Dad's Army was a British sitcom about the Home Guard in the Second World War, written by Jimmy Perry and David Croft and broadcast on BBC television between 1968 and 1977.
The series starred several veterans of British film, television and stage, including Arthur Lowe (1915–82), John Le Mesurier (1912–83), Arnold Ridley (also a veteran playwright; 1896–1984), John Laurie (1897–1980) and Clive Dunn (1920—). Relative youngsters in the regular cast were Ian Lavender (1946—) and James Beck (1929–1973), the last dying suddenly part way through the programme's long run despite being one of the youngest cast members.
Popular at the time and still repeated, it was voted into fourth place in a 2004 BBC poll for Britain's Best Sitcom. Previously, in a list of the 100 Greatest British Television Programmes drawn up by the British Film Institute in 2000, voted for by industry professionals, it was placed thirteenth. British Film Institute TV100 URL accessed June 4th, 2006
Originally intended to be called "The Fighting Tigers", Dad's Army was based partly on Jimmy Perry's experiences in the Local Defence Volunteers (later known as the Home Guard), the film Whisky Galore!, and on the work of comedians such as Will Hay and Robb Wilton. Perry wrote the first script and gave it to David Croft while working as a minor actor in the Croft-produced sitcom Hugh and I, originally intending the role of the spiv, Walker, to be his own. Croft was impressed and sent the script to Michael Mills, head of comedy at the BBC. After addressing initial concerns that the programme was making fun of the efforts of the Home Guard, the series was commissioned. Life support (article about Croft & Perry's writing relationship) by Stephanie Dennison, in The Observer, Sunday December 16, 2001, URL accessed June 4, 2006
The show was set in the fictional seaside town of Walmington-on-Sea, on the South Coast of England. (though it was mostly filmed in and around Thetford, Norfolk).Thetford tourist website discussing the reasons for shooting in Norfork, retrieved June 5th, 2006 Thus, the Home Guard were in the front line in the eventuality of an invasion by the enemy forces across the English Channel, which formed a backdrop to the series. The first series had a loose narrative thread, with Captain Mainwaring's platoon being formed and equipped - initially with wooden guns and LDV armbands, and later on full army uniforms (the platoon were part of the The Queen's Own Royal West Kent Regiment).
The first episode, The Man and the Hour, began with a scene set in the "present day" of 1968, in which Mainwaring addressed his old platoon as part of the contemporary "I'm Backing Britain" campaign. The prologue opening was a condition imposed after initial concerns by Paul Fox, the controller of BBC 1, that it was belittling the efforts of the Home Guard.Dad's Army at BFI Screen online, article by Anthony Clark, URL accessed June 4th, 2006 After Mainwaring relates how he had backed Britain in 1940, the episode proper began; Dad's Army'' is thus told in flashback, although the final episode does not return to the then-present. Later episodes were largely self-contained, albeit referring to previous events and with additional character development.
Since the comedy was in many ways dependent for its effectiveness on the platoon's failure to participate actively in World War II, opposition to their activities had to come from another quarter, and this generally showed itself in the form of Air Raid Patrol Warden Hodges, although sometimes the Verger or Captain Square and the Eastgate platoon. However the group did have some encounters related to the war such as downed German planes, a U-boat crew, parachutes that may have been German, and German mines.
The humour ranged from the subtle (especially in the relationship between Mainwaring and his sergeant, Wilson, who also happened to be his deputy at the bank) to the slapstick (the antics of the elderly Jones being a prime example). Jones had several catchphrases, including Don't panic!, They don't like it up 'em, Permission to speak, sir, and talk about the Fuzzy-Wuzzies. Mainwaring said You stupid boy, in reference to Pike, at least once an episode. The first series occasionally included darker humour, reflecting the fact that, especially early in the war, members of the Home Guard were woefully underequipped and yet still prepared to have a crack at the German army. A poignant moment to this theme occurs in one of the "lost episodes" during which the platoon believes an invasion to be taking place, when Mainwaring and a few volunteers decide to stay in the village to hold off any German advance so information can be relayed back by the rest of the platoon; "Of course, that will be the end of us." says Mainwaring, "We know sir." replies Wilson, before getting on with the task in hand.
The closing credits featured an instrumental march version of the song played by the band of the Coldstream Guards conducted by Trevor L. Sharpe, ending with the air-raid warning siren.
The series is also notable for its use of genuine wartime songs between scenes, usually brief quotations that have some reference to the theme of the episode or the scene.
The television series lasted for nine series and was broadcast over a period of nine years, with eighty episodes made in total, including three Christmas specials and an hour long special. At its peak in the early 1970s, the programme regularly gained audiences of 18.5 million.Museum of Broadcast History website, URL accessed 4th June, 2006 There were also four short specials broadcast as part of Christmas Night with the Stars in 1968, 1969, 1970 and 1972.
Two other episodes from the second series were returned in 2001, ironically as 16mm film recordings of the type believed not to have been made from the second series. It has since been established that the two episodes were film recorded to show to executives at Columbia Pictures during discussions on the structure of the Dad's Army feature film (see below).
The other second series episodes are still missing and were probably lost forever once the original broadcast videotapes were wiped.The missing episodes at the BBC Treasure Hunt site, URL accessed June 4th, 2006 The only remaining (slim) hope is that the episodes may have been recorded during their original UK broadcasts by a person wealthy enough to afford an early videotape recorder such as a Shibaden or Sony CV-2000 machine, and also of sufficient means to be able to afford new tapes rather than wiping and reusing their existing recordings. The BBC is running a "Treasure Hunt" for the wiped episodes; they encourage anyone with copies to contact them at the Treasure Hunt Website. Tape wiping also affected the later, colour, series badly but recoveries of colour versions from overseas broadcasters such as in Australia and New Zealand have ensured there is only one casualty; "Room At The Bottom" from the third series. This episode exists as a 16mm monochrome film recording prepared once BBC Enterprises resumed their interest in selling the series overseas.
Jimmy Perry and David Croft wrote the original screenplay. This was expanded by Cohen to try to make it more "cinematic"; Columbia executives made more changes to plot and pacing. As finally realised, two-thirds of the film consists of the creation of the platoon - this was the contribution of Perry and Croft - and the final third shows the platoon in action, rescuing hostages from the church hall where they'd been held captive by three German pilots.
Neither the cast nor Perry and Croft were particularly happy with the result. Perry spent some time arguing for changes to try to reproduce the style of the television series, but with mixed results.
Filming took place between 10 August and 25 September 1970, at Shepperton Studios and various locations. After filming the movie, the cast immediately returned to working on the fourth television series.
The film's UK premiere was on 12 March 1971 at the Columbia Theatre in London. Critical reviews were mixed, but it performed well at the UK box office. Discussions were held about a possible sequel, to be called Dad's Army and the Secret U-Boat Base, but the project never came to fruition.Richard Webber Dad's Army: A Celebration, (Virgin Publishing 1997), pp.164-169, ISBN 0753503077
Dad's Army: A Nostalgic Music and Laughter Show of Britain's Finest Hour opened at Billingham in Cleveland on 4 September 1975 for a two-week tryout. After cuts and revisions, the show transferred to London's West End and opened at the Shaftesbury Theatre on 2 October 1975. On the opening night there was a surprise appearance by Chesney Allen, singing the old Flanagan and Allen song Hometown with Arthur Lowe.
The show ran in the West End until February 1976, disrupted twice by bomb scares, and then toured the country until 4 September 1976. Clive Dunn was replaced for half the tour by Jack Haig (David Croft's original first choice for the role of Corporal Jones on television). Jeffrey Holland, who went on to star in several later Croft sitcoms, also had a number of roles in the production. Richard Webber Dad's Army: A Celebration, (Virgin Publishing 1997), pp.178-180, ISBN 0753503077
Many TV episodes were remade for BBC Radio 4 with the original cast, although other actors played Walker after James Beck's death. These radio versions were adapted by Harold Snoad and Michael Knowles and also starred John Snagge as a newsreader who would set the scene for each episode. Different actors were used for some of the minor parts; Mollie Sugden played the roles of Mrs. Pike and Mrs. Fox for example. The pilot episode was actually based on the revised version of events seen in the opening of the film version rather than the TV pilot. The entire radio series has been released on CD. Dad's Army.tv page about the radio series, URL accessed June 4th, 2006
Knowles and Snoad also developed a radio series It Sticks Out Half a Mile, which told the story of what happened to some of the Dad's Army characters after the war. It was originally intended to star Arthur Lowe and John Le Mesurier reprising their Dad's Army roles, but Lowe died shortly after recording the pilot episode, and Bill Pertwee and Ian Lavender were brought in to replace him for a 13-episode series
In 2000, the show was voted 13th in a British Film Institute poll of industry professionals of the 100 Greatest British Television Programmes. In 2004, championed by Phill Jupitus, it came fourth in the BBC poll to find Britain's Best Sitcom with 174,138 votes.The final top-ten of Britain's Best Sitcom, URL accessed June 4th, 2006
The characters of Dad's Army and their catchphrases are well known in the UK due to the popularity of the series when originally shown and the frequency of repeats.
Jimmy Perry recalls that before writing the sitcom, the Home Guard was a largely forgotten aspect of British defence in World War II, something which the series has certainly rectified.Richard Webber Dad's Army: A Celebration, (Virgin Publishing 1997), p.12, ISBN 0753503077 In a 1972 Radio Times interview, Arthur Lowe expresses surprise at the programme's success;
Other productions have included characters resembling members of the Dad's Army platoon for comic effect:
British cultural icons | Dad's Army | BBC television sitcoms David Croft sitcoms Military television series | Lost BBC episodes | World War II television programmes | Period piece TV series
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