The Academy Awards, popularly known as the Oscars, are the most prominent film awards in the United States and most watched awards ceremony in the world. The Awards are granted by the Academy of Motion Picture Arts and Sciences, a professional honorary organization which, as of 2003, had a voting membership of 5,816. Actors (with a membership of 1,311) make up the largest voting bloc. The votes have been tabulated and certified by the auditing firm PricewaterhouseCoopers for 72 years, close to the awards' inception. They are intended for the films and persons the Academy believes have the top achievements of the year. [http://www.oscars.org/aboutacademyawards/voting01.html
The 78th Academy Awards were the most recent ceremony and the next ceremony, the 79th Academy Awards, will take place on February 25, 2007, at the Kodak Theatre in Hollywood. The annual Oscar presentation has been held since 1929.*
The root of the name "Oscar" is contested. One biography of Bette Davis claims that she named the Oscar after her first husband, bandleader Harmon Oscar Nelson. * Another claimed origin is that of the Academy’s Executive Secretary, Margaret Herrick, who first saw the award in 1931 and made reference of the statuette reminding her of her Uncle Oscar (Levy 2003). Columnist Sidney Skolsky was present during Herrick’s naming and seized the name in his byline, "Employees have affectionately dubbed their famous statuette 'Oscar'" (Levy 2003).
However it came to be, both Oscar and Academy Award are registered trademarks of the Academy, and are fiercely protected by the Academy through litigation and threats thereof. The Academy's domain name is oscars.org and the official Web site for the Awards is at oscar.com.
Since 1950 the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for $1. If a winner refuses to agree to this then the Academy keeps the statuette.* Academy Awards not protected by this agreement have been sold in public auctions and private meeting for six figure transactions (Levy 2003).
The members of the various branches nominate those in their respective fields (actors are nominated by the actors' branch, etc.) while all members may submit nominees for Best Picture. The winners are then determined by a second round of voting in which all members are then allowed to vote in all categories.*
The Awards show was first televised on NBC in 1953. NBC broadcast them until 1960 when the ABC Network took over the broadcasting job until 1971 when NBC reassumed the broadcast. ABC again took over broadcast duties in 1976 and is under contract to do so through the year 2014.*
After more than 50 years of being held in late March or early April, the ceremonies were moved up to late February or early March starting in 2004, possibly to avoid ratings conflicts with other TV events such as the NCAA Basketball Tournament.
The awards event itself is a National Special Security Event by the United States Department of Homeland Security.
In the first year of the awards, the Best Director category was split into separate Drama and Comedy categories. At times, the Best Original Score category has been split into separate Drama and Comedy/Musical categories. Today, the Best Original Score category is one category. From the 1930s through the 1960s, the Cinematography, Art Direction, and Costume Design awards were split into separate categories for black and white and color films.
Critics have noted that many Best Picture Academy Award winners in the past have not stood the test of time. Several of these films (Cecil B. DeMille's The Greatest Show on Earth being the example often cited), they argue, have aged poorly and have little of the impact they did on initial release. In another example, critics have pointed out how poorly Ben-Hur the 1959 winner and at the time, one of the highest-grossing movies ever made, has lasted compared to other movies from 1959 such as Rio Bravo and Imitation of Life.
Furthermore, several of the nominees which have lost Best Picture are regarded as masterpieces by many critics. The most obvious example is Citizen Kane, a film that was nominated for eight Oscars but won only one (Best Original Screenplay), and has since come to be regarded by movie buffs and academics as one of the greatest films of all time. Other examples include A Clockwork Orange, Taxi Driver, Apocalypse Now, Raging Bull, etc. Moreover, several other good movies were not nominated to this category, as Singin' in the Rain, Blue Velvet, Vertigo, A Space Odyssey , Psycho, Some Like It Hot, The Last Temptation of Christ, Brazil, Touch of Evil, etc...
It has also been noted that films that go on to win Best Picture, with few exceptions, are dramas, romances, musicals, epics, or films that deal with serious social and political issues. Because of this critics argue that the Academy is biased against genre films such as science fiction, western, animation, comedy, and horror, regardless of artistic merit.
For instance, in the 78 years of the Academy's history, no science fiction film has ever won Best Picture, although a fantasy film, The Return of the King (film) won Best Picture in 2003. To date there have been few Westerns that have won Best Picture. John Ford, a four-time Oscar winner, is today highly regarded for his Western films yet none of the four films for which he won were Westerns.
A related criticism is that actors and actresses who came to prominence primarily in comedy films have to succeed in dramatic films in order to be seriously regarded by the Academy. Only five actors have won Best Actor for playing a comedic role.
Several directors who have been acknowledged as masters (such as Orson Welles, Ingmar Bergman, Federico Fellini, Alfred Hitchcock, Akira Kurosawa, Stanley Kubrick, David Lynch, Robert Altman, and Martin Scorsese) have never won the Best Director award.
A more objective criticism is the increasing influence of lobbying for specific films by the producers and companies behind those films, so that the awards tend to reflect lobbying efforts at the partial expense of reflecting the merits of the film.
Finally, in this article, the actual Academy voting process is called into question, bringing light to a subject many in Hollywood are aware of but few discuss.
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