The British Museum in London is one of the world's largest and most important museums of human history and culture. It was established in 1753 and was based largely on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building.
The British Museum is home to over seven million objects from all continents illustrating and documenting the story of human culture from its beginning to the present. Many of the artifacts are stored underneath the museum due to lack of space.
The present chairman is Sir John Boyd and its director is Neil MacGregor.
The British Museum, like the other main museums and art galleries in Britain, charges no admission fee. Admission charges, however, are levied for some temporary special exhibitions.
The British Museum offers a range of learning experiences for everyone including schools, families and adults, one of which is a Postgraduate Diploma that focuses on the classical and decorative arts of Asia.
The body of Trustees (which until 1963 was headed by the Archbishop of Canterbury, the Lord Chancellor and the Speaker of the House of Commons) decided on Montagu House as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on a site now occupied by Buckingham Palace, on the grounds of cost and the unsuitability of its location.
After its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th century the foundations for the extensive collection of sculpture began to be laid. After the defeat of the French in the Battle of the Nile in 1801 the British Museum acquired more Egyptian sculpture and the Rosetta Stone. Many Greek sculptures followed, notably the Towneley collection in 1805 and the renowned Elgin Marbles in 1816.
The collection soon outgrew its surroundings and the situation became urgent with the donation in 1822 of King George III's personal library of 65,000 volumes, 19,000 pamphlets, maps, charts and topographical drawings to the museum. The dilapidated Old Montagu House was demolished in 1845 and replaced by a design by the neoclassical architect Sir Robert Smirke.
Roughly contemporary with the construction of the new building was the career of a man sometimes called the "second founder" of the British Museum, the Italian librarian Antonio Panizzi. Under his supervision the British Museum Library quintupled in size and became a well-organised institution worthy of being called a national library. The quadrangle at the centre of Smirke's design proved to be a waste of valuable space and was filled at Panizzi's request by a circular Reading Room of cast iron, designed by Smirke's son, Sydney Smirke. This is where Karl Marx famously carried out much of his research, and wrote some of his most important works.
The natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnography collections were until recently housed in the short-lived Museum of Mankind in Piccadilly; they have now returned to Bloomsbury and the Department of Ethnography has been renamed the Department of Africa, Oceania and the Americas.
The temporary exhibition Treasures of Tutankhamun, held by the British Museum in 1972, was the most successful in British history, attracting 1,694,117 visitors. In the same year the Act of Parliament establishing The British Library was passed, separating the collection of manuscripts and printed books from the British Museum. The Government suggested a site at St Pancras for the new British Library but the books did not leave the museum until 1997.
With the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord Foster's glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving circulation around the museum, was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public. In 2002 the museum was even closed for a day when its staff protested about proposed redundancies. A few weeks later the theft of a small Greek statue was blamed on lack of security staff.
The British Museum has refused to return either set, or any of its other disputed items, stating that the "restitutionist premise, that whatever was made in a country must return to an original geographical site, would empty both the British Museum and the other great museums of the world".* The Museum has also argued that the British Museum Act of 1963 legally prevents it from selling any of its valuable artifacts, even the ones not on display. Critics have particularly argued against the right of the British Museum to own objects which it does not share with the public.
Supporters of the Museum claim that it has provided protection for artifacts that may have otherwise been damaged or destroyed if they had been left in their original environments. While some critics have accepted this, they also argue that the artifacts should now be returned to their countries of origin if there is sufficient expertise and desire there to preserve them.
The British Museum continues to assert that it is an appropriate custodian and has an inalienable right to its disputed artifacts under British law.
The Duveen Gallery housing the Elgin Marbles was designed by the American Beaux-Arts architect John Russell Pope. Although completed in 1938 it was hit by a bomb in 1940 and remained semi-derelict for 22 years before reopening in 1962.
The Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the architects Foster and Partners. The Great Court opened in December 2000 and is the largest covered square in Europe. The roof is a glass and steel construction with 1,656 panes of uniquely shaped glass panes. At the centre of the Great Court is the Reading Room vacated by the British Library, its functions now moved to St Pancras. The Reading Room is open to any member of the public who wishes to read there.
Highlights of the collections include:
The notorious Cupboard 55 in the Department of Medieval and Later Antiquities, inaccessible by the public and known as "the Secretum", has a reputation for containing some of the most erotic objects in the British Museum. Though claiming to be from ancient cultures, many of the objects are Victorian fakes and are deemed unfit for public display on grounds of quality, rather than because of their supposed obscenity. In any case, the Museum's attitudes to material previously held to be 'obscene' has now changed, as shown by the Warren Cup.
British Museum | Art museums and galleries in London | Archaeology museums | Museums sponsored by the Department for Culture, Media and Sport | Camden | Public bodies and task forces of the United Kingdom government | Grade I listed buildings in London | 1753 establishments | British national museums
المتحف البريطاني | Британски музей | Museu Britànic | British Museum | Britisches Museum | Museo Británico | Brita Muzeo | British Museum | British Museum | המוזיאון הבריטי | ბრიტანეთის მუზეუმი (ლონდონი) | British Museum | 大英博物館 | British Museum | Muzeum Brytyjskie | Museu Britânico | Muzeul Britanic | Британский музей | Britanski muzej | Британски музеј | British Museum | British Museum | บริติชมิวเซียม | 大英博物馆
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