Charles Edward Anderson "Chuck" Berry (born October 18, 1926) is an American guitarist, singer, and composer.
Chuck Berry is an immensely influential figure, and one of the pioneers of rock & roll music. Cub Koda wrote, "Of all the early breakthrough rock & roll artists, none is more important to the development of the music than Chuck Berry. He is its greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers."* John Lennon was more succinct: "If you tried to give rock and roll another name, you might call it 'Chuck Berry'."
Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986. He received Kennedy Center Honors in 2000.
In May of 1955, Berry traveled to Chicago where he met Muddy Waters who suggested he contact Chess Records. Signed to a contract, that September he released a unique version of the traditional fiddle tune "Ida Red," under the title "Maybellene." The song, which featured a new set of modern lyrics and a driving beat, eventually peaked at #5 on the Billboard charts. At the end of June 1956, his song "Roll Over Beethoven" reached #29 on the Billboard charts. Berry's early LP records sometimes contained well-delivered blues standards to round out the customary dozen tracks. In the autumn of 1957, Berry joined the Everly Brothers, Buddy Holly, and other rising stars of the new rock and roll to tour the United States. The hits continued from 1957 to 1959, with Berry scoring over a dozen chart singles during this period, including the top 10 US hits "School Day," "Rock and Roll Music," "Sweet Little Sixteen," and "Johnny B. Goode."
In 1990, Berry was sued by several women who claimed that he had installed a video camera in the ladies' bathrooms at two of his St. Louis restaurants. A class action settlement was eventually reached with 59 women on the complaint; Berry's biographer Bruce Pegg estimated that it cost Berry over $1.2 million plus legal fees. A Miami distributor is currently marketing video footage purporting to show Berry urinating on a young woman in a bathtub. Although the voice heard sounds similar Berry's face is never visible on the tape making his positive identification impossible.*
He did release a hit single in 1972 for Chess, a live recording of a song he had initially recorded years earlier as a novelty track: "My Ding-a-Ling." Despite its lightweight nature, it was Berry's only No. 1 charting single ever. A live recording of "Reelin' And Rockin'" was also issued as a follow-up single that same year, and would prove to be Berry's final top 40 hit in both the US and the UK.
Among the many bandleaders performing this backup role were Bruce Springsteen and Steve Miller when each was just starting their careers. Springsteen related in Hail! Hail Rock and Roll that Berry did not even give the band a set list and just expected the musicians to follow his lead after each opening guitar intro. He also did not speak to or thank the band after the show. Nevertheless, Springsteen backed Berry again when he appeared at the Concert for the Rock and Roll Hall of Fame in 1995. This type of touring style, traveling the "oldies" circuit in the 1970s, where he was often paid in cash by local promoters, added ammunition for the Internal Revenue Service's indictment that Berry was a chronic income tax evader. The third time Berry would face criminal sanction was after he pled guilty to tax evasion and was sentenced to four months imprisonment and 1,000 hours of community service, doing benefit concerts in 1979.
Also in 1979, Berry relased "Rockit" for Atco Records, his final studio album to date.
In the late 1980s, Berry owned a restaurant in Wentzville, Missouri, called The Southern Air. Berry also owns an estate in Wentzville called Berry Park. For many years, Berry hosted rock concerts throughout the summer at Berry Park. He eventually closed the estate to the public due to the riotous behavior of many guests. Although in his late 70s, Berry continues to perform regularly, playing both throughout the United States and overseas. He performs one Wednesday each month at Blueberry Hill, a restaurant and bar located in the Delmar Loop neighborhood in St. Louis.
While there is debate about who recorded the first rock and roll record, Chuck Berry's early recordings, including "Maybellene" (1955) are perhaps among the first fully synthesized rock and roll singles, combining blues and country music with teenaged lyrics about girls and cars, with impeccable diction alongside distinctive electric guitar solos and an energetic stage persona. Chuck Berry also popularized use of the boogie in rock and roll.
Most of his famous recordings were on Chess Records with pianist Johnnie Johnson from Berry's own band and legendary record producer Willie Dixon on bass, Fred Below on drums, and Berry's guitar, arguably the epitome of an early rock and roll band. It should be noted, however, that Lafayette Leake, not Johnnie Johnson, played the piano on "Johnny B. Goode", "Reelin' and Rockin'", "Sweet Little Sixteen", and "Rock & Roll Music". Additionally, Otis Spann played the piano on "You Can't Catch Me" and "No Money Down".
Producer Leonard Chess recalled laconically:
Clive Anderson wrote for the compilation Chuck Berry—Poet of Rock 'n' Roll:
Berry's musical influences included Nat King Cole, T-Bone Walker, Louis Jordan, and Muddy Waters — who was both the singer and guitarist vital in the transformation of Delta blues into Chicago blues and the man who introduced Berry to Leonard Chess at Chess Records.
Throughout his career Berry recorded both smooth ballads like "Havana Moon" and blues tunes like "Wee Wee Hours" but it was his own mastery of the new form that won him fame. He recorded more than a dozen Top Ten R&B chart hits, crossed over to have a strong impact on the pop charts with seven top ten US pop hits and four top ten pop hits in the UK, and found his songs being covered by hundreds of blues, country, and rock and roll performers.
In 2003, Rolling Stone magazine named him number six on their list of the 100 Greatest Guitarists of All Time. * His compilation album "The Great Twenty-Eight" was also named 21st on the magazine's list of the 500 Greatest Albums of All Time. In 2004 six of his songs were included in the Rolling Stone magazines 500 Greatest Songs of All Time list, namely "Johnny B. Goode" (# 7), "Maybellene" (# 18), "Roll Over Beethoven" (# 97), "Rock and Roll Music" (#128), "Sweet Little Sixteen" (# 272), "Brown Eyed Handsome Man" (# 374). [http://www.rollingstone.com/news/story/6596661/500_greatest_songs/
His other hits, many of them novelty narratives, include:
Among his blues tributes:
His songs are collected on albums like:
| Release date | Title | Chart Positions | ||
|---|---|---|---|---|
| US Hot 100 | US R&B | UK | ||
| 1955 | "Maybellene" (A-Side) | #5 | #1 | |
| → "Wee Wee Hours" (B-Side) | #10 | |||
| 1955 | "Thirty Days" | #2 | ||
| 1955 | "No Money Down" | #8 | ||
| 1956 | "Roll Over Beethoven" | #29 | #2 | |
| 1956 | "Too Much Monkey Business" | #4 | ||
| → "Brown Eyed Handsome Man" (B-Side) | #5 | |||
| 1956 | "You Can't Catch Me" | |||
| 1957 | "School Day" | #3 | #1 | #24 |
| 1957 | "Oh Baby Doll" | #57 | #12 | |
| 1957 | "Rock and Roll Music" | #8 | #6 | |
| 1958 | "Sweet Little Sixteen" | #2 | #1 | #16 |
| 1958 | "Johnny B. Goode" | #8 | #2 | |
| 1958 | "Beautiful Delilah" | #81 | ||
| 1958 | "Carol" | #18 | #9 | |
| 1958 | "Sweet Little Rock and Roller" (A-Side) | #47 | #13 | |
| → "Jo Jo Gunne" (B-Side) | #83 | |||
| 1958 | "Merry Christmas Baby" (A-Side) | #71 | ||
| → "Run Rudolph Run" (B-Side) | #69 | #36 | ||
| 1959 | "Anthony Boy" | #60 | ||
| 1959 | "Almost Grown" (A-Side) | #32 | #3 | |
| → "Little Queenie" (B-Side) | #80 | |||
| 1959 | "Back In The USA" (A-Side) | #37 | #16 | |
| → "Memphis, Tennessee" (B-Side) | #6 | |||
| 1959 | "Broken Arrow" | #108 | ||
| 1960 | "Too Pooped To Pop (Casey)" (A-Side) | #42 | #18 | |
| → "Let It Rock" (B-Side) | #64 | #6 | ||
| 1960 | "Bye Bye Johnny" | |||
| 1960 | "I Got To Find My Baby" | |||
| 1960 | "Jaguar and Thunderbird" | #109 | ||
| 1961 | "I'm Talking About You" | |||
| 1961 | "Come On" (A-Side) | |||
| → "Go Go Go" (B-Side) | #38 | |||
| 1963 | "Diploma For Two" | |||
| 1964 | "Nadine" | #23 | #27 | |
| 1964 | "No Particular Place To Go" | #10 | #3 | |
| 1964 | "You Never Can Tell" | #14 | #23 | |
| 1964 | "Little Marie" | #54 | ||
| 1964 | "Promised Land" | #41 | #26 | |
| 1965 | "Dear Dad" | #95 | ||
| 1965 | "It Wasn't Me" | |||
| 1966 | "Ramona Say Yes" | |||
| 1967 | "Laugh and Cry" | |||
| 1967 | "Back to Memphis" | |||
| 1967 | "Feelin' It" | |||
| 1968 | "Louie to Frisco" | |||
| 1969 | "Good Looking Woman" | |||
| 1970 | "Tulane" | |||
| 1972 | "My Ding-A-Ling" (live) | #1 | #42 | #1 |
| 1972 | "Reelin' and Rockin'" (live) | #27 | #18 | |
| 1973 | "Bio" | |||
| 1975 | "Shake, Rattle and Roll" | |||
| 1979 | "California" | |||
Note that not all of Berry's UK singles were released in the same year as the initial US release, and not all of Berry's UK singles featured the same A-Side/B-Side configurations as in the US.
Billboard did not publish a separate R&B singles chart in 1964, hence Berry's absence from the R&B charts for the singles "Nadine" through "Promised Land".
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