The Carry On films were a long-running series of British popular low-budget comedy films, directed by Gerald Thomas and produced by Peter Rogers. An energetic mix of parody, farce and double entendres, they are seen as classic examples of British humour.
30 films were made between 1958 and 1978 at Pinewood Studios, and another in 1992. The films relied on a repertoire of comedy actors which changed gradually over the years. The mainstays of the series were Kenneth Williams (26 films), Joan Sims (24), Charles Hawtrey (23) and Sid James (19). One of the most iconic Carry On stars was Barbara Windsor, although she only appeared in 9 of the films.
The films' humour was influenced by the British traditions of the music hall and seaside postcards, and many parodied more serious films. They often rely on deliberately bad puns, occasionally rising to inspired heights, as in Carry On Cleo, where Julius Caesar (Kenneth Williams) staggers back from an assassination attempt crying "Infamy! Infamy! They've all got it in for me!" The mainstay of the Carry Ons' humour was innuendo and the sending-up of British institutions and customs, such as the National Health Service (Nurse, Doctor, Again Doctor, Matron), the monarchy (Henry), the Empire (Up the Khyber) and the trade unions (At Your Convenience), the Hammer horror film (Screaming), and the camping (Camping), the foreign (Abroad), the seaside (Girls), and the caravanning holidays (Behind), among others. Although the films were very often slated by the critics, they were adored by audiences.
The series began with Carry On Sergeant (1958), about a group of recruits on National Service, and was sufficiently successful that others followed. Its title was based on an earlier Val Guest film, Carry On Admiral (1957), and became a standard form for the series, with a few exceptions. There was also an unrelated 1937 film Carry On London, starring future Carry On performer Eric Barker.
There was also a television series Carry On Laughing, and several Carry On Christmas specials. There were also three stage shows: Carry On London, Carry On Laughing and Wot a Carry On In Blackpool.
From 1958 to 1962 the films' screenplays were written by Norman Hudis and mostly shot in black and white. Set in institutions of various types, the bungling protagonists usually initially fail, then eventually triumph in the face of some adversity.
In 1963 Talbot Rothwell took over the role of screenwriter. The films became more ambitious, often parodying well-known films or genres. Coinciding with the sexual revolution, they featured more explicit sexual jokes and situations. The films made in colour in the '60s remain among the most popular of the series.
At one point, Talbot Rothwell sought and received permission to borrow several one-liners and quotes that Frank Muir and Denis Norden had written for the successful radio comedy series Take It From Here. They include the above-quoted line "Infamy! Infamy!". Rothwell was a friend and colleague of Muir and Norden.
Although the series continued to be popular in the early 1970s, there was a growing feeling among the cast and critics that the quality of the films was declining. British society was becoming more accustomed to seeing sexual content on screen, and the innuendos of the series began to pale in comparison, although they became noticeably stronger. Rothwell continued as writer.
After Rothwell ended his run as writer in 1974, the already variable quality of the series took a sharp downturn. British society had changed significantly and Carry On humour now seemed dated and innocent. Moreover fewer and fewer of the established cast were now appearing in the films; Abroad had been the last Carry On film appearance for Charles Hawtrey and Dick the last for Sid James (who died in 1976), Hattie Jacques and Barbara Windsor. Owing to the withdrawal of American funding from British films, with a few exceptions, many of the most profitable British films during the 1970s were those adapted from television series (such as Steptoe and Son), or erotic comedies. The influence of these genres is keenly felt in the Carry On series' output of this period, with an increased sexual content and more television stars (such as Windsor Davies) appearing in place of regulars.
In 1992, an attempt was made to revive the series with Carry On Columbus, co-inciding with the production of two serious movies on the subject and the 500th anniversary of Christopher Columbus' discovery of America. The producers managed to persuade a number of alternative comedians such as Rik Mayall, Alexei Sayle, Peter Richardson, and Julian Clary to appear in the film as well as the comic actress Maureen Lipman, but it did not achieve any great commercial success and was panned by some critics.
Of all the original Carry On stars, only Jim Dale (playing the title role) and Jack Douglas appeared in the film – many of the others were dead. Barbara Windsor, however, refused to appear after reading the script. A handful of other actors who had played a few roles in the original films, such as Bernard Cribbins, Jon Pertwee, June Whitfield, and Leslie Phillips also appeared.
The script, by Dave Freeman, was more polished than those he wrote for the Carry On films during the 1970s, including comment on colonialism as well as the obligatory innuendo and slapstick.
In 2004, the magazine Total Film described the greenlighting of the movie, and the decision to use alternative comedians, as the number two "dumbest decision in movie history."
A new film, Carry On London, was announced in 2003, but was still in pre-production as of February 2006. However, Peter Rogers assured readers of The Sun newspaper (which was running a Carry On film promotion at the time) that the film would be released within the next year. In May 2006, it was announced Vinnie Jones and Shane Richie are to star in the film, which is to be directed by Peter Richardson. *
Many of the actors portrayed similar characters in several films — for example Sid James was often portrayed as a womaniser, something that caused problems in his private life. Jack Douglas joined the series with a cameo appearance in Matron where he appears in just one scene and has a single line of dialogue. After an only slightly larger role in the following film Abroad where he again plays his established Alf Ippitimus-type character, his roles increased in size and increasingly diverged from the familiar Alf performance. After his debut Douglas appeared in all subsequent films in the original series.
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