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The Blue Flower (German: Blaue Blume) is a central symbol of Romanticism. It stands for desire, love, and the metaphysical striving for the infinite and unreachable.
Local blue-blooming flowers such as the Chicory or Cornflower are often seen as parallels to the "Blue Flower."
Origins
German author Novalis first used the symbol in his unfinished novel of formation, entitled Heinrich von Ofterdingen. After contemplating a meeting with a stranger, the young Heinrich von Ofterdingen dreams about blue flowers which call to him and absorb his attention.
The Japanese translation of the novel was entitled Aoihana (青い花), meaning "bluish-green flower," which directly connected to the natural motif.
Use of the symbol
Other poets
Joseph Freiherr von Eichendorff wrote a poem called "Die blaue Blume" (The blue flower). Adelbert von Chamisso saw the core of Romanticism in the motif, and Goethe searched for the "Urpflanze" or "original plant" in Italy, which in some interpretations could refer to the blue flower.Wandervogel movement
In 1960 Werner Helwig published the book "The Blue Flower of the Wandervogel" (Die blaue Blume des Wandervogels) a history of the youth movement. Within the movement, a number of folk songs used the motif.The German student movement of the sixties
In Berlin in 1968, one slogan of the German student movement stated "Schlagt die Germanistik tot, färbt die blaue Blume rot!" ("Strike Germanistics dead, color the blue flower red!") The discipline of Germanistics was targeted as a sclerotic field, not suited to the needs of the people of the present.References
- Werner Helwig: Die Blaue Blume des Wandervogels. Deutscher Spurbuchverlag, 1998. ISBN 3887782089
External links
"Blue Flower"