A chariot is a two-wheeled, horse-drawn vehicle. In Latin biga is a two-horse chariot, and quadriga is a four-horse chariot (the word "chariot" itself comes from Latin carrus). It was used for ancient warfare during the Bronze and Iron Ages, and continued to be used for travel, processions and in games after it had been superseded militarily. Early forms may also have had four wheels, although these are not usually referred to as chariots. The critical invention that allowed the construction of light, horse-drawn chariots for use in battle was the spoked wheel. In these times, most horses could not support the weight of a man in battle; the original wild horse was a large pony in size. Chariots were effective in war only on fairly flat, open terrain. As horses were gradually bred to be larger and stronger, chariots gave way to cavalry. The earliest spoke-wheeled chariots date to ca. 2000 BC and their usage peaked around 1300 BC (see Battle of Kadesh). Chariot races continued to be popular in Constantinople until the 6th century.
In modern warfare, the tactical role of the chariot is played by the tank or the armoured personnel carrier. In World War I, just before the introduction of the first tanks, motorcycles with machine-guns mounted on a sidecar and armoured cars constituted mechanized versions of the chariot. It might be said that the Russian tachanka briefly re-introduced horse-drawn chariots, armed with machine-guns but these were much more a light version of the horse artillery which had been a feature of European battlefields for well over a hundred years.
The earliest fully developed chariots known are from the chariot burials of the Andronovo (Timber-Grave) sites of the Sintashta-Petrovka culture in modern Russia and Kazakhstan from around 2000 BC. This culture is at least partially derived from the earlier Yamna culture. It built heavily fortified settlements, engaged in bronze metallurgy on a scale hitherto unprecedented and practiced complex burial rituals reminiscent of Aryan rituals known from the Rigveda. The Sintashta-Petrovka chariot burials yield spoke-wheeled chariots. The Andronovo culture over the next few centuries spreads across the steppes from the Urals to the Tien Shan, likely corresponding to early Indo-Iranian cultures which eventually spread to Iran and India in the course of the 2nd millennium BC.
Chariots figure prominently in Indo-Iranian mythology. Chariots are also an important part of Hindu as well as of Persian mythology, with most of the gods in their pantheon portrayed as riding them. The Sanskrit word for a chariot is ratha, a collective ' to a Proto-Indo-European word ' for "wheel" that also resulted in Latin rota and is also known from Germanic, Celtic and Baltic.
There are a few depictions of chariots among the petroglyphs in the sandstone of the Vindhya range. Two depictions of chariots are found in Morhana Pahar, Mirzapur district. One is shows a team of two horses, with the head of a single driver visible. The other one is drawn by four horses, has six-spoked wheels, and shows a driver standing up in a large chariot-box. This chariot is being attacked, with a figure wielding a shield and a mace standing at its path, and another figure armed with bow and arrow threatening its right flank. It has been suggested (Sparreboom 1985:87) that the drawings record a story, most probably dating to the early centuries BC, from some center in the area of the Ganges–Jamuna plain into the territory of still neolithic hunting tribes. The drawings would then be a representation of foreign technology, comparable to the Arnhem Land Aboriginal rock paintings depicting Westerners. The very realistic chariots carved into the Sanchi stupas are dated to roughly the 1st century.
The chariot became obsolete during the Age of the Warring States; the main reasons were the invention of the crossbow and the adaptation of nomadic cavalry (mounted archery), which was more effective.
The Hittites were renowned charioteers. They developed a new chariot design, which had lighter wheels, with four spokes rather than eight, and which held three, instead of two warriors. Hittite prosperity largely depended on their control of trade routes and natural resources, specifically, metals. As the Hittites gained dominion over Mesopotamia, tensions flared between the neighboring Assyrians, Hurrians and Egyptians. Under Suppiluliuma I, the Hittites conquered Kadesh and eventually the whole of Syria. The Battle of Kadesh in 1299 BC is likely to have been the largest chariot battle ever fought, in which some five thousand chariots were involved.
In addition to the Trundholm chariot, there is a number of petroglyphs from the Nordic Bronze Age showing chariots, such as one of the slabs of stone in the King's Grave from ca. 1000 BC, showing a chariot with two four-spoked wheels drawn by a team of two horses.
The Celts were famous chariot-makers, and the English word car is believed to be derived, via Latin carrum, from Gaulish karros (English chariot itself is from 13th century French charriote, an augmentative of the same word). Some 20 Iron Age chariot burials have been excavated in Britain, dating roughly from between 500 BC and 100 BC, virtually all of them in East Yorkshire, with the exception of one find of 2001 from Newbridge, 10km west of Edinburgh. Chariots play an important role in Irish mythology surrounding the hero Cu Chulainn.
The Celtic chariot may have been called carpentom, was drawn by a team of two horses, and measures approximately 2 m in width and 4 m in length. The one-peice iron rims for chariot wheels were probably a Celtic invention. Apart from the iron wheel rims and iron fittings of the hub, it was constructed from wood and wicker-work. In some instances, iron rings reinforced the joints. Another Celtic innovation was the free-hanging axle, suspended from the platform with rope. This resulted in a much more comfortable ride on bumpy terrain. There is evidence from French coins of a leather 'suspension' system for the central box, and a complex system of knotted cords for its attatchemt; this has informed recent working reconstructions by archeologists.
According to Tacitus (Annals 14.35), Boudica, a Celtic female chieftain who led the Iceni and a number of other Celtic tribes in a major uprising against the occupying Roman forces, addressed her troops, using a chariot to drive through the ranks before the Battle of Watling Street in 61 AD:
The Celtic chariot carried a driver and a soldier. It was probably used in numbers, to provoke an enemy into action but the soldier normally dismounted to do his fighting, to be picked up again when the immediate task was done. This use of the vehicle went some way to combining the mobility of cavalry with the stability of infantry.
Herodotus reports that chariots were widely used in the Pontic-Caspian steppe by the Sigynnae.
The only Etruscan chariot found intact dates to ca. 530 BC. It is decorated with bronze plates reminiscent of the Gundestrup cauldron. Its wheels have nine spokes. It was part of a chariot burial.
Greek chariots were made to be drawn by two horses attached to a central pole. If two additional horses were added, they were attached on each side of the main pair by a single bar or trace fastened to the front of the chariot, as may be seen on two prize vases in the British Museum from the Panathenaic Games at Athens, Greece, in which the driver is seated with his feet resting on a board hanging down in front close to the legs of his horses. The biga itself consists of a seat resting on the axle, with a rail at each side to protect the driver from the wheels. Greek chariots appear to have lacked any other attachment for the horses, which would have made turning difficult.
The body or basket of the chariot rested directly on the axle connecting the two wheels. There was no suspension, making this an uncomfortable form of transport. At the front and sides of the basket was a semicircular guard about 3 ft (1 m) high, to give some protection from enemy attack. At the back the basket was open, making it easy to mount and dismount. There was no seat, and generally only enough room for the driver and one passenger.
The central pole was probably attached to the middle of the axle, though it appears to spring from the front of the basket. At the end of the pole was the yoke, which consisted of two small saddles fitting the necks of the horses, and fastened by broad bands round the chest. Besides this the harness of each horse consisted of a bridle and a pair of reins. The reins were mostly the same as those in use in the 19th century, and were made of leather and ornamented with studs of ivory or metal. The reins were passed through rings attached to the collar bands or yoke, and were long enough to be tied round the waist of the charioteer to allow him to defend himself.
The wheels and basket of the chariot were usually of wood, strengthened in places with bronze or iron. They had from four to eight spokes and tires of bronze or iron.
Most other nations of this time had chariots of similar design to the Greeks, the chief differences being the mountings. A late 6th century bronze Etruscan chariot (biga) now at the Metropolitan Museum of Art * formed part of the grave-goods in a tomb at Monteleone di Spoleto; never meant for warfare, its three curved panels hammered in low-relief present three iconic images of an elite warrior, probably Achilles.
This may have been done for the sake of a morale-boosting film but its practical effect when firing on the move, would be negligible as until its ordinary, non-artillery wheels collapsed or a horse was shot, it would be bouncing about too much to be of any use. Inspection of the photograph shows that the weapon shown in the taczanka article was designed in the same way as a horse artillery carriage. In other words it was designed to accompany or to just precede cavalry, to halt and to suppress enemy infantry fire while the cavalry approached.
It is interesting to note that, in the photograph, the gun carriage has an artillery wheel but the limber has not. In 1898, Vickers, Sons and Maxim were making a four-horse limber which towed a 37mm naval machine gun on a carriage. At the same time they had a two-horse gun carriage which carried a limited supply of its own ammunition for artillery support and a one-horse carriage similarly with some of its own ammunition. These latter guns were Vickers-Maxim .303 inch weapons.
Ancient warfare | Animal powered vehicles | Archaeological artefact types | Indo-European | Bronze Age | Iron Age
Streitwagen | Char (Antiquité) | מרכבה (רכב) | Strijdwagen | 戦車 (戦闘馬車) | Rydwan | Колесница | Häststridsvagn | Колісниця