Babylon 5 is an epic science fiction television series created, produced, and largely written by J. Michael Straczynski. The music for the TV series and related TV movies was composed by Christopher Franke. The pilot movie, The Gathering, aired on February 22, 1993, and the regular series initially aired from January 26, 1994 through November 25, 1998, first in syndication on the short-lived Prime Time Entertainment Network, then on cable network TNT. Because the show was aired every week in the United Kingdom on Channel 4 without a break, the last four or five episodes of the early seasons were shown in the UK before the US.
The series won several awards, including two Hugos for Best Dramatic Presentation.
The series consists of a five-year story arc taking place over five seasons of 22 episodes each. John Iacovelli said "Babylon 5 is a window on the future" in the DVD feature Creating the Future, linking to the idea of a space opera. The hub of the story is set in the 23rd century (2258-2262 AD) on a large space station named Babylon 5; the five mile (8 km) long, 2.5 million ton rotating colony is built to be a gathering place for fostering peace through diplomacy, trade, and cooperation.
Having long been a science fiction fan himself, Straczynski was determined to produce a science fiction series for adults in which, for once, things would be done properly: consistent technology, "no kids or cute robots". It was not a utopian future — there is greed and homelessness. It was not a place where everything was the same at the end of the day — main characters grow, develop, live, and die. An unabashedly political show, it was always ready to deal with politics, sex, religion, and philosophy.
Straczynski wanted the show to be a mirror to the real world and to covertly teach (an idea mentioned by Mark Twain). *
Unlike most television shows, this series was conceived as a novel, with a defined beginning, middle, and end. In addition, even tie-in novels, comic books, and short stories play a significant part of the overall story.
The overall story of the show was plotted out in some detail before the first episode was ever shot. Having a (loosely) predetermined plot was advantageous in many respects, as longer-term planning greatly reduced the working budget required on sets and costumes. The planned plot arc, allowing largely fixed sets and economies of scale, favorably compared with more episodic series which might require an entirely new set of props or costumes for each episode.
Though conceived as a whole, and with Straczynski writing most of the episodes (including all of the episodes of the third and fourth seasons, a feat never before accomplished in American television), it was necessary to adjust the plotline to accommodate external influences. Major challenges included the replacement of actor Michael O'Hare as the station commander after the first season, the unexpected departure of actresses Claudia Christian and Andrea Thompson, and the necessity to pre-film the season 5 grand finale "Sleeping in Light" due to fears of premature cancellation after only 4 seasons. (Fortunately for the fans season 5 was later picked-up; according to Straczynski the changes made to the show to provide proper closure were minor: "If I had known with absolute certainty that there would be a season 5, then season 4 would have ended with 418, Intersections in Real Time.")
Babylon 5 is often cited as raising the bar for science fiction television, using an arc-driven storytelling style now prevalent in science fiction and in mainstream drama. Straczynski anticipated the rise of digital television, shooting the series in 16:9 format rather than the normal 4:3 - a full six years before ER and many other dramas began doing the same thing. Babylon 5 also revolutionized the use of computer technology (using Amiga-based Video Toasters at first, and later Pentium and DEC Alpha-based systems *) in creating visual effects at a time when using models and miniatures was the norm. It was also the first sci-fi series to respect Newtonian physics in its space battle sequences, since utilised in other series such as Joss Whedon's Firefly and the Sci-Fi Channel version of Battlestar Galactica.
Babylon 5 was also the first show to fully utilize the Internet as a tool for building fan support. Straczynski used most of the popular Internet and pre-Internet communications services to spread the word about the show, answer fan questions and keep a constant stream of information buzzing through science fiction fandom. He posted thousands of messages, eventually focusing most of his attention on GEnie and the Usenet newsgroup rec.arts.sf.tv.babylon5.moderated.
In the show, Babylon 5 is a center of political intrigue and conflict, and eventually becomes a pawn in a massive interstellar conflict from which it emerges with a victory over forces of darkness and chaos, albeit at great cost. This is reflected in the opening monologue of each episode which includes "last, best hope for peace" in season one but changes to "last, best hope for victory" by season three.
Babylon 5 is the fifth, and last, of the Babylon space stations. Three predecessors, the original Babylon station, Babylon 2 and Babylon 3 were all sabotaged and destroyed before their completion. The fourth station, Babylon 4 vanished twenty-four hours after it became fully operational. The episode "Babylon Squared" and the two-part episode "War Without End" deal with the disappearance of Babylon 4. Babylon 5 is substantially smaller than the previous stations. This was cited as due to budget constraints after the failure of the first four stations. Due to said constraints, Babylon 5 had no form of propulsion, whereas the Babylon 4 station did.
Straczynski has said that he has detailed notes on the inauguration of the Babylon station program, and that one man was at the heart of the effort to get the first one built.
The three Babylon stations seen on screen were a different color: Babylon 1 was red, Babylon 4 green, and Babylon 5 blue. (A persistent fanon rumor is that all five Babylon stations are colored in spectrum order - thus Babylon 2 would be orange, and Babylon 3 yellow. However, neither of those stations ever actually appeared onscreen.)
Bruce Boxleitner, who played station commander Captain John Sheridan, described the space station Babylon 5 as "... A free port for diplomats, travelers and businessmen. A combination of building the United Nations and Times Square on an intergalactic scale...", in the introduction of "The Guide to Babylon 5".
The Babylon Series were modified versions of the typical O'Neill Space Colony design, better known as the O'Neill Cylinder.
All the major characters speak American English, with the exception of Marcus Cole, who speaks with a distinct British RP accent - even though his family has not lived in the UK for several generations. There is no account for possible evolutions of the language 250 years from now. Of the main characters, none are from South America or Asia. The latter was represented in The Gathering but the character, Laurel Takashima, did not appear in the series. Several minor characters do come from other areas.
Susan Ivanova, born in Russia, speaks with an American accent, but has some posters with writings in the cyrillic alphabet in her room, possibly indicating she knows the language. When Ivanova tries to learn the Minbari language, she obtains comical results, such as the inability of even giving simple commands: her mastery of English is due to her upbringing in an English-speaking boarding school. Her name is consistently pronounced with the accent on the antepenult rather than the penult (i.e. IVAnova rather than IvaNOva), the latter being the more common Russian pronunciation; the pronuncation IVAnova is more rare but still proper; these ways of pronunciation are based on family traditions: for example, the name of the painter Alexander Ivanov is always pronounced as IVAnov. Still, her father's rabbi, Russian by birth, uses both pronunciations.
Michael Garibaldi, with an Italian last name and an English first name, also speaks with an American accent, and at no time is shown to know Italian. In one episode he mentions that his grandmother was a Boston police officer. However, he retains a heritage in that he orders Italian foodstuffs such as mozzarella by mail. He is also able to learn to read written Narn in a very short time, indicating exceptional linguistic skills, when reading the Book of G'Quan that G'Kar had loaned him. His name is also consistently mispronounced as "gah-ree-bohl-dee" instead of "gah-ree-bahl-dee". Garibaldi is a fairly uncommon surname in Italy, but it is the surname of national hero Giuseppe Garibaldi.
Most aliens are able to speak human sounds, and in particular speak English correctly. Londo Mollari has a noticeable accent, developed independently by actor Peter Jurasik and most closely imitated by the actor playing Lord Refa; most other Centauri do not have an accent. G'Kar has a particular gift for speech and writing in both Narn and English.
Among aliens, only Minbari are shown to speak a different language. This is only explicitly heard when humans are present to stress that the humans cannot understand what is being said. When Minbari (or Narn, Centauri, etc.) are shown talking to each other, they are shown as speaking in English, to avoid long sequences with subtitles.
English is mentioned explicitly as the "Earth language of commerce". No human is shown speaking a different language, but Marcus Cole makes a joke about the French when some of the First Ones refuse to speak English even if they understood it, suggesting that there are still French speakers who are hostile to the English language.
Various human characters speak English with recognizable regional accents, including British (the telepath Byron, the character who introduces the Night Watch, and Knight One in "And the Sky Full of Stars"), New Zealand (the woman hiring the monks in "Passing Through Gethsemane"), Nigerian (David Endawi in "Matters of Honor"), Australian (Ivanova's ex-boyfriend in "The War Prayer") and Hispanic (a dock worker in "By Any Means Necessary"). Most of these are the native accents of the actor playing the role. The actor playing "Captain Jack" in "Racing Mars" spoke with a strange combination of Australian, American and Cockney accents all at once.
One of the show's many themes is the cultural and social interaction between civilizations: the station is, after all, a diplomatic meeting-place. The show is as much political thriller as science fiction.
Five dominant civilizations are represented on Babylon 5, and more than a dozen less powerful ones. The 5 dominant ones are the Humans, Minbari, Narn, Centauri, and the Vorlons. The less powerful races make up the League of Non-Aligned Worlds which includes The Drazi, Brakiri, Vree, Pak'Ma'Ra, Gaim, Markab, Hyach, and others.
Two members of the regular cast have died since the ending of the series. Richard Biggs, who played Dr. Stephen Franklin died from an aortic dissection, or tear in his aorta on May 22, 2004. Andreas Katsulas, who played G'Kar, died from lung cancer on February 13, 2006.
Tim Choate, who played Zathras, died in a motorcycle accident on September 24, 2004.
There was also a group of actors who each played numerous bit parts, known informally as "The Babylon 5 Players". For example, each of the actors who played a Drazi ambassador during the series also appeared as another minor character elsewhere in the Babylon 5 saga.
Through its ongoing story arc, Babylon 5 found ways to portray themes relevant to modern social issues.
The central theme in Babylon 5 is the conflict between order and chaos, and the people caught in between.
The Vorlons and the Earth Alliance Government (as it had been under President Clark) both represent oppressive, authoritarian philosophies: you will do what we tell you to, because we tell you to do it. Who are you? Are you willing to sacrifice yourself for a greater cause, or are you merely serving your own petty interests?
The Shadows represent chaos. Their belief is that by creating conflict, a stronger generation is born — pure "survival of the fittest". To accomplish this, the Shadows encourage conflict between other groups, who choose to serve their own glory or profit. What do you want? Money, territory, fame, power?
The Rangers, composed mainly of Minbari and Humans with a scattering of other races, represent a third way; their unwavering commitment to compassion and self-sacrifice, epitomised by the character of Marcus Cole, opposes both the emotionless war of the Vorlons and the chaotic brutality of the Shadows.
Ultimately, the main characters try to strike a balance: sometimes selfish, sometimes self-sacrificing, and making many mistakes along the way. Sometimes they impress us, and sometimes they horrify us. Do you have anything worth living for? Do you love? Do you have a true calling? What is the purpose of your life? "Why are you here?"
Straczynski occasionally hinted that there was a "fourth question." One possibility is Lorien's final question to Sheridan: "Where are you going?"
It is (intentionally) ironic that the Earth Alliance government, an incarnation of Vorlon-style order, informally allied itself with the Shadows during the course of the series.
It is also worth noting that the stated philosophies of both the Vorlons and the Shadows seem directly in conflict with the effects their presence seems to produce. During the time that the Vorlons are tacitly "in charge" of the known universe, wars and skirmishes seem commonplace. However, as soon as the Shadows enter the story, an alliance of races begins to form to fight them. This is noted in the episode Z'ha'dum.
The Babylon 5 timeline includes numerous major armed conflicts:
These conflicts serve to illustrate specific themes: every conflict has a forgotten "third side," people crushed beneath the feet of the powerful; a single individual willing to sacrifice himself can be more powerful than the greatest army; whereas an individual willing to sacrifice everyone else to serve his own objectives can reduce entire worlds to ashes, and yet still be defeated.
After all is done, we find members of the opposing sides working together to forge a new future. (Examples: the Rangers, Delenn and Neroon; Delenn and Sheridan; Londo and G'Kar; Garibaldi and Lochley.)
Ultimately, every violent conflict is born out of self-interest, perpetuated by prejudice and ideology, and resolved by the realization that each side needs the other to survive. The most clear example of this is the history of the Hyach race: The Hyach evolved alongside the Hyach-do, with whom they interbred. Over the course of centuries the Hyach leadership began a process of persecution beginning with religious laws and ending in genocide. It was not until after the last Hyach-do had been killed that the Hyach birth-rate began to fall: the Hyach genetic structure needed something from the Hyach-do for them to survive, and by wiping them out they had signed their own death-warrant.
Hatred is associated with stupidity, forgiveness is associated with pragmatism, and wisdom follows conflict.
Unrequited love may be the source of all pain in Babylon 5. Ivanova loses everyone she loves. Lennier is the ultimate victim of unrequited love, but also of his own immaturity. Sheridan and Delenn know true love; Sheridan comes back from the dead for love ("Whatever Happened to Mr. Garibaldi?"). Marcus says, "Sometimes love is funny, sometimes very sad." Garibaldi takes a long time to figure it out. Ivanova says she doesn't speak with her heart any more. Vir knows what true love is from the beginning; his problem is getting to "number six". In the first season, Sinclair is cautioned by Garibaldi to find something to live for, rather than something to die for. Later in the series, Marcus, the chaste warrior, sacrifices his life for the woman he loves. It was only at the last moment that he could tell her this.
But there are a few for whom physical desire has no appeal. They have a greater calling: finding the holy grail, all the names of God, or the fulfilment of a thousand year old prophecy. One of the remarkable aspects of Babylon 5 was that many of its characters had profound spiritual and/or religious beliefs ("The Parliament of Dreams"). Straczynski, an atheist, was determined that the characters and the show would treat all these beliefs with the utmost respect. Often, a religious or moral question was presented with no clear answer. A perfect example was the early episode "Soul Hunter" in which three different interpretations are presented for the Soul Hunters' actions – and the show stubbornly refuses to endorse any side as being "right". Another example would be the moral conflict presented in "Believers". More important for the overall arc of the program was the large plot thread hinging upon Minbari religious beliefs and the spiritual evolution of G'Kar.
Straczynski's recurring message is that an individual can make a difference. This message is strongly implied in the episode "The Coming of Shadows", in a conversation between Emperor Turhan and Captain Sheridan. The Emperor dies before he can say that he is sorry for the crimes his government committed against the Narn. Straczynski considers this episode to be the centerpiece of the series.
Addiction plays a recurring role in the saga of Babylon 5. Power as an addiction, work as an addiction, violence as an addiction and hatred as an addiction all play out repeatedly. Several major characters have a history of substance abuse: Garibaldi is a recovering alcoholic who succumbs to intolerable emotional pressures and attempts to find solace in drink; Londo Mollari is a heavy drinker; Dr. Franklin is addicted to synthetic stimulants ("stims"); and Lochley went through a period of hard drug abuse in her younger years. Abuse of "dust", a telepathic drug, also plays a recurring role in the story.
Obsession as a related theme occurs numerous times too. Sheridan is willing to break the rules of due process to learn the fate of his wife after discovering the connection between her and Morden. The Narn and Centauri hate each other to the point of obsession and addiction.
Self sacrifice plays an important role throughout the series as well. The ideal of one sacrificing everything for another (even a stranger) with no personal gain is a main contrasting theme of the "good" characters vs. "evil". Selfishness is often the turning point of a character from light to darkness, and selflessness denotes a change in the reverse, even though all main characters portray all levels of this throughout the series.
The original pilot movie had music composed by Stewart Copeland. When the show was picked up as a weekly series Copeland was not available, and so Straczynski hired Christopher Franke, of Tangerine Dream fame. Franke stayed on as the composer for all five seasons of Babylon 5, and three of the Babylon 5 telefilms. When Straczynski obtained funds to create a new writer's edition of the pilot movie, the original Stewart Copeland score was replaced with a new score by Christopher Franke.
Each season shared its name with an episode which was central to that season's plot.
The spin-off series Crusaderan on TNT for thirteen episodes, having been set up by the TV-movie A Call to Arms. The production team received help from NASA's Jet Propulsion Laboratory to make sure that the series depicted science and technology accurately. * and forced Straczynski to begin the first episode with a fistfight. The sex-and-violence request was later withdrawn and TNT in fact allocated more money to Crusade, giving the actors better uniforms and new sets mid-season, but due to the creative differences TNT eventually decided to cancel the series after thirteen episodes had been produced, but before any of them were aired. At the time of the cancellation, no major story arcs had yet come into play.
A made-for-TV movie titled The Legend of the Rangers was produced by the Sci Fi Channel. It was the proposed pilot episode of a new series titled The Legend of the Rangers. Rescheduled after the September 11, 2001 attacks, the movie aired on January 19, 2002. However, it was scheduled against an NFL AFC Divisional Championship playoff game featuring the New England Patriots and the Oakland Raiders. The pilot's poor ratings killed the network's interest in a series. Straczynski posted the following to Usenet on January 27, 2002:
In 2004 and early 2005, rumors widely circulated about a planned Babylon 5 movie for theatrical release. However, on February 25th, a post from Straczynski announced that the project had fallen through and was for all practical purposes dead. * The proposed movie, titled The Memory of Shadows (TMOS), was written by Straczynski. Filming was to have begun in April 2005 in the UK with Steven Beck as the director.
Several sources have claimed that factions within Warner Brothers wanted to recast established Babylon 5 roles with younger and more well-known actors, causing a major controversy among fans. Straczynski has acknowledged the subject and has stated that the negotiations were problematic, but has said that he is unable to directly comment on the issue.
According to statements and clues made by Straczynski in a convention appearance in New Jersey, and statements on a Usenet newsgroup, it is known that the planned storyline connected to that of the short-lived Crusade television series. In this movie the technology of the ancient Shadow race is being unleashed on the galaxy by an unknown force. EarthForce intelligence officer Diane Baker, whose brother was recently killed in a mysterious explosion, intends to find out who is behind the conspiracy. Joining her is Galen, a technomage who has been charged with keeping the technology out of the hands of those who would abuse it.
Unique to the Babylon 5 universe among virtually all other shared media universes is the sanctioned canonicity of many of its offshoot novels and comic book stories; nearly all of the Babylon 5 novels and novelizations to date having been based on outlines written directly by J. Michael Straczynski. The later Del Rey books are considered to be more canonical than some of the earlier Dell ones, although – per Straczynski's own remarks – canonical elements exist in every single book published to date; Straczynski's deeper involvement in the novel-publishing program from 1996 onward having ensured a greater level of canonicity within such works.
Additionally, the creator himself penned a number of short stories expanding on several key story-points from the television series, along with a number of other established authors, with all such tales considered as "real" as the TV show itself. The comic books published by DC are also fully endorsed, with JMS again either having directly written or contributed to all of the issues in one form or another.
Straczynski himself is presently (as of early 2006) hard at work finishing up the manuscript for a 100-page Babylon 5 graphic novel, to be published during the late period of the year by Wildstorm Productions. At the moment, the premise, characters, and plotline are still unknown.
Mongoose Publishing, the publisher of recent Babylon 5 role-playing game (RPG) material, has announced that it will be releasing a line of Babylon 5 novels and graphic novels beginning in summer 2006. JMS has made it clear that he is not involved with this project and considers the works to be "fan-fiction".*
All five seasons have been released individually in the US and the UK. A complete 5-season set is also available in each of the two DVD regions, titled Babylon 5: The Complete Television Series for the U.S. and Canada, and Babylon 5: The Complete Universe for the UK. The UK version also includes all the films and the short-lived spin-off Crusade.
| DVD Name | Region 1 | Region 2 |
|---|---|---|
| Babylon 5: The Complete First Season | November 5 2002 | October 28 2002 |
| Babylon 5 The Complete Second Season | April 29 2003 | May 26 2003 |
| Babylon 5: The Complete Third Season | August 12 2003 | November 10 2003 |
| Babylon 5: The Complete Fourth Season | January 6 2004 | April 19 2004 |
| Babylon 5: The Complete Fifth Season | April 13 2004 | January 17 2005 |
| Babylon 5: The Complete Television Series | August 17 2004 | N/A |
| Babylon 5: The Complete Universe | N/A | October 24 2005 |
The Babylon 5 TV movies were distributed differently in the U.S. and UK. Initially a DVD containing the two movies The Gathering and In the Begining were released on both region 1 (North America) and region 2 (UK) DVD. Then, in the U.S., the first five movies which aired while Babylon 5 was still on the air were released in one boxset, with the TV movie Legend of the Rangers getting its own separate release on both region 1 and region 2 DVD. In the UK, a film boxset was released, but instead of containing the five movies like the U.S. version, it contained the three movies which hadn't been released yet (Thirdspace, River of Souls, and A Call to Arms).
| DVD name | Region 1 | Region 2 |
|---|---|---|
| Babylon 5: The Gathering/In the Beginning | December 4 2001 | N/A |
| Babylon 5: The Gathering | N/A | April 8 2002 |
| Babylon 5: In the Beginning | N/A | April 8 2002 |
| Babylon 5: The Movie Collection | August 17 2004 | N/A |
| Babylon 5: Movie Box Set | N/A | February 21 2005 |
| Babylon 5: The Legend of the Rangers | March 14 2006 | October 24 2005 |
The transfer of Babylon 5 to DVD created significant problems with regard to special-effects/CGI footage. Several factors complicated the process.
This has resulted in several consistent flaws throughout the Babylon 5 DVD release. In particular, quality drops very significantly whenever a scene cuts from purely live-action to a shot combining live-action and CGI. This is especially noticeable on the PAL DVDs, since CGI shots had to be converted from NTSC as well as being blown up to fit a widescreen television. In addition, while the live action film was indeed widescreen, shots were composed for 4:3, resulting in a conspicuous tendency for actors to clump up in the middle of the screen.
There are no officially licensed Babylon 5 video games on the market, though in 1998 a video game based on Babylon 5, named Into the Fire, was being developed by Sierra, the publishers of Homeworld. This game was to have cast the player as the pilot of a Starfury fighter craft through many missions of a dynamic storyline, while also giving the player an opportunity to "move up through the ranks" and eventually take command of capital ships and even fleets. It was to feature large battles and realistic physics. Multiplayer competitive and cooperative modes would have allowed players to pilot ships of alien races. Christopher Franke composed and recorded new music for the game, and live action footage was filmed with the primary actors from the series.
Work on this game ended on September 21, 1999, when, as part of a corporate reorganization, Sierra cancelled it and laid off its development staff.
The web site FirstOnes.com followed the game's development and demise, and continues to track Babylon 5 mods for other games. FirstOnes.com also hosts the site of the Space Dream Factory, an independent project to develop several standalone games. The first of these, titled "Babylon 5: I've Found Her", is set five years before the series, and can be downloaded free of charge at the project's website.
A collection of mods for the Homeworld platform can be found at The Great Wars Mods website. These mods try to capture the best battles from the series. Great Wars III is the most developed of all, having virtually every aspect of the game converted to a Babylon 5 theme.
Another independently developed, freely available mod is The Babylon Project, a total conversion of the computer game Freespace 2. The mod features several campaigns set during the Earth-Minbari War and the Raider Wars. Additional campaigns, including the Earth Alliance Civil War, are planned. Active development continues on the project's forums at Hard Light Productions.
There is a modification available for the Babylon 5 universe for Malfador Machinations' strategy game Space Empires IV. However, it remains incomplete at this time, presumably waiting for the release of Space Empires V early in 2006.
There is also a mod for Escape Velocity from Ambrosia Software.
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