
| 1981 | "9 to 5" | 9 to 5 and Odd Jobs | #1 | #1 | #1 | 47 |
| 1981 | "But You Know I Love You" | 9 to 5 and Odd Jobs | 41 | #1 | 14 | - |
| 1982 | "Single Women" | Heartbreak Express | - | 8 | - | - |
| 1982 | "Heartbreak Express" | Heartbreak Express | - | 7 | - | - |
| 1982 | "I Will Always Love You" (1982 recording) | The Best Little Whorehouse In Texas | 53 | #1 | 17 | - |
| 1982 | "Hard Candy Christmas" | The Best Little Whorehouse In Texas | - | 8 | - | - |
| 1982 | "Everything's Beautiful (In Its Own Way)" (with Willie Nelson) | The Winning Hand (Willie Nelson) | 102 | 7 | 19 | - |
| 1983 | "Islands In The Stream" (with Kenny Rogers) | Eyes That See In The Dark (Kenny Rogers) | #1 | #1 | #1 | 7 |
| 1984 | "Save The Last Dance For Me" | The Great Pretender | 45 | 3 | 12 | - |
| 1984 | "Tennessee Homesick Blues" | Rhinestone | - | #1 | - | - |
| 1984 | "God Won't Get You" | Rhinestone | - | 10 | - | - |
| 1985 | "Don't Call It Love" | '"Real Love'' | - | 3 | 12 | - |
| 1985 | "Real Love" (with Kenny Rogers) | Real Love | 91 | #1 | 13 | - |
| 1986 | "Think About Love" | Real Love | - | #1 | - | - |
| 1987 | "To Know Him Is To Love Him" (with Emmylou Harris & Linda Ronstadt) | Trio | - | #1 | - | - |
| 1987 | "Telling Me Lies" (with Emmylou Harris & Linda Ronstadt) | Trio | - | 3 | 35 | - |
| 1987 | "Those Memories Of You" (with Emmylou Harris & Linda Ronstadt) | Trio | - | 5 | - | - |
| 1988 | "Wildflowers" (with Emmylou Harris & Linda Ronstadt) | Trio | - | 6 | - | - |
| 1989 | "Why'd You Come In Here Lookin' Like That" | White Limozeen | - | #1 | - | - |
| 1989 | "Yellow Roses" | White Limozeen | - | #1 | - | - |
| 1991 | "Rockin' Years" (with Ricky Van Shelton) | Eagles When She Flies | - | #1 | - | - |
| 1991 | "Silver And Gold" | Eagle When She Flies | - | 15 | - | - |
| 1993 | "Romeo" (with "Friends") | Slow Dancing With The Moon | 50 | 27 | - | - |
| 1993 | "The Day I Fall In Love" (with James Ingram) | Beethoven's 2nd OST | - | - | 36 | 64 |
| 1995 | "I Will Always Love You" (with Vince Gill) | Something Special | - | 15 | - | - |
| 2002 | "If" | Halos & Horns | - | - | - | 73 |
| 2004 | "Baby It's Cold Outside" (with Rod Stewart) | Stardust: the Great American Songbook 3 (Rod Stewart) | - | - | 2 | - |
| 2005 | "When I Get Where I'm Going" (with Brad Paisley) | Time Well Wasted (Brad Paisley) | 39 | #1 | - | - |
1946 births | Actor-singers | American country singers | American entrepreneurs | American female singers | American film actors | Scots-Irish American actors | American memoirists | American songwriters | Appalachian culture | Bluegrass musicians | Buskers | Grammy Award winners | Hollywood Walk of Fame | Living people | People from Tennessee | Sevier County, Tennessee | Country musicians
Доли Партън | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton | Dolly Parton
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