Robert Upshur "Bob" Woodward (born March 26, 1943) is one of the best-known journalists in the United States, thanks largely to his work in helping uncover the Watergate scandal that led to President Richard Nixon's resignation, in a historical journalistic partnership with Carl Bernstein, while working as a reporter for The Washington Post. He has written twelve best-selling nonfiction books and has twice contributed reporting to efforts that collectively earned first the Post and then its National Reporting staff a Pulitzer Prize.
Woodward was discharged from the Navy in August 1970. He had applied to several law schools, but had also applied for a job as a reporter for the Washington Post. Harry Rosenfeld, the paper's metropolitan editor, hired him on a two-week trial basis, a tryout which failed due to his complete lack of experience as a journalist. Still interested in becoming a reporter, he got a job with the Montgomery Sentinel. A year after his on-the-job training at the Sentinel, he left that paper and joined The Washington Post in August 1971.
In a series of articles published in January 2002, he and Dan Balz described the events at Camp David in the aftermath of September 11. In these articles, they mention the Worldwide Attack Matrix.
Woodward has been accused by some critics of being too close to the Bush administration, and some say his relationship with the current administration is in stark contrast to his investigative role in Watergate. Others disagree, however. In 2004 both the Bush campaign and the Kerry-Edwards campaign recommended his book Plan of Attack, and The New York Times said the book contained “convincing accounts of White House failures... presented alongside genial encounters with the president.”
Woodward said the revelation came at the end of a long, confidential background interview for his 2004 book Plan of Attack. He did not reveal the official’s disclosure at the time because it did not strike him as important. Later, he kept it to himself because it came as part of a confidential conversation with a source. He said he did not want to be subpoenaed by Fitzgerald, who by then was threatening journalists who did not reveal confidential sources with civil contempt.
Woodward said he testified after his source contacted Fitzgerald and requested Woodward to cooperate. However, the source did not agree to modify the confidentiality agreement to allow Woodward to identify the source publicly.
In his deposition, Woodward also said that he had conversations with Scooter Libby after the June 2003 conversation with his confidential administration source, and testified that it is possible that he might have asked Libby further questions about Joe Wilson’s wife before her employment at the CIA and her identity were publicly known.
Woodward’s revelation was controversial because he had not told his editor at the Post about the conversation for more than two years, and also because he had publicly criticized the investigation. He had referred to Fitzgerald as a “junkyard dog prosecutor” on Larry King’s television show, and said he believed that when “all of the facts come out in this case, it's going to be laughable because the consequences are not that great."[http://www.npr.org/templates/story/story.php?storyId=4732602. On another occasion, he said of the investigation that he thought there was “nothing to it,” and that Fitzgerald’s behavior had been “disgraceful.” In later interviews after his deposition, Woodward said he had meant by his “junkyard dog” comment to suggest colorfully that Fitzgerald was a tenacious prosecutor, and that the “disgraceful” comment concerned the tactic of putting journalists in prison to coerce them to reveal their confidential sources.
Woodward apologized to Leonard Downie, the editor of The Washington Post for not informing him earlier of the June 2003 conversation. News of his deposition sparked the latest round of debate about his status at the Post. One reporter described Woodward on an internal Post message board as the “800-pound elephant among us,” adding: “I admire the hell out of Bob, but this looks awful.”*
Woodward is widely regarded as one of the top reporters of the last half-century, and has earned trust and accolades from government officials and journalists of all political persuasions. In 2003, Al Hunt of The Wall Street Journal called Woodward "the most celebrated journalist of our age." The Weekly Standard called him "the best pure reporter of his generation, perhaps ever." In 2004, Bob Schieffer of CBS News said "Woodward has established himself as the best reporter of our time. He may be the best reporter of all time."
In writing his books, Woodward collects detailed records, including interviews, documents, transcripts, and recordings. He then uses them to describe events as a story with an omniscient narrator, present tense and dialogue. His books read somewhat like fiction, and are often very visually descriptive.
While this style may have earned Woodward commercial success, many literary critics consider his prose awkward and his approach inappropriate for his subject matter. Nicholas von Hoffman complained that "the arrestingly irrelevant detail is used"Michael Massing thinks the books are "filled with long, at times tedious passages with no evident direction." *" target="_blank" >Joan Didion said Woodward finds "*
The narrative, reporting-driven style of Woodward's books also draws criticism for rarely making conclusions or passing judgment on the characters and actions that he recounts in such detail. Didion concluded that Woodward writes "books in which measurable cerebral activity is virtually absent," and finds the books marked by "a scrupulous passivity, an agreement to cover the story not as it is occurring but as it is presented, which is to say as it is manufactured." *
Some of Woodward's critics accuse him of abandoning critical inquiry to maintain his access to high-profile political actors. Anthony Lewis called the style "a trade in which the great grant access in return for glory." and Christopher Hitchens has accused both Woodward and George F. Will of acting as "stenographer*
Woodward has said that his books "really are self portraits, because I go to people and I say — I check them and I double check them but — but who are you? What are you doing? Where do you fit in? What did you say? What did you feel?" Critics complain that this style allows the biases and beliefs of his sources to steer the narrative and that those who talk to Woodward are painted more favorably than those who don't. The Brethren, for example, painted a picture of the Supreme Court based on the comments of its clerks; some believe that, as a result, the book suggests that the Supreme Court Justices do little of the actual work. Brad DeLong says that accounts of the evolution of Clinton's economic policy in Woodward's books The Agenda (presented from Clinton's point of view) and Maestro (presented from Alan Greenspan's) are so inconsistent that the reader will "collapse to the floor in helpless laughter".[http://www.j-bradford-delong.net/movable_type/2004_archives/001257.html
Woodward's dual role as journalist and author has opened him up to occasional criticism for sitting on information for publication in a book, rather than presenting it sooner when it might affect the events at hand. In The Commanders (1991), for instance, he indicated that Colin Powell had opposed Operation Desert Storm, yet Woodward did not publish this information before Congress voted on a war resolution, when it may have made a difference. And in Veil, he indicates that former CIA Director William Casey personally knew of arms sales to the Contras, but he did not reveal this until after the Congressional investigation.
Woodward has also been accused of exaggeration and fabrication by other journalists, most notably regarding "Deep Throat", his famous Watergate informant. Before he was revealed to be W. Mark Felt, some contended that Deep Throat was a composite character based on more than one Watergate source. Martin Dardis, the chief investigator for the Dade County State Attorney, who in 1972 discovered that the money found on the Watergate burglars came from the Committee to Re-elect the President, has complained that All the President's Men misrepresented him. Woodward was also accused of fabricating his deathbed interview with Casey, as described in Veil; critics say the interview simply could not have taken place as written in the book. Finally, an investigation by the New York Review of Books found that Woodward fabricated a sensational story about Justice William J. Brennan in The Brethren, among other issues. *
Despite these criticisms and challenges, Woodward has been praised as an authoritative and balanced journalist. The New York Times Book Review said in 2004 that "No reporter has more talent for getting Washington’s inside story and telling it cogently." The publication of a Woodward book, perhaps more than any other contemporary author's, is treated as a major political event that dominates national news for days.
Other books, which have also been best-sellers but not #1, are:
Newsweek has excerpted five of Woodward's books in cover stories; 60 Minutes has done segments on five; and three have been made into movies.
Pease, Lisa. "Bob Woodward" Probe Magazine, January-February 1996 (Vol. 3 No. 2)
In the movie The Skulls, starring Joshua Jackson as Lucas McNamera, Lucas' best friend Will Beckford (played by Hill Harper) tries to compare himself to the great Bob Woodward while reading the publication of his column in the school newspaper. Will was subsequently killed for pursuing his journalistic curiosities.
In the movie Dick, which is about Watergate, Woodward is played by actor/comedian Will Ferrell. In the film Woodward and Carl Bernstein, are depicted as two petty, bickering, childish near-incompetents who are small-mindedly competitive with each other.
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