The Aran sweater takes its name from the Aran Islands, a group of Islands off the west coast of Ireland. The sweaters are distinguished by their use of complex textured stitch patterns, several of which are combined in the creation of a single garment.
Originally sweaters were knitted using unscoured wool that retained its natural oils or lanolin which made the garments water-resistant and meant they remained wearable even when wet. It was primarily the wives of Island fishermen who knitted the sweaters.
Some stitch patterns have a traditional interpretation often of religious significance. The honeycomb is a symbol of the hard-working bee. The cable, an integral part of the fisherman's daily life, is said to be a wish for safety and good luck when fishing. The diamond is a wish of success wealth and treasure. The basket stitch represents the fisherman's basket, a hope for a plentiful catch.
The sweater, locally called a gansey, usually features 4–6 texture patterns each of which is about 2–4 inches in width, that move down the sweater in columns from top to bottom. Usually the patterns are symmetrical to a centre axis extending down the centre of the front and back panel. The patterns also usually extend down the sleeves as well. The same textured knitting are also used to make socks, hats, vests and even skirts.
Most historians agree that far from being an ancient craft, aran knitting was invented as recently as the early 1900's by a small group of enterprising island women, with the intention of creating garments not just for their families to wear but which could be sold as a source of income.
The first Aran knitting patterns were published in the 1940s by Patons of England after being supplied by a shop in Galway. Vogue magazine carried articles on the garment in the 1950s, and sweater exports from the west of Ireland to the United States began in the early 1950s.
The development of the export trade during the 1950's and 1960's took place after P.A. Ó Síocháin organised an instructor, with the help of an IDA Ireland grant, to go to the islands and teach the knitters how to make garments to standard international sizings. Knitting became an important part of the island's economy and during the 1960's, even with all available knitters recruited from the three islands he had difficulty in fulfilling orders from around the world.
Aran sweaters are sometimes sold as a "fisherman sweater", indicating that the sweater was traditionally used by the island's famous fishermen. It is said that each fisherman (or their family) had a sweater with a unique design, so that if he drowned and was found maybe weeks later on the beach, his body could be identified. There is no record of any such event ever taking place.
This misconception may have originated with J.M. Synge's 1904 play 'Riders to the Sea', in which the body of a dead fisherman is identified by the hand-knitted stitches on one of his garments. However, even in the play there is no reference to any decorative or Aran type pattern. The garment referred to is a plain stocking and it is identified by the number of stitches, the quote being "it's the second one of the third pair I knitted, and I put up three score stitches, and I dropped four of them".
There is also some doubt about whether Aran sweaters were ever widely used by fishermen and many argue that the orignal sweaters which with their untreated yarn would not have been suitable for this use. They were quite thick and stiff, which would probably restrict the movements of a fisherman. On the other hand these garments were the only form of hardy clothing they had to weather the Atlantic Ocean storms in. Islanders can be seen wearing them in photographs taken early in the last century.
While in the past the majority of sweaters and other Aran garments were knit by hand, today the majority of items on sale in Ireland and elsewhere are either machine knit or produced on a hand loom. There are very few people still knitting sweaters by hand on a commercial basis.
Machine knit sweaters tend to use finer wool and have less complex patterns, since many of the traditional stitches cannot be reproduced this way. They are the least expensive option. Hand looming allows more complicated stitches to be used, will have more stitches to the inch and be thicker. The best quality hand loomed sweaters are almost indistinguishable from hand knit. Hand knit sweaters tend to be more tightly knit, to have more complex stitch patterns and to be longer lasting and they attract a significant price premium.
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