Apocalypse (En Sabah Nur) is a Marvel Comics supervillain, one of the foremost enemies of the X-Men. Apocalypse was created by Louise Simonson and Jackson Guice and first fully appeared in X-Factor #6 (June 1986). Apocalypse is a virtually immortal mutant bonded with extra-terrestrial technology. He has a longstanding association with many X-Men characters.
Apocalypse is most often accompanied by four servants, the Four Horsemen of Apocalypse, a nod to the Horsemen of the Book of Revelation, and named after each.
Apocalypse is perhaps the first mutant, born in mid-30th century BC Egypt. After coming to mutant power, he appears as a death god in several ancient mythologies. However, he has been most active in the late 20th and 21st centuries AD when mutants became a sizable part of the human population. He sees this as an age to implement his extreme Darwinian eugenic philosophy: only the fittest have the right to survive.
A popular X-Man adversary, he played vital roles in 1990s-era “event” storylines “The Age of Apocalypse” and “_The_Twelve#The_Twelve.”
He was also featured prominently in the 1990s X-Men animated series, its successor Evolution and the video game Rise of Apocalypse.
En Sabah Nur earned the right to adulthood at seventeen by surviving an endurance test in the desert. He and Baal were the only Sandstormers to survive when General Ozymandias attacked their camp. They found refuge in caves, but Baal was killed when the cave collapsed. He told En Sabah Nur to continue on, spreading the Sandstormers' doctrine, with the ultimate goal being the removal of Rama-Tut, a man who arrived in a fantastic ship from the future and discovered by Baal, only to leave and become the Pharaoh of Egypt. When Nur reached the surface, he was quickly enslaved. While a slave, he kept his disfigured lips constantly covered, and Ozymandias' sister, Nephri, became attracted to the mysterious slave.
En Sabah Nur caught the attention of the Pharaoh Rama-Tut, who was actually the time traveling Kang the Conqueror, who came back in time in order to locate the young Apocalypse and take him under his wing. Since Rama-Tut's mission failed, he decided to keep Apocalypse as a slave. En Sabah Nur was thrown into a pit of snakes, but survived when his powers activated. He revealed his face to Nephri, who rejected him for his appearance, and refused to bow to Rama-Tut, who also captured the Fantastic Four, who had traveled back in time. En Sabah Nur was shot by the Pharaoh with the same weapon he used to depower the Fantastic Four. En Sabah Nur was again left to die, but survived with the sudden emergence of his mutant immortality and mass shifting. Rama-Tut then fled, as Apocalypse's power flared. The Fantastic Four went back to their era, thinking the explosion a booby trap. Apocalypse used his abilities to turn Ozymandias into a sand-like being, who would record Apocalypse's accomplishments throughout time. Years later, he revisted Nephri, now an ancient Egyptian Queen, and he mocked her dying beauty, as he was still as he had been years before. He walked away, leaving Egypt.
Centuries later, revealed in X-Force #37, En Sabah Nur discovers a starship created by the alien Celestials in Mongolia. Apocalypse strikes down the ship's guardian, the immortal Saul, and enters the Ship. Unable to understand the technology inside he leaves again, searching the world for a key to the mysteries inside. In Cable & Deadpool #27, he finds this key when the time-traveller known as the Traveller, actually Cable, nearly kills him. The Traveller's techno-organic blood is accidentally mixed with Apocalyse's and Ozymandias returns Apocalypse to the Ship. Inside, Apocalypse finds that his new techno-organic body can link to the Ship and make contact with it. He is transformed and enhanced by Celestial technology, becoming one of the most powerful mutants who will ever live.
An early Horseman of War, leading Apocalypse's armies (The Dark Riders), bests the man who would later become Dracula in single combat. Apocalypse ruthlessly delivers the final blow to him, but Vlad refuses to die.
During the 12th century, Apocalypse encounters crusader Bennet du Paris and awakens his latent mutant powers. Bennet almost immediately rebels but is soundly defeated. Apocalypse places him in suspended animation to remain until the late 20th century when Magneto revives him as his leading Acolyte, Exodus. Apocalypse enters long states of suspended animation to re-energize his body while he awaits for mutants to become more common, letting Clan Akkaba and Ozymandias to act in his stead while he sleeps.
In 1897, Apocalypse is woken by some followers in order to deal once more with Dracula, who is turning members of Clan Akkaba into vampires in order to battle Apocalypse, as revenge for his earlier defeat and the way the Dark Lord previously shamed him. Apocalypse kills one of his leaders as the price for wakening their master. Apocalypse, with Abraham Van Helsing, kills Dracula, although the master vampire would frequently return and suffer many more deaths. The continuation of the Akkaba line is secured by Ozymandias through a disabled but powerful teleporter named Frederick Slade mating with a woman referred to as Miss Ferguson. It can be assumed that Blink is a descendant of Slade's and Ferguson's offspring though it is unclear if her death also constitutes the end of the genetic line. It's also stated that Chamber is a member of this bloodline, since another surviving member of Clan Akkaba had the last name Starsmore and possessed the mutant ability to exhale gouts of flame. The Starsmore family never forgot about Apocalypse, albeit Chamber later rejected them.
Eventually Apocalypse came into conflict with the original incarnation of X-Factor on repeated occasions, first as employer of the Alliance of Evil. Later, when X-Factor member Angel lost his wings, Apocalypse granted him artificial ones in exchange for his servitude. Angel accepted and was reborn as the Horseman Death, but he rebelled. Apocalypse left his Celestial Ship with X-factor, and took the willing Morlock Caliban, who saw Apocalyse as a source for revenge against his fellow Morlocks that were killed in the Mutant Massacre. Apocalypse radically altered Caliban, who would later do Apocalypse's bidding in fighting the X-Men.
Apocalypse later returned to combat the High Evolutionary, and he took several Inhumans to create a team for him, first dubbed The Riders of the Storm, and later renamed simply The Dark Riders.
Apocalypse returned to infect Cyclops' son Nathan with the same Techno Organic Virus derived from the alien technology that gave him his powers. As a result, Nathan was sent to the future for a cure, where he became the time-traveling mutant warrior known as Cable.
Apocalypse again came into conflict with the X-Men, X-Factor, and X-Force when Cable's clone, Stryfe, traveled to the present and attempted to assassinate Professor X and frame Cable for the crime. At the end of this conflict, Apocalypse was apparently killed after a battle on the moon with his former servants, the Dark Riders and left for dead by Archangel.
During this time, Wolverine was held captive by Genesis, who attempted to restore Wolverine's lost adamantium skeleton and claws and turn him into a Horseman as a gift for Apocalypse. However, Wolverine broke free and mutated into a feral state, and then killed Genesis and nearly all of the Dark Riders, with the exception of Gauntlet. During the fight, Cannonball opened the coffin containing Apocalypse's body, but found it empty.
The body was stolen by Ozymandias and Apocalypse was reborn in Uncanny X-Men #335 with Ozymandias at his side. He teamed up with Cable to oppose Onslaught, but Cable stopped him when he tried to kill Franklin Richards.
Later, the storyline of The Twelve unfolded (in January & February 2000). Supposedly lost diaries of the mutant seer Destiny surfaced, telling of twelve beings of fantastic power that could defeat Apocalypse once and for all. These Twelve legend, however, was a ruse created by Apocalypse himself; once the Twelve were assembled, he planned to use them to transform himself into a godlike entity beyond the Celestials. The Twelve, chosen not only for their mutant powers but also for the Jungian quasi-archetypes they represented, consisted of:
Apocalypse planned to funnel the powers of the eleven mutants into The Living Monolith, and then from the Monolith into Nate Grey. As the power flowed into Nate, Apocalypse would possess Nate's body, which he had determined was the only physical body able to withstand such primal energies. Magneto had been weakened in some previous battles, however, so he could not supply enough energy to "complete the circuit," thus shorting it out.
The Twelve escaped and confronted Apocalypse as he was preparing to transfer his essence into Nate. Cyclops jumped in the way of the transfer, saving Nate, but Apocalypse merged with Cyclops instead, giving birth to a whole new horror (unofficially dubbed by some fans as "Cyclopalypse"). Although he did not achieve the godhood he wished, Apocalypse's power was expanded to an incredible degree and he managed to escape in Cyclops' body, with Jean Grey the only one who believed her husband still survived within the form.
After teleporting away, an amnesiac and powerless Cyclops regained control of the merged form. As Apocalypse began to re-emerge, however, Jean and Cable were alerted to his location, and she finally managed to free Cyclops by telepathically forcing Apocalypse's spirit out of her husband's body. Apocalypse was rendered an incorporeal astral form, and Cable took advantage of the opportunity to apparently destroy him, sundering his spirit with his Psimitar.
The techno-organic virus, which Cable long ago infected Apocalypse with, was also revealed to be the means by which Apocalypse was revived. With only a drop of his blood into a vat of organs and blood, the virus would rewrite the genetic code of the material within to form a body for Apocalypse. Due to the events of M-Day, in which most of the mutants lost their powers, Apocalypse was revealed to be alive and well, and awoke from a slumber in a tomb in Akkaba, recalling:
Reappearing inside a Sphinx-shaped ship on the front lawn of the X-Mansion, Apocalypse had three new Horsemen: Gazer (War), Sunfire (Famine) and Polaris (Pestilence). While at the mansion, one of the X-Men switched sides to become a new Horseman Death: Gambit, so he could keep an eye on Apocalypse, although his mind was frayed as a result. He also swayed some of The 198 to side, including Skids, Scalphunter and Fever Pitch.
Cable also revealed that he was responsible for Apocalypse's revival, stating that the mutant community needed a powerful threat to rally against. Believing that the X-Men would inevitably defeat Apocalypse yet again and that it would bring the remaining mutant community together, Cable judged "the risks worth the rewards."
Apocalypse reminded Cable that even if he is defeated, he will return stronger than before to which Cable responded. "Good, the world needs you to be stronger, Apocalypse....It's always helped us be stronger."
In fact there is still another force struggling to keep Apocalypse alive, one that showed its cards when the mutant was going to meet his final, previous, demise at the hands of the X-Men. It was discovered that the Celestials lent their technology to him, requiring as payment greater sufferings later. Apocalypse was going to embrace death as an escape from his lifelong pact, when the Celestials returned him to life. The time for payment has finally come.
He can alter his appearance or the size of his body: he can transform his arms and fists into various melee weapons and grant himself near-limitless superhuman strength and grow to enormous sizes, shapeshift his appearance and form, give himself flight, and more. He also can generate energy due to a combination of his mutant power and Celestial technology in his body.
Apocalypse has demonstrated: telekinesis, telepathy, creation of force fields, concussive force burst projection, and can augment himself further by drawing on various outside energy sources. Apocalypse also demonstrated the ability to teleport himself and other beings (it is unclear if he required amplifying technology to do some of these things).
Apocalypse's original body was immortal. Even before being modified by the Celestial ship, he lived for thousands of years and was highly resistant to injury. With the Celestial modifications, this resistance to harm was amplified, although it is still possible to cause him injury that would not be immediately regenerated by his power. Should he suffer massive injuries that prove potentially fatal, he can enter a coma-like state of suspended animation during which he may recover from his wounds with the assistance of his Celestial technology.
On top of these abilities, Apocalypse has used host bodies of robot-like forms to house his frail body, as demonstrated shortly before he merged with Cyclops: he was an old man inside a hollow shell. It is speculated that this occurred somewhere between his 'death' on the moon at the hands of the Dark Riders and his return shortly before the Twelve storyline.
In the future timeline from which Cable hails, Apocalypse's physical form was no longer able to contain his vast superhuman energies resulting in his original body burning out. Hence, he transferred his consciousness and powers into a succession of host bodies, abandoning each one when it too grew too old to contain his power. This alternate future version of Apocalypse was ultimately defeated in transit from a depreciated body into a potential host body.
Aside from his superhuman powers, Apocalypse is also extraordinarily intelligent, a genius with knowledge of science and technology far beyond that of conventional science. This was not merely a result of his exposure to alien technology, as he was able to make significant new advances beyond the alien materials to which he was exposed.
Apocalypse is also worshipped by a number of cults, like Clan Akkaba and the Dark Riders, and individuals, such as the feline mutant Anais, who still roam the world.
He was thought to be one of the Externals for some time. Recently, Selene claimed that this was not possible. According to Selene, Apocalypse is not a "true" immortal because he depends on technology to enhance his powers. Many claim that her argument is irrational; Apocalypse was alive for several centuries before enhancing himself with technology.
He seems to be killed in this dimension (and in this dimension only) by a single word uttered by the Inhuman Black Bolt, during a Magneto-ordered mission whose goal was to kill the Black Panther (who had already killed Magneto's other lieutenant Sabretooth, beheading him with a sword). There's no actual sign of Apocalypse's corpse, but given that he was at point-blank range when Black Bolt totally destroyed the landscape with his voice, it's most unlikely that he survived.
This Apocalypse wants to pit humans and mutants in a war and rule the stronger race. His first appearance is part of a plotline revolving around an offer to "cure" mutations. It is eventually revealed that Mystique is behind the supposed cure, which will actually work to transform mutants into the Horsemen of Apocalypse.
Apocalypse also appears in a storyline revolving around Cable. In this story, Apocalypse masquerades as a member of the Friends of Humanity, creating a technorganic virus. In Cable's future (3999), Apocalypse still wages his war against humanity and mutantkind, opposed by Cable and his Clan Chosen
In the Beyond Good and Evil storyline, towards the end of the series, Apocalypse attempted to attain godhood by kidnapping telepaths and using them to harness the power of the Axis of Time. Upon his defeat he was forever trapped in the Axis, while his Lazerus Chamber, which he used to periodically regenerate himself, was destroyed. However, in one of the final episodes of the series, Apocalypse is shown to be reborn in the body of Fabian Cortez, whom Apocalypse had turned into his servant prior to the Axis of Time events.
In the animated series Evolution, Apocalypse was first mentioned in a single episode of the second season. The last half of the third season focused on the battle to stop Apocalypse from waking, and he became the main villain for the fourth and final season of the series. He is played by David Kaye.
The origin of this version of Apocalypse is largely the same as the one created in the comics. In the series, Apocalypse had discovered a device left by Rama-Tut (never explicitly said to be Kang) called the Eye of Ages that would turn all humans on Earth into mutants (similar to the device used by Magneto in the X-Men movie, but on a global scale). When Apocalypse tried to power the device, he was weakened, and his high priests, afraid of his power, imprisoned him inside the Eye of Ages and then took him to the top of the Himalayan Mountains and imprisoned him behind three doors.
Centuries later, Apocalypse would be able to use telepathy to reach the world outside his prison and used the hypnotist Mesmero to help unlock the doors. The final door required Mesmero to enlist the aid of Rogue and Mystique—Rogue would use her energy-absorbing power to absorb enough energy from other mutants to revive Apocalypse, and Mystique would use her shape-shifting abilities to unlock the door (turning her to stone in the process). The X-Men and Magneto worked together to stop Mesmero, but they were too late. The awakened Apocalypse defeated them all in an instant and vanished.
Apocalypse's master plan included uncovering pyramids in Mexico, China, and Egypt that would help to relay the Eye of Ages' mutating effect across the globe. To help protect these pyramids, Apocalypse enslaved Magneto, Professor X, Storm, and Mystique to guard the three pyramids and the base hidden under the Sphinx. The X-Men gathered their allies (including modified Sentinels under the command of S.H.I.E.L.D) and launched an offensive against the pyramids. In the end, Rogue stopped Apocalypse by using the power she absorbed from Leech to shut off his mutant abilities and trap him in the Eye of Ages. Wolverine then sent Apocalypse through time using the vessel that Rama-Tut had used to arrive in ancient Egypt. Apocalypse was not killed, but his destination was unknown.
In the series, Apocalypse was originally depicted as a god-like pharaoh with an ethereal white glow. Unlike his comic book counterpart, this version of Apocalypse never spoke, and his powers were never defined. In the final episodes of the series, Apocalypse used Rama-Tut's technology to become a cybernetic being closer to the comic book version, and he began to speak in the grand, self-important tone with which older fans were familiar. Some critics felt the producers had done this to pander to traditionalist fans, feeling that the silent, god-like Apocalypse felt more like a real menace than the talkative, cyborg version he reverted to.
X-Men villains | The 198 Files | Fictional Egyptians | Fictional giants | Fictional immortals | Fictional shapeshifters | Fictional teleporters | Marvel Comics deities | Marvel Comics mutants | Marvel vs. Series characters | Marvel Legends
Apocalipsis (x-men) | Apocalypse (X-Men) | Apocalisse (fumetto) | Apocalipse (HQ) | Tuho (sarjakuvahahmo)
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