The Diggers were a radical community-action group of Improv actors operating from 1966-68, based in the Haight-Ashbury neighborhood of San Francisco. Their politics was such that it has sometimes been categorized as "left-wing," but more accurately they were "community anarchists" who blended a desire for freedom with a consciousness of the community in which they lived. They were closely associated with and shared a number of members with a guerilla theatre group named the San Francisco Mime Troupe.
The group was founded by Emmett Grogan, Peter Coyote, Peter Berg, and other members of the San Francisco Mime Troupe including Billy Murcott, La Mortadella, and Butcher Brooks.
They opened numerous Free Stores in Haight-Ashbury, in which all items were free for the taking or giving. The stores were funded by money from local merchants afraid of, or supporting the Diggers, who paid a one percent tithe to the Free City Bank. The stores offered items that had been discarded, but were still in usable condition. Though these were used mainly as a front for the distribution, for free, of stolen goods. The first free store was called Trip Without a Ticket and was later superseded by the Free Frame of Reference on Frederick Street. They also opened a Free Medical Clinic.
They threw free parties with music provided by the Grateful Dead, Janis Joplin, Jefferson Airplane and other bands, sometimes with such sights as trucks of naked belly dancers driving through the neighborhood in the afternoon with black conga players, wine, and marijuana. Their publications, notably the Digger Papers, are the origin of such phrases as "Do your own thing" and "Today is the first day of the rest of your life". The Diggers fostered and inspired later groups like the Yippies.
The Diggers fell apart for a variety of reasons, including allegations of heavy drug use, with at least one member of the troupe known to have been a heroin addict at that time. Grogan, who was often named as the leader of the Diggers by those outside of it, had also previously dealt with a heroin addiction. Perhaps more significant in the disintegration of the diggers was the breaking down of the 'peace and love' scene in San Francisco, an increase in police and media interest in the diggers, conflicting egos among its members and a desire to be involved in more high profile guerilla theatre work rather than the practical day to day hard work involved in feeding the poor of San Francisco.
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"Diggers (theater)".
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