Bristol is a city in south west England. As the largest city in the region it is a centre for the arts and sport. The region has a distinct dialect.
Ashton Court also plays host to the Ashton Court festival each summer, an outdoors music festival which used to be known as the Bristol Community Festival. The annual Bristol Harbour Festival features displays of ships and musical performances.
Bristol's musical pioneering spirit continues as the home to one of the largest and most diverse DIY music communities in the UK. Artists such as Gravenhurst Chikinki and New Rhodes have revived popular interest over the past few years. Other highly influential cult acts include Wall Planner, Pricktaster, Snakes On A Plane and November's Ashes In The Rain. A dynamic community of bands, artists, promoters and music fans has developed around the Choke forum, named after a popular fanzine and club night which has championed underground music from Bristol and beyond since 2001.
Bristol is home to many live music venues, of which The Old Duke is perhaps the best known. Internationally recognised jazz and blues musicians active in Bristol include Eddie Martin, Jim Blomfield and Andy Sheppard. St George's Hall, on Brandon Hill, is notable for its classical, jazz and world music performances, and the Carling Academy Bristol is part of the national touring circuit for rock bands.
Bristol is the home of a regional morning newspaper, the Western Daily Press, a local evening paper, the Evening Post and a weekly free newspaper, the Bristol Observer. A Bristol edition of Metro is distributed for free on buses in the area. The local listings magazine, Venue, is now published weekly after many years as a fortnightly publication and comprehensively covers the city's music, theatre and arts scenes.
Bristol has a flourishing independent media scene, including The Bristolian, Bristle magazine and a local Indymedia website. The Spark Magazine (est 1993) covers the surging interest in all things green, ethical and New Age.
The Bristolian news sheet achieved a regular distribution of several thousand, pulling no punches with its satirical exposés of council and corporate corruption. The Bristolian, 'Smiter of the High and Mighty', even spawned a radical independent political party that polled an impressive 15% in Easton ward in 2003. In October 2005 it came runner up for the national Paul Foot Award for investigative journalism http://www.bristol.indymedia.org/newswire.php?story_id=24307
The anarchist-oriented Bristle, ‘fighting talk for Bristol and the South-West’, was started in 1997 and celebrated its twentieth issue in 2005. Its pages especially feature subvertising and other urban street art to complement news, views and comments on the local activist scene as well as tackling issues such as drugs, mental health and housing.http://www.bristle.org.uk Bristle Website
1970s women’s liberation paper Enough, was succeeded in the 1990s by the environmental and pagan Greenleaf (edited by the late George Firsoff), West Country Activist, Kebelian Voice, Planet Easton, the anarcho-feminist Bellow and present-day punk fanzine Everlong, all of which have been published in Bristol.
Urban radio projects such as the 1980s pirate, Savage Yet Tender and Dialect Radio (ceased October 2004)http://anarchist606.blogspot.com/2004/10/dialect-no-more-sad-news-that-dialect.html have proved to be more short-lived.
The Bristol Indymedia website *, like the wider Indymedia network, provides a mix of news and articles that often tend towards a left-wing, progressive or anarchistic perspective. Bristol Indymedia volunteers have also produced filmsExample BIMC Video: DSEi solidarity demo in Bristol and run community media daysCube_Microplex).
The most unusual feature of this dialect, unique to Bristol, is the Bristol L (or Terminal L), in which an L sound is appended to words that end in a letter a. Thus "area" becomes "areal", etc. This may lead to confusions between expressions like area engineer and aerial engineer which in "Bristle" sound identical. Other examples include 'Americal' and 'Canadal', and, when unsure, the answer 'I have no ideal'. In the same way, the Swedish Ikea is known by some as 'Ikeal'. This is how the city's name evolved from Brycgstow to have a final 'L' sound: Bristol.
Bristolians often add a redundant "mind" to the end of sentences " i want to do that mind" "i'm not doing that mind".
Another Bristolian linguistic feature is the addition of a superfluous "to" in questions relating to direction or orientation. For example, "Where’s that?" would be phrased as "Where’s that to?" and "Where’s the park?" would become "Where’s the park to?". Interestingly, this speech feature is very predominate in Newfoundland English, where many of that island's early European inhabitants originated from Bristol and other West Country ports. They lived on the island in relative isolation in the centuries to follow, maintaining this feature.
There are several graffiti artists active in Bristol, probably the most known is Banksy, who has produced an albumn cover for the britpop band Blur. There is controversy around many graffiti artists, this is mainly due to a persons interpretation of graffiti. Some consider it to be a form of art, while others consider it to be pointless vandalism. In general, local authorities do their best to remove graffiti in an effort to keep the urban landscape clean, and it is a common task for those doing community service punishments to have to clean graffiti off walls. Another problem caused by more successful graffiti artists are copycats, who instead of attempting to create graffiti art instead spray obscenties and tags on walls.
Other Bristol graffiti artists include gHOSTbOYand Sick Boy.[http://www.sickboy.uk.com/
This article is licensed under the GNU Free Documentation License.
It uses material from the
"Culture of Bristol".
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