Charles Edward Haden (born August 6, 1937) is a jazz double bassist, probably best known for his long association with saxophonist Ornette Coleman. Haden is also known for his signature lyrical bass lines and is one of the most respected jazz bassists and jazz composers today.
Haden moved to Los Angeles in the mid-1950's, and quickly began playing professionally, including stints with pianist Hampton Hawes and saxophonist Art Pepper.
Haden became famous playing with Ornette Coleman in the late 1950s, perhaps culminating with The Shape of Jazz to Come. This album was released to much controversy at the time, and Haden himself remarked that the harmolodic style of playing was so confusing to him at first that he resigned himself to repeating Coleman's lines on the bass. It was only later that he had enough confidence to start playing his own lines during the performances.
Besides his association with Ornette Coleman, Haden was also a member of Keith Jarrett's trio and "American quartet" from 1967 to 1976 with Paul Motian and Dewey Redman. He played in the collective Old and New Dreams.
He went on to lead the Liberation Music Orchestra in the 1970s. Largely arranged by Carla Bley, their music was very experimental, exploring the realms of free jazz and political music at the same time; specifically, the LMO's first album focused on the Spanish Civil War. Subsequent studio albums for LMO concentrated on the music and politics of Latin America, Africa and, most recently, the United States. The LMO bands have had a shifting membership comprising a "who's who" of jazz instrumentalists. Through Carla Bley's arranging, they have concentrated on a wide palette of brass instruments, including tuba, French horn, and trombone, in addition to the more standard trumpet and reed section.
This thematic exploration of genres of music not typically considered to be a jazz standard became one of Haden's signature approaches with his Quartet West. Started in 1987, the Charlie Haden Quartet West consisted of Ernie Watts on sax, Alan Broadbent on piano and Larance Marable on drums. This group featured lush, romantic arrangements by Broadbent, often with strings, and was the recipient of many awards.
Haden has also been active over the years working in duets, with pianists such as Hank Jones, Kenny Barron and Denny Zeitlin. He has explored spiritual hymns with Jones, American folk music in American Hymns, film noir music in Always Say Goodbye, and Cuban folk music in Nocturne.
In 1989, Haden was featured at the Montreal Jazz Festival, and performed in concert every night of the festival, with different combos and bands. Each of these events was recorded, and most have been released in the series "The Montreal Tapes."
In the late 1997 he collaborated on a duet with Pat Metheny on the guitar, exploring the music that influenced them in their childhood experiences in Missouri with what they call Americana music. This collaboration culminated in the album Beyond the Missouri Sky (Short Stories) and their worldwide tours together.
1937 births | American jazz musicians | Jazz bassists | Living people
Charlie Haden | Charlie Haden | Charlie Haden | チャーリー・ヘイデン | Charlie Haden | Charlie Haden
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